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Looking Back (John Mayall Album)
''Looking Back'' is the seventh album released by John Mayall in August 1969 by Decca Records. The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. The album reached No. 79 on the ''Billboard'' 200. Confusingly, there are two different albums with the title "Looking Back": a Decca UK release as a single album (SKL 5010) and a Decca Germany (issued by TELDEC) release as a double album (DS 3104/1-2). Later issues on CD would use the Deram label. Album description The German Decca release was a double album, whilst the UK Decca release only featured Eric Clapton on one track. However, the German release did not have the title track in its track listing, and the songs are not as rare, with several songs ("Parchman Farm", "Double Crossing Time", "The Super-Natural", "Steppin' Out", "Ramblin' on my Mind", "The Death of J. B. Lenoir", "Checking Up on my Baby", and "I Can't Quit You Baby") already released on The Bluesbreakers' studio albums ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusade (album)
''Crusade'' is the fourth album and third studio album by the British blues rock band John Mayall & the Bluesbreakers, released on 1 September 1967 on Decca Records. It was the follow-up to ''A Hard Road'', also released in 1967. As with their two previous albums, ''Crusade'' was produced by Mike Vernon. The album was the first recordings of the then-18-year-old guitarist Mick Taylor. Track listing Original release All songs by John Mayall except as noted. Expanded release Other versions An expanded edition includes ten more tracks, seven of them already available on the 1971 compilation ''Thru the Years'', though Curly, an energetic guitar instrumental, is edited by more than a minute on Crusade. These recordings were made with earlier lineups, except two versions of "Suspicions", recorded later with a band similar to the ''Crusade'' lineup. A remastered and expanded version of this album was scheduled for release in the UK on 6 August 2007. Personnel ;John Mayall & the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parchman Farm (song)
"Parchman Farm" or "Parchman Farm Blues" is a blues song first recorded by American Delta blues musician Bukka White in 1940. It is an autobiographical piece, in which White sings of his experience at the infamous Mississippi State Penitentiary, otherwise known as Parchman Farm. Jazz pianist-vocalist Mose Allison adapted it for his own "Parchman Farm" and "New Parchman", which are among his most popular songs. Numerous artists have recorded their own renditions, usually based on Allison's songs. Background Early in his recording career in 1937, Bukka White was arrested and convicted for a shooting incident and was sentenced to Parchman Farm prison in rural Sunflower County, Mississippi. The institution was operated as a hard-time prison labor work farm, which was notorious for its harsh conditions and use of the trusty system. His recording of "Shake 'Em On Down" became a hit while he was there and as a result, White became somewhat of a celebrity at the prison. While in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Green (musician)
Peter Allen Greenbaum (29 October 194625 July 2020), known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall's Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green's songs, such as " Albatross", "Black Magic Woman", " Oh Well", "The Green Manalishi (With the Two Prong Crown)" and " Man of the World", appeared on singles charts, and several have been adapted by a variety of musicians. Green was a major figure in the "second great epoch" of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, "He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats." His trademark sound included string bending, vibrato, and economy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Johnson (musician)
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Bracken
James C. Bracken (May 23, 1909 – February 20, 1972) was an American songwriter and the co-founder and co-owner of Vee-Jay Records with his wife Vivian and her brother, Calvin Carter. Life Bracken was born in Oklahoma and grew up in Kansas City. He was living in Chicago when he met Vivian Carter in 1944. In 1950 they founded Vivian's Record Shop in Gary, Indiana, and three years later decided to start their own record company, which they named Vee-Jay from their initials. As well as producing and releasing records through his label, Bracken also wrote some of the songs recorded. During the 1950s and early 1960s Vee-Jay became a major independent record label with acts including Jimmy Reed, John Lee Hooker, Gene Chandler, Jerry Butler, The Four Seasons and, for a time, The Beatles. The company folded in 1966. Bracken died in Los Angeles in 1972. Songwriting credits Bracken is sometimes credited with songs recorded by Vee-Jay artists, such as John Lee Hooker ("Baby Lee", "Dimpl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steppin' Out (James Bracken Song)
"Steppin' Out" (or sometimes "Stepping Out") is a blues-instrumental composition recorded by American blues musician Memphis Slim in 1959. It was released by Vee-Jay Records as a single and on Slim's ''At the Gate of the Horn'' album. Although both releases list L. C. Frazier (another of Memphis Slim/Peter Chatman's pseudonyms) as the writer, Vee-Jay owner James Bracken is often credited on versions by other performers. Memphis Slim's piano provides the opening harmony part, followed by a tenor sax solo and guitar solo by long-time Slim guitarist Matt Murphy. AllMusic critic Bill Dahl calls Murphy's album contribution as "nothing short of spectacular throughout". A live version recorded in 1986 appears on the ''Steppin' Out: Live At Ronnie Scott's, London'' album and video. Eric Clapton renditions Eric Clapton recorded several versions of "Steppin' Out" during his early career. In 1966, he recorded the song with three different bands: with Eric Clapton and the Powerhous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Rush
Otis Rush Jr. (April 29, 1934 – September 29, 2018) was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including Michael Bloomfield, Peter Green and Eric Clapton. Rush was left-handed and played as such; however, his guitars were strung with the low E string at the bottom, upside-down from typical guitarists. He often played with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributed to his distinctive sound. He had a wide-ranging, powerful tenor voice. Early life The son of farmers Julia Campbell Boyd and Otis C. Rush, Rush was born near Philadelphia, Mississippi in 1934. Rush was one of seven children and worked on a farm throughout his childhood. At th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Trouble (Otis Rush Song)
"Double Trouble" is a blues song written and recorded by Chicago blues guitarist Otis Rush in 1958. Since its release as a single in 1959, the song has been recorded by several blues and other artists, including several versions by Eric Clapton. Stevie Ray Vaughan named his band " Double Trouble" after Rush's song. In 2008, Rush's original version was inducted into the Blues Foundation Hall of Fame, who called it a "minor-key masterpiece". Original song "Double Trouble" is a slow tempo twelve-bar blues notated in 4/4 time in the key of D minor. According to biographer Don Snowden, "The song's underlying air of quiet desperation stretched to the breaking point is enhanced by brilliant use of dynamics and some truly mind-boggling, strangled guitar fills near the end." According to Otis Rush, the song's title was inspired by a comment by a woman upon viewing her hand during a card game "trouble, trouble, trouble, trouble, double troubles". The song was produced by Willie Dixo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Hurts Me Too
"It Hurts Me Too" is a blues standard that is "one of the most interpreted blues ongs. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists. Origins "It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931. The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red. Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World". Both songs share several elements with "You Got to Reap What You Sow", recorded by Tampa Red in 1929 and by Leroy Carr and Scrapper Blackwell in 1928. The melody lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
