|
Lob Gott Getrost Mit Singen
"" (literally: Praise God confidently with singing) is a Lutheran hymn in German, a paraphrase of the Latin Te Deum, by the Bohemian Brethren. The hymn is part of the Evangelisches Gesangbuch, current Protestant hymnal. The hymn was translated into English as "Praise God, praise God with singing". The hymn tune was used for several hymns in different languages, denominations and centuries. History The text of "" was written by the Bohemian Brethren, in six stanzas as a loose paraphrase of the Latin Te Deum. It has been arttibuted to from Domascbitz near Leitmeritz in Bohemia, a bishop of the Brethren. He published the song in a 1544 hymnal, with a 1532 melody which was originally secular, "Entlaubet ist der Walde". The hymn appears in the German Protestant hymnal as EG 243. It is part of several other hymnals and songbooks. The song was translated into English as "Praise God, praise God with singing", providing four stanzas. Tune and musical settings The tune was first secu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Weihn Der Erde Gaben
"" (We dedicate the gifts of the earth) is a Christian offertory hymn with text by Petronia Steiner to the melody of the 1529 "". It appeared in the first edition of the Catholic hymnal '' Gotteslob'' and is part of its second edition. Several composers wrote settings for use in church. History The text "" was written by Petronia Steiner in 1945, for the offertory during mass. She was born Elisabeth Steiner in 1908 in Venningen, The Palatinate, and became a Dominican nun in 1928, adopting the name Petronia. From 1942, she worked for a new hymnal for the Diocese of Speyer. She became the director of a new school of higher education for girls in Speyer, then called Nikolaus-von-Weis-Schule, in 1953 and remained in the position until 1974. In 1976, she became Superior General (''Generaloberin'') of the "Institut St. Dominikus Speyer" institution. The melody was derived by Michael Töpler in 1832 from an older tune, published in 1526. The hymn was included in the first editi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Hymns In German
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Südwestrundfunk
Südwestrundfunk (SWR; ''Southwest Broadcasting'') is a regional public broadcasting corporation serving the southwest of Germany , specifically the federal states of Baden-Württemberg and Rhineland-Palatinate. The corporation has main offices in three cities: Stuttgart, Baden-Baden and Mainz, with the director's office being in Stuttgart. It is a part of the ARD consortium. It broadcasts on two television channels and six radio channels, with its main television and radio office in Baden-Baden and regional offices in Stuttgart and Mainz. It is (after WDR) the second largest broadcasting organization in Germany. SWR, with a coverage of 55,600 km2, and an audience reach estimated to be 14.7 million. SWR employs 3,700 people in its various offices and facilities. History SWR was established in 1998 through the merger of ''Süddeutscher Rundfunk'' (SDR, Southern German Broadcasting), formerly headquartered in Stuttgart, and ''Südwestfunk'' (SWF, South West Radio), former ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Petzold
Johannes Petzold (24 October 1912 – 19 May 1985) was a German church musician, composer of several hymnal songs and docent at the Thuringian Church Music School. Life Born in Plauen, Vogtland, Petzold, son of a pattern draughtsman in the lace and curtain industry of his home town, studied education in Leipzig 1932–1935, majoring in music. One month after his matriculation he became a member of the "New Saxon Teachers' Association" (30 May 1932). As a result of the Gleichschaltung of the teachers' associations, he belonged to the Nationalsozialistischer Lehrerbund from the Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933-1945.'' CD-Rom-Lexikon, Kiel 2004, . On 7 July 1933, he joined the Sturmabteilung. After graduating, he worked as an orimary school teacher in small villages in the Vogtland and Ore Mountains regions. As a "young teacher" he became a member of the National Socialist German Workers' Party with effect from 1 May 1937. (membership number 5,816,055, date ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Gumpelzhaimer
Adam Gumpelzhaimer, also Adam Gumpeltzhaimer (1559 – 3 November 1625) was a Bavarian composer and music theorist. Born in Trostberg, he studied music with the monk Jodocus Enzmüller. In 1581 he became cantor at the Augsburg Cathedral; a post he maintained until his death there in 1625. He is best known for his compositions of sacred music. He was also a noted collector of the works of Hans Leo Hassler Hans Leo Hassler (in German, Hans Leo Haßler) (baptized 26 October 1564 – 8 June 1612) was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of less known composer Jakob Hassler. He was born in Nü ..., amassing the largest known collection of Hassler's manuscripts and prints. References External links * * * 1559 births 1625 deaths German classical composers German music theorists Renaissance composers German male classical composers {{Germany-musicologist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertraut Den Neuen Wegen
"" (literally: Trust the new ways) is a Christian hymn in German. It was written by Klaus-Peter Hertzsch as occasional poetry for a wedding in East Germany in 1989, shortly before the fall of the Berlin Wall. The text is focused on new ways and trust in God. It is sung to the 1529 melody of "". The hymn is part of the current Protestant hymnal, and of other hymnals. History The text of "" was written in 1989 by Klaus-Peter Hertzsch, a Protestant professor of theology, as occasional poetry for the wedding of his god-daughter. The song in three stanzas was combined with the 1529 melody of "". Written during the last months before the fall of the Berlin Wall The Berlin Wall (german: Berliner Mauer, ) was a guarded concrete barrier that encircled West Berlin from 1961 to 1989, separating it from East Berlin and East Germany (GDR). Construction of the Berlin Wall was commenced by the government ..., the text captures a sense of a new beginning, based on trust in God wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
