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Livio Celiano
Dom Angelo Grillo O.S.B. (1557–1629) was an Italian early baroque poet belonging to the noble Genoese family of the Spinola. He wrote mostly religious verse under his own name, but as Livio Celiano, his pseudonym, he wrote amorous madrigal texts. Biography Born in 1557 to a wealthy Genovese family, Grillo took Benedictine orders as a teenager in 1572. He rose to be abbot of several, including Saint Paul Outside the Walls in Rome, where he was one of the founding members of the Accademia degli Umoristi. Grillo's own religious poems began appearing in anthologies in 1585, and he published his first single-authored collection of ''Rime'' in 1589. A prolific writer, he published several other collections; in 1595 his ''Pietosi affetti'', his masterwork, appeared for the first time. He reworked and expanded the collection, and it was published eleven times by its arrival at a final version, a corpus of more than two thousand poems, in 1629. He died that same year. Impact and le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom (title)
Don (; ; pt, Dom, links=no ; all from Latin ', roughly 'Lord'), abbreviated as D., is an honorific prefix primarily used in Spain and Hispanic America, and with different connotations also in Italy, Portugal and its former colonies, and Croatia. ''Don'' is derived from the Latin ''dominus'': a master of a household, a title with background from the Roman Republic in classical antiquity. With the abbreviated form having emerged as such in the Middle Ages, traditionally it is reserved for Catholic clergy and nobles, in addition to certain educational authorities and persons of distinction. ''Dom'' is the variant used in Portuguese. The female equivalent is Doña (), Donna (), Doamnă (Romanian) and Dona () abbreviated D.ª, Da., or simply D. It is a common honorific reserved for women, especially mature women. In Portuguese "Dona" tends to be less restricted in use to women than "Dom" is to men. In Britain and Ireland, especially at Oxford, Cambridge, and Dublin, the word is use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Degli Umoristi
The Accademia degli Umoristi (Academy of the Humorists) was a learned society of intellectuals, mainly noblemen, that significantly influenced the cultural life of 17th century Rome. It was briefly revived in the first half of the eighteenth century by Pope Clement XI. History The Accademia degli Umoristi, together with the Academy of Arcadia and the ephemeral Academy of the "Notti Vaticane", or "Vatican Nights", founded by St. Charles Borromeo, was one of the main Roman literary academies of the seventeenth century. The society was founded in 1603 by Paolo Mancini and Gaspare Salviani. It began as place for writers and intellectuals to celebrate burlesque and mock-heroic poetry, but soon attracted some of the most prominent literary figures and patrons of the arts in Rome. Thanks to the support and protection that it obtained from Cardinal Francesco Barberini, it became a semi-official institution. Like all the academies of the XV-XVI-XVII centuries, the Accademia degli Umoris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini. Life Little is known about his early life, but he is thought to have been born in Rome, the son of the carpenter Michelangelo Caccini; he was the older brother of the Florentine sculptor Giovanni Caccini. In Rome he studied the lute, the viol and the harp, and began to acquire a reputation as a singer. In the 1560s, Francesco de' Medici, Grand Duke of Tuscany, was so impressed with his talent that he took the young Caccini to Florence for further study. By 1579, Caccini was singing at the Medici court. He was a tenor, and he was able to accompany himself on the viol or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairleigh Dickinson University Press
Fairleigh Dickinson University Press (FDU Press) is a publishing house under the operation and oversight of Fairleigh Dickinson University, the largest private university in New Jersey, which has international campuses in Vancouver, British Columbia and Wroxton, Oxfordshire. History FDU Press was established in 1967 by the university's founder Peter Sammartino, in cooperation with the publisher Thomas Yoseloff, formerly the director of University of Pennsylvania Press. Yoseloff had left this position in the previous year to found Associated University Presses (AUP), intended to operate as a consortium of small-to-medium-sized university presses and publisher/distributor of humanities scholarship. FDU Press became the first participating member of AUP in 1968. Charles Angoff was the chief editor of FDU Press from 1967 to 1977. Harry Keyishian was director of the press from 1977 to 2017, and remains on its Editorial Committee. James Gifford is the current director of FDU Press. Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pomponio Nenna
