Long Journey Home (Live In Liverpool)
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Long Journey Home (Live In Liverpool)
''Long Journey Home (Live in Liverpool)'' is an album by the Canadian alt-country band Cowboy Junkies, recorded in Liverpool, England in 2004 and released in 2006. The release includes a concert DVD along with a CD. Only 11 tracks of the 18 that are on the DVD appear on the CD. Track listing CD DVD ;DVD bonus features *Interview with Mike Timmins and Margo Timmins *Interview with Jaro Czerwinec and Jeff Bird *Interview with Alan Anton and Peter Timmins *Soundcheck and behind-the-scenes footage References External links * {{Authority control 2006 live albums Cowboy Junkies live albums ...
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Cowboy Junkies
Cowboy Junkies are an alternative country and folk rock band formed in Toronto, Ontario, Canada in 1985 by Alan Anton (bassist), Michael Timmins (songwriter, guitarist), Peter Timmins (drummer) and Margo Timmins (vocalist). The three Timminses are siblings, and Anton worked with Michael Timmins during their first couple of bands. John Timmins was a member of the band but left the group before the recording of their debut studio album. The band line-up has never changed since, although they use several guest musicians on many of their studio albums, including multi-instrumentalist Jeff Bird who has performed on every album except the first. Cowboy Junkies' 1986 debut studio album, produced by Canadian producer Peter Moore, was the blues-inspired '' Whites Off Earth Now!!'', recorded in the family garage using a single ambisonic microphone. The band gained wide recognition with their second studio album, ''The Trinity Session'' (1988), recorded in 1987 at Toronto's Church of t ...
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32-20 Blues
"32-20 Blues" is a blues song by Delta blues musician Robert Johnson. It was recorded during his second recording session in San Antonio, Texas, United States, on November 26, 1936. The title refers to .32-20 Winchester ammunition, which could be used in handguns as well as smaller rifles. The song is based on the Skip James song "22-20 Blues". The song was released in April the following year on Vocalion Records as a 78 rpm record. It was included on the first reissue of Johnson's songs, ''King of the Delta Blues Singers'' in 1961. In 1990, it was released on compact disc as part of '' The Complete Recordings'' box set. The song has been recorded by many artists, including Muddy Waters, the New York Dolls, Phil Manning, Bob Dylan, John Hammond Jr., Eric Clapton, Alexis Korner, Colin Hodgkinson (playing bass), Flamin' Groovies, Johnny Winter, Gov't Mule, Rory Block, the Peter Green Splinter Group, Keith Richards, Cowboy Junkies, Cassandra Wilson, Rusty Cage, Chain, an ...
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George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indi ...
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Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and sess ...
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Sweet Jane
"Sweet Jane" is a song by American rock band the Velvet Underground; it appears on their fourth studio album '' Loaded'' (1970). The song was written by Lou Reed, the band's leader, who continued to incorporate the piece into live performances as a solo artist. When ''Loaded'' was originally released in 1970, the song's bridge was cut. The box set ''Peel Slowly and See'' (1995) and reissue ''Loaded: Fully Loaded Edition'' restored the missing section. The song also appears on the albums ''Live at Max's Kansas City''; '' 1969: The Velvet Underground Live''; ''Peel Slowly and See''; ''Live MCMXCIII''; '' Loaded: Fully Loaded Edition''; ''American Poet''; ''Rock 'n' Roll Animal''; '' Live: Take No Prisoners''; '' Live in Italy''; ''The Concert for the Rock and Roll Hall of Fame''; '' Rock and Roll: an Introduction to The Velvet Underground''; ''NYC Man (The Ultimate Collection 1967–2003)''; ''Live on Letterman: Music from The Late Show''; and '' Berlin: Live At St. Ann's Warehous ...
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Neil Young
Neil Percival Young (born November 12, 1945) is a Canadian-American singer and songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since the beginning of his solo career with his backing band Crazy Horse (band), Crazy Horse, he has released many critically acclaimed and important albums, such as ''Everybody Knows This Is Nowhere'', ''After the Gold Rush'', ''Harvest (Neil Young album), Harvest'', ''On the Beach (Neil Young album), On the Beach'' and ''Rust Never Sleeps''. He was a part-time member of Crosby, Stills, Nash & Young. His guitar work, deeply personal lyrics and signature high tenor singing voice define his long career. Young also plays piano and harmonica on many albums, which frequently combine folk music, folk, rock music, rock, country music, country and other musical genres. His often distorted electric guitar playing, especially with Cra ...
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Helpless (Crosby, Stills, Nash & Young Song)
"Helpless" is a song written by Canadian singer-songwriter Neil Young, recorded by Crosby, Stills, Nash & Young (CSNY) on their 1970 album ''Déjà Vu''. Young played the song with The Band in the group's final concert with its original lineup, on American Thanksgiving Day 1976 at San Francisco's Winterland Ballroom, with Joni Mitchell providing backing vocals offstage. Personnel *Neil Young–lead vocals, acoustic guitar *David Crosby–harmony vocals *Stephen Stills–harmony vocals, electric guitar, piano *Graham Nash–harmony vocals *Greg Reeves Gregory Allen Reeves (born ) is an American bass guitarist. He is best known for playing bass on Crosby, Stills, Nash & Young's album ''Déjà Vu'' (1970). Early life Reeves grew up in Warren, Ohio, and graduated from Warren Western Reserve Hi ...–bass * Dallas Taylor–drumsSugar Mountain Neil Young Set Lists www.sugarmtn.org/sm_song2.php?song=251 References External linksTranscript of 1995 interview with MOJO magazine ...
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Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and is also one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recor ...
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Alternative Country
Alternative country, or alternative country rock (sometimes alt-country, insurgent country, Americana, or y'allternative), is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, honky-tonk, bluegrass, rockabilly, psychobilly, roots rock, indie rock, hard rock, folk revival, indie folk, folk rock, folk punk, punk rock, cowpunk, blues punk, blues rock, emocore, post-hardcore, and rhythm 'n' blues. Definitions and characteristics In the 1990s the term ''alternative co ...
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Alternative Country
Alternative country, or alternative country rock (sometimes alt-country, insurgent country, Americana, or y'allternative), is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, honky-tonk, bluegrass, rockabilly, psychobilly, roots rock, indie rock, hard rock, folk revival, indie folk, folk rock, folk punk, punk rock, cowpunk, blues punk, blues rock, emocore, post-hardcore, and rhythm 'n' blues. Definitions and characteristics In the 1990s the term ''alternative co ...
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Canadians
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and Multiculturalism, multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World Immigration to Canada, immigrants and their descendants. Following the initial period of New France, French and then the much larger British colonization of the Americas, British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian ...
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At The End Of Paths Taken
''At the End of Paths Taken'' is the tenth studio album by the Canadian alt-country band Cowboy Junkies, released in 2007. Track listing Reception Per PopMatters, the album's emphasis is on family. The musicians are at the point in their lives where their time is divided between their children and their aging parents. One example of ''At the End of Paths Taken'' showcasing family is by having the Timmins' father narrate a segment from his book on "Mountain". Per No Depression, the album does not have a coherent style, with lilting ballads, junkyard clang, gloomy experimentalism, folk, and hymn-like music. Despite the disparate styles, the album is held together by the distinctive voice of Margo Timmins, and somehow the different styles feed off each other, making the album feel like a full and fated journey. Per exclaim!, the album's theme is of slowly unravelling family ties. Margo's voice continues to be the centerpiece of the sound, but on this album it is augmente ...
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