Live In Concert 2010
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Live In Concert 2010
''Live in Concert 2010'' is the second live album by the Danish power rock band Dizzy Mizz Lizzy. Recorded at the K.B. Hallen on 16–17 April 2010, it documents the band's finale of their 2010 reunion tour. Performing at this venue has a special connotation to the band members, who grew up nearby and saw concerts of their musical heroes growing up. The original building was destroyed by a fire 1.5 years later. The album was released on 8 November 2010 as 2CD/DVD and 2CD/Blu-ray. In Japan, it was released on 27 April on King Records. and includes a sticker sheet and liner notes by Masa Ito. Part of the release is the 80-minute documentary ''Lost Inside a Dream: The Story of Dizzy Mizz Lizzy'',Molin, Theis (2010)"Lost inside a dream: The story of Dizzy Mizz Lizzy" Documentary. which premiered at the Copenhagen International Documentary Festival (CPH:DOX) on 4 November 2010,Svidt, Ole Rosenstand (29 September 2010)"Dizzy Mizz Lizzy gæster CPH:DOX"(Dizzy Mizz Lizzy guests at CPH: ...
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Dizzy Mizz Lizzy
Dizzy Mizz Lizzy is an alternative rock band from Denmark formed in 1988. The power trio consists of Tim Christensen (vocals, guitar, songwriter), Martin Nielsen (bass guitar) and Søren Friis (drums). Between 1994 and 1997, they were highly successful in Denmark and Japan and are credited for heading the 1990s rock revival in DenmarkElsnab, Peter (2000)"Guldfuglen er landet på begge fødder"(Golden bird has landed on both feet). ''GAFFA'', 2000(10), 19–20. Vollertsen, Arne (1993)"Nu rykker energi rocken"(Energy rock is coming). ''GAFFA'', 1993(12), 12. with their studio albums ''Dizzy Mizz Lizzy'' (1994) and '' Rotator'' (1996). After the group disbanded in 1998, Christensen started a successful solo career. In 2010, Dizzy Mizz Lizzy undertook a reunion tour in Denmark and Japan in their original line-up.Christensen, Tim (29 September 2010)"Facebook: Tim Christensen" ''Facebook''. The popularity of '' Live in Concert 2010'', recorded during this reunion, caused the band to ...
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Mix Engineer
A mixing engineer (or simply mix engineer) is responsible for combining ("mixing") different sonic elements of an auditory piece into a complete rendition (also known as "final mix" or "mixdown"), whether in music, film, or any other content of auditory nature. The finished piece, recorded or live, must achieve a good balance of properties, such as volume, pan positioning, and other effects, while resolving any arising frequency conflicts from various sound sources. These sound sources can comprise the different musical instruments or vocals in a band or orchestra, dialogue or foley in a film, and more. The best mixing professionals typically have many years of experience and training with audio equipment, which has enabled them to master their craft. A mixing engineer occupies a space between artist and scientist, whose skills are used to assess the harmonic structure of sound to enable them to fashion desired timbres. Their work is found in all modern music, though ease of u ...
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Monitor Engineer
Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass) and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system. The live sound engineer listens and balances the various audio sources in a way that best suits the needs of the event. Equipment Audio equipment is usually connected together in a sequence known as the signal chain. In live sound situations, this consists of input transducers like microphones, pickups, and DI boxes. These devices are connected, often via multicore cable, to individu ...
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FOH Engineer
Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass) and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system. The live sound engineer listens and balances the various audio sources in a way that best suits the needs of the event. Equipment Audio equipment is usually connected together in a sequence known as the signal chain. In live sound situations, this consists of input transducers like microphones, pickups, and DI boxes. These devices are connected, often via multicore cable, to individu ...
