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Los Hombres Calientes
Los Hombres Calientes was a New Orleans–based jazz group. They are most associated with Latin jazz, especially Afro-Cuban jazz, and contemporary jazz. Their 1998 self-titled debut was praised by the ''New Orleans Times-Picayune''. Bill Summers, Irvin Mayfield and Jason Marsalis were among the founding members. Discography * '' Los Hombres Calientes'' (1998) * ''Los Hombres Calientes Volume 2'' (1999) * ''Los Hombres Calientes Volume 3: New Congo Square'' (2000) * ''Los Hombres Calientes Volume 4: Vodou Dance'' (2003) * ''Los Hombres Calientes Volume 5: Carnival'' (2005) External links *All Music AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...br>Metroactive Music Jazz musicians from New Orleans Latin jazz ensembles Afro-Cuban jazz ensembles American jazz ensembles from New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans
New Orleans ( , ,New Orleans Merriam-Webster. ; french: La Nouvelle-Orléans , es, Nueva Orleans) is a Consolidated city-county, consolidated city-parish located along the Mississippi River in the southeastern region of the U.S. state of Louisiana. With a population of 383,997 according to the 2020 U.S. census, it is the List of municipalities in Louisiana, most populous city in Louisiana and the twelfth-most populous city in the southeastern United States. Serving as a List of ports in the United States, major port, New Orleans is considered an economic and commercial hub for the broader Gulf Coast of the United States, Gulf Coast region of the United States. New Orleans is world-renowned for its Music of New Orleans, distinctive music, Louisiana Creole cuisine, Creole cuisine, New Orleans English, uniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm.{{cite web, Cuba: Son and Afro-Cuban Music, https://worldmusic.net/blogs/guide-to-world-music/cuba-son-and-afro-cuban-music Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.{{cite book , last=Fernandez , first=Raul A. , title=From Afro-Cuban Rhythms to Latin Jazz , url=https://books.google.com/books?id=6WO7YevK_18C&pg=PA6 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans Times-Picayune
''The Times-Picayune/The New Orleans Advocate'' is an American newspaper published in New Orleans, Louisiana, since January 25, 1837. The current publication is the result of the 2019 acquisition of ''The Times-Picayune'' (itself a result of the 1914 union of ''The Picayune'' with the ''Times-Democrat'') by the New Orleans edition of '' The Advocate'' (based in Baton Rouge), which began publication in 2013 as a response to ''The Times-Picayune'' switching from a daily publication schedule to a Wednesday/Friday/Sunday schedule in October 2012 (''The Times-Picayune'' resumed daily publication in 2014). ''The Times-Picayune'' was awarded the Pulitzer Prize for Public Service in 2006 for its coverage of Hurricane Katrina. Four of ''The Times-Picayune'''s staff reporters also received Pulitzers for breaking-news reporting for their coverage of the storm. The paper funds the Edgar A. Poe Award for journalistic excellence, which is presented annually by the White House Correspondents' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Summers (musician)
Bill Summers (born June 27, 1948) is a New Orleans based Afro-Cuban jazz/Latin jazz percussionist, a multi-instrumentalist who plays primarily on conga drums. Career During the 1990s, Summers played with Los Hombres Calientes along with co-leader of the group, trumpeter Irvin Mayfield and Jason Marsalis. However, Summers has a much longer musical career, often working behind the scenes on film scores for various movies such as ''The Color Purple'' and the television miniseries ''Roots'' with Quincy Jones. He also played with Herbie Hancock during The Headhunters years, and is mentioned in passing by the liner notes of The Headhunters' 2003 release ''Evolution Revolution'' as contributing to that recording. His former wife is Yvette Bostic-Summers, who often sings on Los Hombres' albums. Discography As leader * ''Feel the Heat'' (Prestige, 1977) * ''Cayenne'' (Prestige, 1977) * ''Straight to the Bank'' (Prestige, 1978) * ''On Sunshine'' (Prestige, 1979) * ''Call it What You Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irvin Mayfield
Irvin Mayfield Jr. (born December 23, 1977) is an American trumpeter, composer, bandleader and educator. On November 3, 2021, Mayfield was sentenced to 18 months in prison for defrauding the New Orleans public library system from over one million dollars. Biography Irvin Mayfield, who was born in New Orleans, Louisiana, United States, is the youngest of nine children from Joyce Alsanders and Irvin Mayfield Sr. Joyce Alsanders was a schoolteacher in New Orleans’ Upper Ninth Ward. His father, Irvin Mayfield Sr., was a drill sergeant in the United States Army and a boxer who died in the flood after Hurricane Katrina. Growing up, Mayfield Jr. played organ at his church and received his first trumpet when he was in the fourth grade. Music career Mayfield started his musical career in the late 1980s with the Algiers Brass Band, a traditional New Orleans based street act. He graduated from New Orleans Center for Creative Arts NOCCA, and was offered a scholarship to the Juilliard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jason Marsalis
Jason Marsalis (born March 4, 1977) is an American jazz drummer, vibraphone player, composer, producer, band leader, and member of the Marsalis family of musicians. He is the youngest son of Dolores Ferdinand Marsalis and the late Ellis Marsalis, Jr. Musical career Marsalis was born in New Orleans, Louisiana, the son of Dolores (née Ferdinand) and Ellis Louis Marsalis, Jr., a pianist and music professor.Stated on ''Finding Your Roots'', PBS, March 25, 2012 His brothers are Branford Marsalis, Wynton Marsalis, Ellis Marsalis III (1964), Delfeayo Marsalis, and Mboya Kenyatta (1971). Branford, Wynton, and Delfeayo are also jazz musicians. At age 6, Marsalis took lessons from legendary New Orleans drummer James Black. As a teenager, he made his recording debut on Delfeayo Marsalis's 1992 release, ''Pontius Pilate’s Decision''. Marsalis graduated from the New Orleans Center for Creative Arts (NOCCA) and studied percussion at Loyola University New Orleans. He worked as a sideman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Hombres Calientes, Vol
LOS, or Los, or LoS may refer to: Science and technology * Length of stay, the duration of a single episode of hospitalisation * Level of service, a measure used by traffic engineers * Level of significance, a measure of statistical significance * Line-of-sight (other) * LineageOS, a free and open-source operating system for smartphones and tablet computers * Loss of signal ** Fading **End of pass (spaceflight) * Loss of significance, undesirable effect in calculations using floating-point arithmetic Medicine and biology * Lipooligosaccharide, a bacterial lipopolysaccharide with a low-molecular-weight * Lower oesophageal sphincter Arts and entertainment * ''The Land of Stories'', a series of children's novels by Chris Colfer * Los, or the Crimson King, a character in Stephen King's novels * Los (band), a British indie rock band from 2008 to 2011 * Los (Blake), a character in William Blake's poetry * Los (rapper) (born 1982), stage name of American rapper Carlos Col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Musicians From New Orleans
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz Ensembles
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz Ensembles
Afro-Cubans or Black Cubans are Cubans of West African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba thought to emanate from this community and the combining of native African and other cultural elements found in Cuban society such as race, religion, music, language, the arts and class culture. Demographics According to a 2012 national census which surveyed 11.2 million Cubans, 1 million Cubans described themselves as Afro-Cuban or Black, while 3 million considered themselves to be " mulatto" or " mestizo". Thus a significant proportion of those living on the island affirm some African ancestry. Although, there has been much discussion over the actual demographic composition of the island. While the 2012 national census showed that only 11% of Cubans reported themselves to be Afro-Cuban or Black, most international sources and independent studies have shown the proportion of Cubans who are black, or possess significant African gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
