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Live At Ronnie Scott's (video)
''Live at Ronnie Scott's'' is a live long-form video by British recording artist Lisa Stansfield. It was released in July and August 2005 in Europe. The DVD captures Stansfield's weeklong sold-out residency at the Ronnie Scott's Jazz Club in London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ... in 2002. It documents her critically acclaimed performance on the stage that has become home to some of the most famous and talented names in the music business over the past fifty years. Stansfield performed a mix of jazz favourites, along with some of her greatest hits. "That was hard work but I'd like to do more intimate performances like that," Stansfield said. "You're up close and personal to the audience and so it's very real." Track listing Release history References ...
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Lisa Stansfield
Lisa Jane Stansfield (born 11 April 1966) is an English singer, songwriter, and actress. Her career began in 1980 when she won the singing competition ''Search for a Star''. After appearances in various television shows and releasing her first singles, Stansfield, along with Ian Devaney and Andy Morris, formed Blue Zone in 1986. The band released several singles and one album, but after the success of Coldcut's "People Hold On" in 1989, on which Stansfield was featured, the focus was placed on her solo career. Stansfield's first solo album ''Affection'' (1989) and its worldwide chart-topping lead single " All Around the World" were major breakthroughs in her career. She was nominated for two Grammy Awards, and ''Affection'' is her best-selling album to date. In the following years, Stansfield released '' Real Love'' (1991), '' So Natural'' (1993), and '' Lisa Stansfield'' (1997). In 1999 she appeared in her first film, ''Swing'', and also recorded the soundtrack for it. Her nex ...
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The Real Thing (Lisa Stansfield Song)
"The Real Thing" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her 1997 eponymous album. It was released as the first proper single from ''Lisa Stansfield'' in Europe, Australia and Japan on 10 March 1997, after "People Hold On" (The Bootleg Mixes). The song is written by Stansfield and Ian Devaney, and produced by Devaney and Peter Mokran. The CD single included remixes created by prominent US and UK producers: Mark Picchiotti, K-Klass and the Dirty Rotten Scoundrels. "The Real Thing" reached number ten in Italy and number nine on the UK Singles Chart. In August 1997, it was featured on the '' Money Talks'' soundtrack. Later, it was included on ''The Remix Album'' and '' Biography: The Greatest Hits''. In 2014, remixes of "The Real Thing" were included on the deluxe 2CD + DVD re-release of ''Lisa Stansfield''. Additional remixes were featured on '' People Hold On ... The Remix Anthology'' (2014). The previously unreleased remix, Silk's Real Ho ...
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Barry White
Barry Eugene Carter (September 12, 1944 – July 4, 2003), better known by his stage name Barry White, was an American singer and songwriter. A two-time Grammy Award winner known for his bass voice and romantic image, his greatest success came in the 1970s as a solo singer and with The Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits: "Can't Get Enough of Your Love, Babe" and " You're the First, the Last, My Everything". White recorded 20 studio albums during the course of his career, but multiple versions and compilations were released worldwide that were certified gold, 41 of which also attained platinum status. White had 20 gold and 10 platinum singles, with worldwide record sales in excess of 100 million records, and is one of the best-selling music artists of all time. His influences included James Cleveland, Ray Charles, Aretha Franklin, The Supremes, the Four Tops and Marvin Gaye. Early life White was born B ...
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Never, Never Gonna Give Ya Up
"Never, Never Gonna Give Ya Up" is a song written, produced and recorded by American singer and songwriter Barry White for his second album, '' Stone Gon''' (1973). In October 1973, it was released as the first single in the United States and reached number two on the Hot R&B/Hip-Hop Songs and number seven on the ''Billboard'' Hot 100. It became a gold record. In Europe, it was issued in early 1974 and peaked at number 14 on the UK Singles Chart. Track listings * Australian 7" single #"Never, Never Gonna Give Ya Up" – 3:58 #"I've Found Someone" – 5:55 * European 7" single #"Never, Never Gonna Give Ya Up" – 3:58 #"Honey Please, Can't Ya See" – 2:54 * UK 7" single #"Never, Never Gonna Give Ya Up" – 3:05 #"Standing in the Shadows of Love" – 3:00 * North American 7" (original) single #"Never, Never Gonna Give Ya Up" (short version) – 3:05 #"Never, Never Gonna Give Ya Up" (long version) - 4:44 * North American 7" (re-release) single #"Never, Never Gonna Give Ya Up" ...
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All Woman
"All Woman" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her second album, '' Real Love'' (1991). It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. It was released as the second single on 9 December 1991 in the United Kingdom and in early 1992 in the rest of the world. The Nick Brandt-directed music video was also released. The song reached number twenty in the United Kingdom. In the United States, it peaked at number fifty-six on the ''Billboard'' Hot 100, number one on the Hot R&B/Hip-Hop Songs chart and number twenty-one on the Adult Contemporary Singles chart. The single's B-side included previously unreleased track, "Everything Will Get Better." The latter was remixed by Danny Tenaglia and reached number thirty-six on the Hot Dance Club Songs. In 2003, "All Woman" was included on '' Biography: The Greatest Hits''. In 2014, the remixes of "Everything Will Get Better" were included on the del ...
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Live Together
"Live Together" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her debut album, ''Affection'' (1989). It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. It was released as the third European single on 29 January 1990, and included previously unreleased song "Sing It" and remixes of "Live Together" created by Massive Attack and Steve Anderson. It became a hit in Europe, reaching top ten in the Netherlands, Belgium, the UK and Italy, and top forty in other European countries. In 2003, it was included on '' Biography: The Greatest Hits''. In 2014, the remixes of "Live Together" and "Sing It" were included on the deluxe 2CD + DVD re-release of ''Affection'' and on '' People Hold On ... The Remix Anthology'' (also on '' The Collection 1989–2003''). Chart performance "Live Together" was quite successful on the charts in Europe, entering the top 10 in Belgium (7), Italy (10), the Netherlands (5) and the U ...
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Change (Lisa Stansfield Song)
Change or Changing may refer to: Alteration * Impermanence, a difference in a state of affairs at different points in time * Menopause, also referred to as "the change", the permanent cessation of the menstrual period * Metamorphosis, or change, a biological process by which an animal physically develops after birth or hatching * Personal development, or personal change, activities that improve awareness and identity * Social change, an alteration in the social order of a society * Technological change, invention, innovation, and diffusion of technology Organizations and politics * Change 2011, a Finnish political party * Change We Need, a slogan for Barack Obama's 2008 presidential campaign * Change.gov, the transition website for the incoming Obama administration in 2008–2009 * Change.org, a petition website operated by Change.org, Inc. * Communities Helping All Neighbors Gain Empowerment (CHANGE), a civic organization based in Winston-Salem, North Carolina * Movement for ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studyin ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards " Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera '' Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershw ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Arthur Herzog Jr
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a mat ...
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Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit " What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out c ...
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