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Living All Alone
''Living All Alone'' is the seventh album by American soul singer-songwriter Phyllis Hyman. It was released by Philadelphia International Records in 1986. The album contains the title track, which peaked at No. 12 on the ''Billboard'' R&B singles chart and has become one of Hyman's most well-known hits. Track listing Personnel *Phyllis Hyman - vocals, whistling * LeRoy Bell - guitar, drums, percussion * Thom Bell - synthesizer, piano * Carla Benson - backing vocals * Evette Benton - backing vocals * Daryl Burgee - percussion * Terry Burrus - keyboards * Michael Dino Campbell - guitar * Randy Cantor - keyboards * Myra Casales - percussion * Brian Castor - trombone * Joe Fusco - guitar * Steve Green - bass * Reggie Griffin - synthesizer, guitar, saxophone, bass, drum programming, drum machine * Cuca Hyman - backing vocals * Josie James - backing vocals * Casey James - synthesizer, percussion * Ron Jennings - guitar * Juanita Johnson - backing vocals * Ron Kerber - soprano saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyllis Hyman
Phyllis Linda Hyman (July 6, 1949 – June 30, 1995) was an American singer, songwriter, and actress. Hyman is best known for her music during the late 1970s through the early 1990s, some of her most notable songs were "You Know How to Love Me" (1979), "Living All Alone" (1986) and " Don't Wanna Change the World" (1991). Hyman also performed on Broadway in the 1981 musical based on the music of Duke Ellington, ''Sophisticated Ladies'', which ran from 1981 until 1983. The musical earned her a Theatre World Award and a Tony Award nomination for Best Performance by a Featured Actress in a Musical. After an extended struggle with her mental health, Hyman died by suicide in 1995 at her New York City apartment. Early life and early career The eldest of seven children, Hyman was born in Philadelphia, Pennsylvania to Phillip, a World War II veteran, and Louise Hyman, a waitress at a local night club, and grew up in St. Clair Village, the South Hills section of Pittsburgh. Hyman's pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horn Section
A horn section is a group of musicians playing horns. In an orchestra or concert band, it refers to the musicians who play the "French" horn, and in a British-style brass band it is the tenor horn players. In many popular music genres, the term is applied loosely to any group of woodwind or brass instruments, or a combination of woodwinds and brass. Symphonic In a symphony orchestra, the horn section is the group of symphonic musicians who play the French horn (or German horn or Vienna horn). These musicians are typically seated to the back of the ensemble and may be on either side at the director's discretion. Placing them to the left with their bells toward the audience increases the prominence of the section, whereas on the right, the sound reflects off the back of the stage. Most of the time, players are seated right to left from the director's view based on seating, with the principal horn (first horn) being seated on the right and fourth horn seated on the left. The sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Sigler
Walter "Bunny" Sigler (March 27, 1941 – October 6, 2017) was an American R&B singer, songwriter, multi-instrumentalist and record producer who did extensive work with the team of Kenny Gamble and Leon Huff, and was instrumental in creating the "Philly Sound" in the early 1970s. Career Sigler was born in Philadelphia, Pennsylvania, United States, and was nicknamed "Bunny" by his family as a young child. He sang in churches, and joined several local doo-wop groups, including the Opals, in which he sang with his brother James Sigler, Ritchie Rome and Jack Faith. By the late 1950s he had started performing in local venues as a singer and pianist, and he first recorded for the V-Tone Records label in 1959. Leon Huff then recommended him to record producers John Medora and Dave White at Cameo-Parkway Records. His second single for the Parkway label, a medley of two Shirley and Lee hits, " Let the Good Times Roll & Feel So Good", rose on both the national pop and R&B charts, r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Rawls
