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Live At The London Palladium
''Live at the London Palladium'' is a live double album by soul musician Marvin Gaye, released March 15, 1977, on Tamla Records. Recording sessions took place live at several concerts at the London Palladium in London, England, in October 1976, with the exception of the hit single "Got to Give It Up", which was recorded at Gaye's Los Angeles studio Marvin's Room on January 31, 1977. ''Live at the London Palladium'' features intimate performances by Gaye of many of his career highlights, including early hits for Motown and recent material from his previous three studio albums. As with his previous live album, ''Marvin Gaye Live!'', production of the record was handled entirely by Gaye, except for the studio portion, "Got to Give It Up", which was managed by Art Stewart. ''Live at the London Palladium'' received a surprising and significant amount of critical recognition for a live album following its initial release. Critical reviews of the album were positive compared to the mil ...
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Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ...
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Hit Single
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ...
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Drug Addiction
Addiction is a neuropsychological disorder characterized by a persistent and intense urge to engage in certain behaviors, one of which is the usage of a drug, despite substantial harm and other negative consequences. Repetitive drug use often alters brain function in ways that perpetuate craving, and weakens (but does not completely negate) self-control. This phenomenon – drugs reshaping brain function – has led to an understanding of addiction as a brain disorder with a complex variety of psychosocial as well as neurobiological (and thus involuntary) factors that are implicated in addiction's development. Classic signs of addiction include compulsive engagement in rewarding stimuli, ''preoccupation'' with substances or behavior, and continued use despite negative consequences. Habits and patterns associated with addiction are typically characterized by immediate gratification (short-term reward), coupled with delayed deleterious effects (long-term costs). Examples o ...
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Let's Get It On
''Let's Get It On'' is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP. Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, ''Let's Get It On'' also incorporates smooth soul and doo-wop styles alongside sexually suggestive lyrics, leading to one writer's description of it as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality. Following the breakthrough success of his socially conscious album '' What's Going On'' (1971), ''Let's Get It On'' helped establish Gaye as a sex icon and broadened his ...
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Janis Hunter
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances wer ...
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Anna Gordy
Anna Ruby Gaye (née Gordy; January 28, 1922 – January 31, 2014) was an American businesswoman, composer and songwriter. An elder sister of Motown founder Berry Gordy, she became a record executive in the mid-to-late 1950s distributing records released on Checker and Gone Records before forming the Anna label with Billy Davis and her sister Gwen Gordy Fuqua. Gordy later became known as a songwriter for several hits including the Originals' "Baby, I'm for Real", and at least two songs on Marvin Gaye's '' What's Going On'' album. The first wife of Gaye, their turbulent marriage later served as inspiration for Gaye's 15th studio album, ''Here, My Dear''. Biography Life and career Born Anna Ruby Gordy on January 28, 1922, in Oconee, Georgia, she was the third-eldest child of Berry Gordy Sr. (Berry Gordy II) and Bertha Ida (née Fuller) Gordy's eight children. Into her first year, Gordy's family relocated to Detroit. Following graduation from high school in 1940, Gordy relocate ...
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Berry Gordy
Berry Gordy III (born November 28, 1929), known professionally as Berry Gordy Jr., is a retired American record executive, record producer, songwriter, film producer and television producer. He is best known as the founder of the Motown record label and its subsidiaries, which was the highest-earning African-American business for decades. As a songwriter, he composed or co-composed a number of hits including "Lonely Teardrops" and "That's Why" ( Jackie Wilson), "Shop Around" (the Miracles), and "Do You Love Me" (the Contours), all of which topped the US R&B charts, as well as the international hit "Reet Petite" ( Jackie Wilson). As part of the Corporation, he wrote many hit songs for the Jackson 5, including "I Want You Back" and "ABC". As a record producer, he launched the Miracles and signed acts like the Supremes, Marvin Gaye, the Temptations, the Four Tops, Gladys Knight & the Pips, and Stevie Wonder. He was known for carefully directing the public image, dress, manners, an ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or Single (music), single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl record, vinyl albums have been reissued on Red Book (audio CD standard), CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on Super Audio CD, SACD, DVD-Audio, digital music downloads, and on streaming media, music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current ...
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Digital Remastering
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape w ...
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Billboard Chart
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in ''Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow th ...
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Record Production
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists d ...
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