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Live At The Village Vanguard (Junko Onishi Album)
''Live at the Village Vanguard'' was the third album by Japanese pianist Junko Onishi, released on September 21, 1994, in Japan. It was released on May 2, 1995, by Blue Note Records. This album was the first live recording of a Japanese jazz musician at the Village Vanguard. Reception The Allmusic review by Scott Yanow stated, " This is a memorable set. When pianist Junko Onishi performs songs from the likes of Charles Mingus ("So Long Eric"), John Lewis ("Concorde"), and Ornette Coleman ("Congeniality"), she interprets each of the tunes as much as possible within the intent and style of its composer. "So Long Eric," although performed by her trio, gives one the impression at times that several horns are soloing together; in addition, polyrhythms are utilized part of the time, Ornette's "Congeniality" has a strong pulse but fairly free improvising, while "Concorde" sounds both distinguished and full of blues feeling, like John Lewis himself. Onishi's exploration of "Blue Sk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junko Onishi (musician)
is a Japanese jazz pianist; she plays in the post-bop genre. Early career After studying at Berklee College of Music, Onishi moved to New York City, where she played with Joe Henderson, Betty Carter, Kenny Garrett, and Mingus Dynasty. She has also worked with Jackie McLean, Holly Cole, and Billy Higgins, among others, and recorded eight CDs for Blue Note (Somethin' Else in Japan) as a leader. In May 1994, Junko Onishi played for a week at the Village Vanguard, with Wynton Marsalis's sidemen, bassist Reginald Veal, and drummer Herlin Riley. Although she lists Duke Ellington, Thelonious Monk, and Ornette Coleman as her primary influences, her playing is also reminiscent of McCoy Tyner and contemporaries such as Kenny Kirkland and Mulgrew Miller. Onishi appeared in the documentary ''Blue Note: A Story of Modern Jazz'' (1997), playing the song "Trinity" ("Quick") from her album ''Play, Piano, Play''. Hiatus and later career Onishi stopped performing in the late 1990s, havin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concorde (album)
''Concorde'' is an album by the Modern Jazz Quartet, recorded in New York on July 2, 1955, and first released that year as an LP, Prestige 7005, with liner notes by Ira Gitler. The album was reissued in 2008 as part of the Rudy Van Gelder Remasters collection. The album is the first to feature drummer Connie Kay, who replaced Kenny Clarke in 1955. It is also the first Modern Jazz Quartet LP conceived from the beginning as a long playing record; previous MJQ recordings had been released as 78's, 10 inch 33's or reissues of these formats on a 12-inch LP. The liner notes acknowledge the additional playing time of the LP format by asking the listener to regard this album as a performance set "at one of America's leading jazz rooms". Reception Writing for AllMusic, Lindsay Planer described the transition between percussionists as "both smooth and sensible". He highlighted the interpretation of the songs in the Gershwin medley as "nothing short of definitive", saying that "All ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mastering Engineer
A mastering engineer is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analog or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution, whether by physical media such as a CD, vinyl record, or as some method of streaming audio. Education and experience The mastering engineer is responsible for a final edit of a product and preparation for manufacturing copies. Although there are no official requirements to work as an audio mastering engineer, practitioners often have comprehensive domain knowledge of audio engineering, and in many cases, may hold an audio or acoustic engineering degree. Most audio engineers master music or speech audio material. The best mastering engineers might possess arrangement and production skills, allowing them to ' trouble-shoot' mix issues and improve the final sound. Generally, good mastering skills are based on experience, resulting f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jim Anderson (sound Engineer)
Jim Anderson is a recording engineer and producer for acoustic music in the recording, radio, television, and film industries. Early career Anderson attended Pittsburgh's Duquesne University. He worked at the public radio station, WDUQ-FM and was later employed for six years at National Public Radio as a broadcast technician. Awards Anderson's recordings have received 11 Grammy-awards and 26 Grammy nominations. In broadcasting, his work has received two Peabody Awards for radio programs and two Emmy Award nominations for television programs. Anderson's surround mix of Patricia Barber's "Modern Cool" won the Grammy for Best Surround Album in 2013. Jane Ira Bloom's ''Sixteen Sunsets'' received a Grammy nomination for Best Surround Album in 2014. In 2018, Anderson's mix of Jane Ira Bloom's ''Early Americans ''Early Americans'' is a studio album by American jazz saxophonist Jane Ira Bloom. The album was released on May 13, 2016, by Outline Records label. This is her 16th album a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shape Of Jazz To Come
''The Shape of Jazz to Come'' is the third album by jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California.Kaplan, Fred M. "Ch. 22 – The Shape of Jazz to Come." 1959: The Year Everything Changed. Hoboken, NJ: John Wiley & Sons, 2009. 198–211. Print. Although Coleman initially wished for the album to be titled ''Focus on Sanity'' after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP." In 2012, the Library of Congress added the album to the National Recording Registry. The album was included in the ''Rolling Stone'' list of the 500 greatest albums of all time. AllMusic called it one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
