All Woman

"All Woman" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her second album, '' Real Love'' (1991). It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. It was released as the second single on 9 December 1991 in the United Kingdom and in early 1992 in the rest of the world. The Nick Brandt-directed music video was also released. The song reached number twenty in the United Kingdom. In the United States, it peaked at number fifty-six on the ''Billboard'' Hot 100, number one on the Hot R&B/Hip-Hop Songs chart and number twenty-one on the Adult Contemporary Singles chart. The single's B-side included previously unreleased track, "Everything Will Get Better." The latter was remixed by Danny Tenaglia and reached number thirty-six on the Hot Dance Club Songs.

In 2003, "All Woman" was included on '' Biography: The Greatest Hits''. In 2014, the remixes of "Everything Will Get Better" were included on the deluxe 2CD + DVD re-release of ''Real Love'' (also on ''The Collection 1989–2003'').

Composition and lyrics

Written by Stansfield with Ian Devaney and Andy Morris, the song's lyrics is told from the perspective of a hardworking and long-suffering housewife who is hurt by her husband's insensitive remarks. Telling about a typical day in her life, the lyrics starts off describing the end of that day. Her man comes home from work, worn and weary, only to snap at the toll the day's labors have taken on her appearance. Considine, J.D. (1992). "She's The Heart And The Soul Of 'All Woman'". ''The Baltimore Sun''. – via '' The Record''. (4 August 1992).

J.D. Considine from ''The Baltimore Sun'' said about the lyrics, "It's an archetypal romantic confrontation, starting off with tempers flaring and ending with a tender reconciliation. And unlike a lot of love songs, it seemed to spring from real life, not fantasy-land." Larry Flick from ''Billboard'' felt that the lyrics are "poignant". Clark and DeVaney from '' Cashbox'' viewed them as "a cry for renewed love in relationships that have lost their spark and gently reminds us of the complacency trap couples fall into when they start to take each other for granted." Dave Sholin from the ''Gavin Report'' described the lyrics as a "slice of real life ostir human emotions". Parry Gettelman from ''Orlando Sentinel'' felt the song has the "best lyrics" on the album, "about a woman whose marriage has gone stale: ''Yes, I look a mess, but I don't love you any less''." Mike Joyce from ''The Washington Post'' remarked that they "explore the darker side of a working-class relationship, a portrait that is, by turns, despairing, defiant and optimistic."

Critical reception

AllMusic editor Alex Henderson complimented the song as a "poigant and heartbreaking ballad". J.D. Considine from ''The Baltimore Sun'' felt it "had the feel of an instant classic. "All Woman" seems to be an instant masterpiece, the sort of soul song that will sound just as fresh in 20 years as it does today." David Taylor-Wilson from ''Bay Area Reporter'' stated that it’s the ballad "that's going to sell this set." Larry Flick from ''Billboard'' described it as a "deeply affecting ballad", and "easily Stansfield's strongest performance to date; she is caressed by muted strings and a soft, R&B-grounded bass line." He also noted that the song "reveal a distinctive and confident style." Another editor declared it as "glorious". A reviewer from ''Boston Herald'' wrote that the "husky-voiced singer purrs through a string of lushly orchestrated dance/pop love ballads", as "All Woman". Clark and DeVaney from '' Cashbox'' commented, "This beautifully sung, tender and soulful ballad".

Dave Sholin from the ''Gavin Report'' noted that Stansfield "puts all her heart" into the song. Another editor stated, "Lest there by any doubt...Ms. Stanfield can carry a tune and this song of feminine affirmation is a home run." Daniel S. Housman from '' Miscellany News'' declared it as "a smoldering ballad". Pan-European magazine ''Music & Media'' wrote that it is a "smooth ballad, not heard anymore since the top days of Shirley Bassey", adding that Stansfield "should be an excellent choice to sing lead on a future 007 soundtrack." Stephen Holden from ''Rolling Stone'' called it a "gem" from the ''Real Love'' album, "that sounds tailor-made for Gladys Knight, although Knight would have a hard time topping Stansfield's version." Caroline Sullivan from ''Smash Hits'' felt that "she raises the hairs on your neck". Mike Joyce from ''The Washington Post'' named "All Woman" "the album's most moving performance", having Stansfield venturing "far beyond the usual radio fodder".Joyce, Mike (22 December 1991). "Britain's Gutsy, Lusty Female Vocalists". ''The Washington Post''. p. G08.

Track listings

* European/US 7" single / Japanese CD single
#"All Woman" (Edit) – 4:49
#"Everything Will Get Better" – 5:00

* European CD single
#"All Woman" (Edit) – 4:49
#"Everything Will Get Better" (Extended Mix) – 8:03
#"Change" (Metamorphosis Mix) – 7:04

* US 12" single
#"All Woman" – 5:16
#"Everything Will Get Better" ( Sax on the Beach Mix) – 6:35
#"Everything Will Get Better" (Ian & Andy 12") – 8:01
#"Everything Will Get Better" (Underground Club Mix) – 9:54

Charts

Weekly charts

Year-end charts

See also

* List of number-one R&B singles of 1992 (U.S.)

References

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Lisa Stansfield songs
1991 singles
Songs written by Lisa Stansfield
Songs with feminist themes
1991 songs
Arista Records singles
Songs written by Ian Devaney
Songs written by Andy Morris (musician)
Soul ballads
1990s ballads