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Tour Manager
A tour manager (or concert tour manager) is the person who helps to organize the administration for a schedule of appearances of a musical group (band) or artist at a sequence of venues (a concert tour). In general, road managers handle tour details for their specific band, while tour managers are used to oversee the logistics, finances and communications for tours as a holistic entity. So, on any given tour, you may have road managers taking care of each band as well as a Tour Manager responsible for caring for the entire tour. Very often, the Tour Manager is also the headlining band's road manager. The performances on a concert tour are booked by the act’s booking agent, who works with concert promoters to place the act in suitable venues and festivals in a time frame and territory agreed with the act’s management. Individual concert promoters negotiate the financial, technical and hospitality requirements of the artist and make an offer to the booking agent for the show. ...
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Music Management
A talent manager (also known as an artist manager, band manager or music manager) is an individual who guides the professional career of artists in the entertainment industry. The responsibility of the talent manager is to oversee the day-to-day business affairs of an artist; advise and counsel talent concerning professional matters, long-term plans and personal decisions which may affect their career.MusicBizAdvice Q&A
January 2008
An artist manager is also a person responsible for hiring and managing the employees in a company. The roles and responsibilities of a talent manager vary slightly from industry to industry, as do the c ...
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Production Manager (music)
The production manager of a musical ensemble is in charge of the technical crew. The technical crew moves independently of the band because the technical crew must arrive at the gig location by the morning of the show to start setting up the equipment. The band members usually arrive much later, just before the event itself. Responsibilities of production manager As the tour is being planned, the Production Manager must contract for services such as lighting, sound, trucking, rigging, bussing, and catering. The competition is fierce between the companies offering such services. Specific discussions must take place between the Production Manager and the providers clarifying the quality of the equipment, management and crew, as well as the prices bid. Martin, George: "Making Music: the Guide to Writing, Performing and Recording", page 214. Quill Press: New York City (1983) After all these major decisions have been made by the Production Manager, a final production meeting is held ...
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Unit Still Photographer
A unit still photographer, or simply a still photographer, is a person who creates film stills, still photographic images specifically intended for use in the marketing and publicity of feature films in the motion picture industry and network television productions. Besides creating photographs for the promotion of a film, the still photographer contributes daily to the filming process by creating set stills. With these, the photographer is careful to record all details of the cast wardrobe, set appearance and background. Cornel Lucas, a pioneer of film portraiture in the 1940s and 1950s, was the first still photographer to be awarded a BAFTA, in 1998, for work with the British Film Industry. Uses in the industry Using individual frames from film or recorded video material is not practical due to their relatively low quality. Much higher resolution images are therefore used. Typically, the end uses of these still photos include the film's theatrical release poster, DVD box a ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Grip (job)
In the United States, Canada and the United Kingdom, grips are camera support equipment technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions: The first is to work closely with the camera department to provide camera support, especially if the camera is mounted to a dolly, crane, or in an unusual position, such as the top of a ladder. Some grips may specialize in operating camera dollies or camera cranes. The second function is to work closely with the electrical department to create lighting set-ups necessary for a shot under the direction of the director of photography. In the UK, Australia and most parts of Europe, grips are not involved in lighting. In the "British System", adopted throughout Europe and the British Commonwealth (excluding Canada), a grip is solely responsible for camera mounting and support. The term "grip" is derived from an older te ...
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Cinematographer
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography. The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with director’s vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director ...
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Designer
A designer is a person who plans the form or structure of something before it is made, by preparing drawings or plans. In practice, anyone who creates tangible or intangible objects, products, processes, laws, games, graphics, services, or experiences can be referred to as a designer. Overview Historically, the main area of design was regarded as only architecture, which was understood as the major art. The design of clothing, furniture, and other common artifacts were left mostly to tradition or artisans specializing in hand making them. With the increasing complexity in industrial design of today's society, and due to the needs of mass production where more time is usually associated with more cost, the production methods became more complex and with them, the way designs and their production are created. The classical areas are now subdivided into smaller and more specialized domains of design (landscape design, urban design, interior design, industrial design, furniture d ...
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