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Live At The Fillmore Auditorium (Chuck Berry Album)
''Live at the Fillmore Auditorium'' is a live album by the American musician Chuck Berry. He was backed by the Steve Miller Blues Band (which later became better known as the Steve Miller Band). Berry's second live album, it was released in 1967 by Mercury Records. The album was re-released on CD by Rebound Records, with three additional tracks, "Good Morning Little Schoolgirl", " Reelin' and Rockin'" and "My Ding-a-Ling". Incorrectly marked as bonus tracks are "Feelin' It" and "It Hurts Me Too", both of which are on the original album. The Rebound reissue omits "Wee Baby Blues", which is on the original album. An earlier CD reissue by Mercury additionally includes "Bring Another Drink" and "Worried Life Blues". Critical reception ''Rolling Stone'' wrote that "the most interesting cuts are the instrumentals where Berry applies his rock guitar to Chicago blues and the Steve Miller Band comes into the foreground." Track listing All songs written by Chuck Berry except where note ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1925), "Ma Rainey's Black Bottom" (1927), and "Soon This Morning" (1927). Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny B
Johnny B may refer to: * "Johnny B" (song), song by The Hooters * Jonathon Brandmeier (born 1956), American radio personality and musician known as Johnny B See also * ''Johnny Be Good ''Johnny Be Good'' is a 1988 American comedy film directed by Bud S. Smith, starring Anthony Michael Hall as the main character, Johnny Walker. The film also features Robert Downey Jr., Paul Gleason, Steve James, Jennifer Tilly and Uma Thurman. ...'', 1988 American comedy film directed by Bud Smith * " Johnny B. Goode", 1958 rock-and-roll song written and first recorded by Chuck Berry and covered intensively {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Worried Life Blues
"Worried Life Blues" is a blues standard and one of the most recorded blues songs of all time. Originally recorded by Big Maceo Merriweather in 1941, "Worried Life Blues" was an early blues hit and Maceo's most recognized song. An earlier song inspired it and several artists have had record chart successes with their interpretations of the song. Background "Worried Life Blues" is based on "Someday Baby Blues" recorded by Sleepy John Estes in 1935. Estes' song is performed as a vocal and guitar country blues, whereas Maceo's is a prototypical Chicago blues. To illustrate the lyrical differences of the originals, the first few verses are as follows: :"Worried Life Blues" Big Maceo (1941): :"Someday Baby Blues" Sleepy John Estes (1935): Over the years the differences have become blurred by various cover versions of the songs, which use elements from both songs, often combined with new lyrics and variations in the music. Composition and recording Big Maceo recorded "Worried Life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Joe Turner
Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to his rock-and-roll recordings in the 1950s, particularly "Shake, Rattle and Roll", but his career as a performer endured from the 1920s into the 1980s. Turner was inducted into the Rock and Roll Hall of Fame in 1987, with the Hall lauding him as "the brawny voiced 'Boss of the Blues. Career Early days Turner was born May 18, 1911, in Kansas City, Missouri, United States. His father was killed in a train accident when Turner was four years old. He sang in his church, and on street corners for money. He left school at age fourteen to work in Kansas City's nightclubs, first as a cook and later as a singing bartender. He became known as "The Singing Barman", and worked in such venues as the Kingfish Club and the Sunset, where he and his par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Boy Williamson I
John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player, singer and songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of recordings by many pre–World War II blues artists. Under his own name, he was one of the most recorded blues musicians of the 1930s and 1940s and is closely associated with Chicago producer Lester Melrose and Bluebird Records. His popular songs, original or adapted, include "Good Morning, School Girl", " Sugar Mama", " Early in the Morning", and " Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Hurts Me Too
"It Hurts Me Too" is a blues standard that is "one of the most interpreted blues ongs. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists. Origins "It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931. The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red. Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World". Both songs share several elements with "You Got to Reap What You Sow", recorded by Tampa Red in 1929 and by Leroy Carr and Scrapper Blackwell in 1928. The melody lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I'm Your) Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Biography Early life Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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