Louis Allen Rawls (December 1, 1933 – January 6, 2006) was an American record producer, singer, composer and actor. Rawls released more than 60 albums, sold more than 40 million records, and had numerous charting singles, most notably his song "You'll Never Find Another Love like Mine". He worked as a film, television, and voice actor. He was also a three-time Grammy-winner, all for Best Male R&B Vocal Performance. Early life Rawls was born in Chicago on December 1, 1933, and raised by his grandmother in the Ida B. Wells projects on the city's South Side. He began singing in the Greater Mount Olive Baptist Church choir at the age of seven and later sang with local groups through which he met Sam Cooke, who was nearly three years older, and Curtis Mayfield. Career After graduating from Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a gospel group, and then with the Holy Wonders. In 1951, he replaced Cooke in the Highway QC's aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Caldwell
Robert Hunter Caldwell (born August 15, 1951) is an American singer, songwriter and musician. He released several albums spanning R&B, soul, jazz and adult contemporary. He is known for his soulful and versatile vocals. Caldwell released the hit single and his signature song " What You Won't Do for Love" from his double platinum debut album ''Bobby Caldwell'' in 1978. After several R&B and smooth jazz albums, Caldwell turned to singing standards from the Great American Songbook. He wrote many songs for other artists, including the ''Billboard'' Hot 100 No. 1 single "The Next Time I Fall" for Amy Grant and Peter Cetera. Caldwell's music is frequently sampled by hip hop and R&B artists. Career Bobby Caldwell was born in Manhattan, but grew up in Miami, Florida. His mother sold real estate and one of her clients was reggae singer Bob Marley; Caldwell and Marley became friends. Growing up in Miami exposed Caldwell to a variety of music such as Haitian, Latin, reggae and R&B. He g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What You Won't Do For Love (song)
"What You Won't Do for Love" is a song by American singer-songwriter Bobby Caldwell. It was released in September 1978 as the lead single from his eponymous debut album. It was written by Caldwell and Alfons Kettner, and produced by Ann Holloway. The song has been covered and sampled numerous times, including by Tupac Shakur in the posthumous 1998 hit " Do for Love". Background and release After gaining a reputation in Miami clubs as a talented musician, Caldwell was signed to an exclusive contract with TK Records in 1978 by TK Records president Henry Stone. Heading to the studio, Caldwell recorded his first album, which was given a redo after Stone felt the album was good but "didn't have a hit". Caldwell returned to the studio and came up with the final product, which included "What You Won't Do for Love". The song's horn arrangement was written and recorded by Miami arranger Mike Lewis. The song is in the key of F-sharp minor (although the pitch of the commercial track is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loose Ends (band)
Loose Ends (also known as Loose End) are a British R&B band that had several hit records throughout the 1980s and into the 1990s. The trio was formed in London in 1980, initially comprising vocalist and guitarist Carl McIntosh, vocalist Jane Eugene, and keyboard player Steve Nichol. Despite having seen success throughout the 1980s, both Nichol and Eugene left the group in 1989, bringing an end to the band's most successful phase. Career Loose Ends signed with Virgin Records in 1981 under the name 'Loose End'. Some of their debut material was written for them by Chris Amoo and Eddie Amoo, who had achieved UK Singles Chart success of their own in the 1970s, with their group The Real Thing. The trio changed its name to Loose Ends in 1983 and continued to record for Virgin. They were distributed in the U.S. by MCA Records. The group was founded by Steve Nichol after he left the London Guildhall School of Music and Drama. Nichol went on to tour with The Jam in 1982 as a trumpet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Creed
Linda Diane Creed (December 6, 1948 – April 10, 1986), also known by her married name Linda Epstein, was an American songwriter and lyricist who teamed up with Thom Bell to produce some of the most successful Philadelphia soul groups of the 1970s. Career Born in the Mount Airy section of Philadelphia in December 1948, Creed was active in music at Germantown High School. After graduation, Creed decided against college and devoted her energies to writing and producing music. Her career was launched in 1970 when singer Dusty Springfield recorded her song "Free Girl". That same year, Creed teamed with Bell, a staff writer, producer, and arranger at Kenny Gamble and Leon Huff's record label Philadelphia International Records. Their first songwriting collaboration, "Stop, Look, Listen (To Your Heart)", became a Top 40 pop hit for the Stylistics, beginning an extended collaboration that also yielded the group's most successful recordings, including "You Are Everything", "Betcha by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
