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Lock Step (dance)
Lock step refers to any of several dance steps that involves the "locking" of the moving foot: the moving foot approaches to the standing foot, crosses in front of or behind it in the direction of the approach, stops close to the standing foot, and the weight is fully transferred to the (previously) moving foot. The closeness of the feet so that the lower legs of the dancer are "locked" together crossed is the main difference from other cross-steps used, e.g., in the grapevine, where the moving (crossing) foot travels away from the standing foot and the lower legs are separated. In the whisk the crossing foot travels around the standing foot, rather than "locks" from the direction of approach. The term "lock step" or simply "lock" may be applied either to a single "locking" step or to a whole step pattern, e.g., of three steps, such as "step diagonally forward, lock behind, step diagonally forward". The footwork varies depending on the actual dance figure. Lock steps are popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Step
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopated Lock
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Step
Triple step is a generic term for dance step patterns that describes three steps done on two main beats of music. Usually they are two quick steps and one slow one, i.e., often they are counted as "quick-quick-slow", "one-and-two", "three-and-four", etc. Some dances have a pattern known as such: "triple step". In some other dances it is referred to as the shuffle step. Some triple steps are performed in a chassé-like manner: "side step, together, side step". The " cha-cha chassé" is an example of this kind of a triple step. In some other cases the steps may be done in place. Some dances such as swing dances have several variants of triple step. The 3rd part i.e., cued as ''step'' usually uses half the time of the whole pattern, e.g. one quarter note The ''tri-ple'' part may be danced evenly, e.g., two eighth notes or unevenly (on swung notes), e.g., the first part taking up 2/3s of a beat and the second part 1/3, or the first part taking up 3/4 of the beat and the 2nd part 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chassé
The ''chassé'' (, French for 'to chase'; sometimes anglicized to chasse ) is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology. Varieties There is a large variety of chasses across many dances. Variations include: * The direction may be sideways, diagonal or even curving. * Sizes of steps may vary. This also concerns the second, "Together", step: the moving foot may land right beside the standing foot or leave some space, or even barely move from its previous position. * Timing may vary. Typical timings in ballroom dances are qqS (1/4, 1/4, 1/2) and SaS ("slow-and-slow", 3/8, 1/8, 1/2). * Footwork may vary. The chassé in waltz dancing has several defined forms or ''figures''. Ballet A slide with both legs bent either forwards, backwards or sideways and meeting in the air straightened. It can be done either in a gallop (like children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fishtail (Quickstep)
Fishtail may refer to: Biology *The rearmost fish fin or caudal fin * Fishtail palm (genus ''Caryota'') Transportation *Fishtailing, a problem in car handling *Fishtail Air, a helicopter airline based in Kathmandu, Nepal Places *Fishtail, Montana, a town * Fishtail Point, southernmost point of Shults Peninsula in Antarctica * Fishtail Lake, lake on Vancouver Island in British Columbia, Canada *Fishtail Rock, a geologic feature on Hoi Sham Island, a former island near Hong Kong *Fishtail Butte; see List of mountains in Stillwater County, Montana *Fishtail Lagoon, a body of water in the Keyhaven, Pennington, Oxey and Normandy Marshes *''Machapuchare'', "Fish's Tail", a mountain in Nepal Tools *Fishtail (tool), a wood carving tool and for gardening * Fishtail gauge Clothing *Fishtail parka, a type of anorak such as the US Army's M-65 parka * Fishtail skirt * Fishtail back trousers, a high back design for trousers that is designed for use with Suspenders (American Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viennese Waltz
Viennese waltz (german: Wiener Walzer) is a genre of ballroom dance. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz. What is now called the Viennese waltz is the original form of the waltz. It was the first ballroom dance performed in the closed hold or "waltz" position. The dance that is popularly known as the waltz is actually the English or slow waltz, danced at approximately 90 beats per minute with 3 beats to the bar (the international standard of 30 measures per minute), while the Viennese waltz is danced at about 180 beats (58-60 measures) per minute. To this day however, in Germany, Austria, Scandinavia, and France, the words (German), (Danish, Norwegian, and Swedish), and (French) still implicitly refer to the original dance and not the slow waltz. The Viennese waltz is a rotary dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forward Checked Lock
Forward is a relative direction, the opposite of backward. Forward may also refer to: People * Forward (surname) Sports * Forward (association football) * Forward (basketball), including: ** Point forward ** Power forward (basketball) ** Small forward * Forward (ice hockey) ** Power forward (ice hockey) * In rugby football: ** Forwards (rugby league), in rugby league football ** Forwards (rugby union), in rugby union football * Forward Sports, a Pakistan sportswear brand * BK Forward, a Swedish club for association football and bandy Politics * Avante (political party) (Portuguese for ''forward''), a political party in Brazil * Forward (Belgium), a political party in Belgium * Forward (Denmark), a political party in Denmark * Forward (Greenland), a political party in Greenland * Forward Party (United States), a centrist American political party * Kadima (Hebrew for ''forward''), a political party in Israel * La République En Marche! (sometimes translated as ''Forward!''), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Lock
A lock is a device used for raising and lowering boats, ships and other watercraft between stretches of water of different levels on river and canal waterways. The distinguishing feature of a lock is a fixed chamber in which the water level can be varied; whereas in a caisson lock, a boat lift, or on a canal inclined plane, it is the chamber itself (usually then called a caisson) that rises and falls. Locks are used to make a river more easily navigable, or to allow a canal to cross land that is not level. Later canals used more and larger locks to allow a more direct route to be taken. Pound lock A ''pound lock'' is most commonly used on canals and rivers today. A pound lock has a chamber with gates at both ends that control the level of water in the pound. In contrast, an earlier design with a single gate was known as a flash lock. Pound locks were first used in China during the Song Dynasty (960–1279 AD), having been pioneered by the Song politician and naval eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Six Quick Lock
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruzados Locks
The Cruzados were a 1980s rock band from Los Angeles, California. History The Cruzados were formed in 1983 by the members of The Plugz, featuring members Tito Larriva, Tony Marsico, Steven Hufsteter, Chalo Quintana, The band's self-titled album on Arista Records, ''Cruzados'', was released in 1985 as well as their second album After Dark in 1987. The Cruzados also performed the song "Don't Throw Stones" in the 1989 movie '' Road House''. In 2021 the Cruzados released their third studio album “She’s Automatic” Tito Larriva performs with his band Tito & Tarantula and are best known for their appearance in the film “From Dusk Till Dawn”. Steven Hufsteter performed with his band Shrine” as well as with Tito & Tarantula. Quintana played drums for Bob Dylan, Izzy Stradlin & the JuJu Hounds and Social Distortion. Quintana died in 2018. Marsico became bassist for Bob Dylan, Matthew Sweet, Neil Young, Roger Daltrey and Marianne Faithfull. Rohner became guitarist for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba Locks
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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