Live In Concert 1979
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Live In Concert 1979
''Live in Concert 1979'' is the title of a video by French singer Amanda Lear, first released in 1980. Background The video originally consisted of highlights from Amanda's 1979 concert in Hamburg, Germany, filmed during her heyday as a disco singer and directed by Denis Taranto. The 30-minute material was released in 1980 with different covers as ''Amanda Lear Live'' and ''Live in Concert'' and featured mostly tracks from albums ''I Am a Photograph'', ''Sweet Revenge (Amanda Lear album), Sweet Revenge'' and ''Never Trust a Pretty Face''. Approximately half of the concert repertoire uses Lip-synching in music, lip-synching. In 2008, an expanded version of the video was released on DVD, including more songs, with the live material interspersed with clips from rehearsals. Behind-the-scenes footage is also included where Amanda is seen talking in French, Italian, English and occasionally German. Her husband, Alain-Philippe Malagnac d'Argens de Villèle, whom the singer had married jus ...
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Amanda Lear
Amanda Lear (; born 1939) is a French singer, songwriter, painter, television presenter, actress, and former model. She began her professional career as a fashion model in the mid-1960s, and went on to model for Paco Rabanne, Ossie Clark, and others. She met Spanish surrealist painter Salvador Dalí, and remained his closest friend and muse for the next 15 years. Lear first came into the public eye as the cover model for Roxy Music's album ''For Your Pleasure'' in 1973. From the mid-1970s to the early 1980s, she was a million-album-selling disco queen, mainly in Continental Europe and Scandinavia, signed to Ariola Records. Lear's first four albums earned her mainstream popularity, charting in the top 10 of European charts, including the best-selling '' Sweet Revenge'' (1978). Her bigger hits included "Blood and Honey", " Tomorrow", "Queen of Chinatown", " Follow Me", "Enigma (Give a Bit of Mmh to Me)", "The Sphinx", and "Fashion Pack". By the mid-1980s, Lear had become a leadin ...
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