Pomponio Nenna (baptized 13 June 1556 – 25 July 1608) was a Neapolitan Italian composer of the Renaissance. He is mainly remembered for his madrigals, which were influenced by Gesualdo, and for his polychoral sacred motets, posthumously published as Sacrae Hebdomadae Responsoria in 1622. Life Pomponio Nenna was born in Bari, in Apulia at the Kingdom of Naples. His father, Giovanni Battista Nenna, was a city official in Bari and was the author of "''Il Nennio : nel quale si ragiona di nobiltà''", a book about nobility and virtuous character, published in 1542. Pomponio Nenna probably studied with Stefano Felis in Bari. In 1574 his first pieces of music to be published were four villanelle which were included in the collections of "''Villanelle alla Napolitana''", edited by Giovanni Jacopo de Antiquis, who may also have been one of Nenna's teachers. In 1582 Nenna dedicated his first book of madrigals to Fabrizio Carafa, the Duke of Andria, near Bari. Carafa had nom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salamone Rossi
Salamone Rossi or Salomone Rossi ( he, סלומונה רוסי or שלמה מן האדומים) (Salamon, Schlomo; de' Rossi) (ca. 1570 – 1630) was an Italian Jewish violinist and composer. He was a transitional figure between the late Italian Renaissance period and early Baroque. Life As a young man, Rossi acquired a reputation as a talented violinist. He was then hired (in 1587) as a court musician in Mantua, where records of his activities as a violinist survive. Rossi served at the court of Mantua from 1587 to 1628 as concertmaster where he entertained the ducal family and their highly esteemed guests. The composers Rossi, Monteverdi, Gastoldi, Wert and Viadana provided fashionable music for banquets, wedding feasts, theatre productions and chapel services amongst others. Rossi was so well-thought of at this court that he was excused from wearing the yellow badge that was required of other Jews in Mantua. Rossi probably died either in the invasion of Austrian troops, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuliano Paratico
Giuliano Paratico (1550–1616) was a musician living in Brescia, Northern Italy. He was a notary by profession but also an accomplished musician. His instrument of choice was the chitarrone, and according to contemporaries had a sweet voice. He published two books about his compositions, with the printer Marchetti of Brescia. Delle canzonette a tre voci of Giuliano Paratico only the second book is available, while for the first, only the Bass part is present.Canzonette a tre voci di Giuliano Paratico. Libro secondo, Pietro Maria Marchetti, Brescia 1588 He was a close friend of Angelo Grillo Spinola, prelate, poet, friend and confessor of Torquato Tasso Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between .... The letters of Grillo make still an interesting reading today. Grillo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the ''Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Vecchi
Orazio Vecchi (6 December 1550 (baptized) in Modena – 19 February 1605) was an Italian composer of the late Renaissance. He is most famous for his madrigal comedies, particularly ''L'Amfiparnaso''. Life He was born in Modena, and studied with Salvatore Essenga, a Servite monk there. In addition he prepared for holy orders with early education at the Benedictine monastery, and took holy orders sometime before 1577. By the end of the 1570s he was well-connected with the composers of the Venetian school (for example Claudio Merulo and Giovanni Gabrieli) since he collaborated with them in writing a sestina for a ducal marriage. During this period he accompanied Count Baldassare Rangoni on his travels, going to Bergamo and Brescia. He was ''maestro di cappella'' (director of music) at the Salò cathedral between 1581 and 1584. Following this, he was the choirmaster at the cathedral of Reggio Emilia, until 1586. In that year he moved to Correggio where he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Bonaffino
Filippo Bonaffino ( fl. 1623) was an Italian composer. Life and career Filippo Bonaffino is thought to have been born in Messina. In 1623, he published a book of 18 Madrigali concertati for two to four voices with continuo, titled ''Madrigali concertati a due, tre e quattro Voci per cantar, e sonar nel Clauecimbalo, Chitarrone, ò altro simile Instrumento''. The collection includes a setting of ''Ancidetemi pur'', made popular by Arcadelt in the 16th century, and also two solo songs for bass and continuo dedicated to "Signor Gio nni Watchin (John Watkin), English gentleman." The other songs include settings of text by Luigi Groto, Angelo Grillo, Maurizio Moro, Giambattista Marino and Ottavio Rinuccini Ottavio Rinuccini (20 January 1562 – 28 March 1621) was an Italian poet, courtier, and opera librettist at the end of the Renaissance and beginning of the Baroque eras. In collaborating with Jacopo Peri to produce the first opera, ''Dafne'', in .... Bonaffino died in Messina. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Marino
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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