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Lobet Den Herren Alle, Die Ihn Ehren
"Lobet den Herren alle, die ihn ehren" (Praise the Lord, all who honour him) is a sacred morning song with a text by Paul Gerhardt and a melody by Johann Crüger, who first published it in the fifth edition of his hymnal '' Praxis Pietatis Melica'' in 1653. The Lutheran hymn is still popular and appears in hymnals including the Protestant '' Evangelisches Gesangbuch'' and the Catholic '' Gotteslob''. History Gerhardt wrote the text of the song in ten stanzas of four lines each. Johann Crüger composed a melody to fit and published it, first with the incipit "Lobet den Herren alle, die ihn fürchten" (... who fear him), in 1653 in the fifth edition of his hymnal '' Praxis Pietatis Melica'', in a section "Tägliche Morgengesänge" (daily morning songs). It is part of many hymnals in German. Georg Thurmair included it as one of several songs by Protestant authors in his hymnal ''Kirchenlied'' in 1938 in the section Morning. It is part of the Protestant '' Evangelisches Gesangbuc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallelujah
''Hallelujah'' ( ; he, ''haləlū-Yāh'', meaning "praise Yah") is an interjection used as an expression of gratitude to God. The term is used 24 times in the Hebrew Bible (in the book of Psalms), twice in deuterocanonical books, and four times in the Christian Book of Revelation. The phrase is used in Judaism as part of the Hallel prayers, and in Christian prayer, where since the earliest times it is used in various ways in liturgies, especially those of the Catholic Church, the Lutheran Churches and the Eastern Orthodox Church, the three of which use the Latin form "alleluia" which is based on the alternative Greek transliteration. Etymology Hallelujah is a transliteration of he, הַלְלוּ יָהּ (), which means "praise ye Jah!" (from , "praise ye!" Page H. Kelley, ''Biblical Hebrew, an Introductory Grammar'', page 169. Ethics & Public Policy Center, 1959. . and , "Jah".) [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Hymns In German
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymns
Lutheranism is one of the largest branches of Protestantism, identifying primarily with the theology of Martin Luther, the 16th-century German monk and reformer whose efforts to reform the theology and practice of the Catholic Church launched the Protestant Reformation. The reaction of the government and church authorities to the international spread of his writings, beginning with the ''Ninety-five Theses'', divided Western Christianity. During the Reformation, Lutheranism became the state religion of numerous states of northern Europe, especially in northern Germany, Scandinavia and the then-Livonian Order. Lutheran clergy became civil servants and the Lutheran churches became part of the state. The split between the Lutherans and the Roman Catholics was made public and clear with the 1521 Edict of Worms: the edicts of the Diet condemned Luther and officially banned citizens of the Holy Roman Empire from defending or propagating his ideas, subjecting advocates of Lutheranism to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Gunsenheimer
Gustav Gunsenheimer (born 10 March 1934) is a German director of church music and a composer of mostly sacred music and chamber music. First an elementary school teacher, he worked for decades as the church musician at St. Lukas in Schweinfurt, where he held annual festivals, conducted a notable choir, was responsible in the Bavarian organization of chorale conductors, and was a lecturer at the music university of Würzburg. Career Born in Kunzendorf, Gunsenheimer left Silesia with his family at the end of World War II. He attended a gymnasium with a focus on old languages in Bamberg, completed with the Abitur in 1954. He studied to be a music teacher at schools. He taught at elementary schools, from 1956 in Bad Königshofen, from 1968 in Schweinfurt. His career as a musician began when he founded and conducted a regional teachers' choir named "Fränkischer Singkreis" (Franconian singing circle). In 1963 he passed the ''Kantorenprüfung'' (church musician's exam) at the . In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncope (music)
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework. In contrast, a chord tone is a note that is a part of the functional chord (see: factor (chord)). Non-chord tones are most often discussed in the context of the common practice period of classical music, but they can be used in the analysis of other types of tonal music as well, such as Western popular music. Nonchord tones are often categorized as ''accented non-chord tones'' and ''unaccented non-chord tones'' depending on whether the dissonance occurs on an accented or unaccented beat (or part of a beat). Over time, some musical styles assimilated chord types outside of the common-practice style. In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F played w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figured Bass
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the bass note. Figured bass is closely associated with basso continuo: a historically improvised accompaniment used in almost all genres of music in the Baroque period of Classical music ( 1600–1750), though rarely in modern music. Figured bass is also known as thoroughbass. Other systems for denoting or representing chords include plain staff notation, used in classical music; Roman numerals, commonly used in harmonic analysis; chord letters, sometimes used in modern musicology; the Nashville Number System; and various chord names and symbols used in jazz and popular music (e.g., C Major or simply C; D minor, Dm, or D−; G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally "messenge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eschatology
Eschatology (; ) concerns expectations of the end of the present age, human history, or of the world itself. The end of the world or end times is predicted by several world religions (both Abrahamic and non-Abrahamic), which teach that negative world events will reach a climax. Belief that the end of the world is imminent is known as apocalypticism, and over time has been held both by members of mainstream religions and by doomsday cults. In the context of mysticism, the term refers metaphorically to the end of ordinary reality and to reunion with the divine. Various religions treat eschatology as a future event prophesied in sacred texts or in folklore. The Abrahamic religions maintain a linear cosmology, with end-time scenarios containing themes of transformation and redemption. In later Judaism, the term "end of days" makes reference to the Messianic Age and includes an in-gathering of the exiled Jewish diaspora, the coming of the Messiah, the resurrection of the righte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Coming Of Christ
The Second Coming (sometimes called the Second Advent or the Parousia) is a Christian (as well as Islamic and Baha'i) belief that Jesus will return again after his ascension to heaven about two thousand years ago. The idea is based on messianic prophecies and is part of most Christian eschatologies. Terminology Several different terms are used to refer to the Second Coming of Christ: In the New Testament, the Greek word ἐπιφάνεια (''epiphaneia'', appearing) is used five times to refer to the return of Christ. The Greek New Testament uses the Greek term ''parousia'' (παρουσία, meaning "arrival", "coming", or "presence") twenty-four times, seventeen of them concerning Christ. However, parousia has the distinct reference to a period of time rather than an instance in time. At parousia is used to clearly describe the period of time that Noah lived. The Greek word ''eleusi''s which means "coming" is not interchangeable with parousia. So this parousia or "p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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