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Little Games
''Little Games'' is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most. Although the new lineup was becoming more experimental with longer, improvised concert performances, the Yardbirds' record company brought in successful singles producer Most to coax out more commercial product. However, neither material that properly presented their new approach nor hit singles were forthcoming. The release of the title track "Little Games" that preceded the album did not reach the singles chart in the UK and consequently the album was not released there. However, the album saw limited release in the US, Germany, and New Zealand, but only reached number 80 in the US. ''Little Games'' became the Yardbirds' final studio album, although Most continued to produ ...
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The Yardbirds
The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band started the careers of three of rock's most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of ''Rolling Stone'' magazine's list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including " For Your Love", "Heart Full of Soul", "Shapes of Things" and "Over Under Sideways Down". Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s. Some rock critics and historians also cite their influence on the later punk rock, progressive rock and heavy m ...
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The Train Kept A-Rollin'
"Train Kept A-Rollin'" (or "The Train Kept A-Rollin'") is a song first recorded by American jazz and rhythm and blues musician Tiny Bradshaw in 1951. Originally performed in the style of a jump blues, Bradshaw borrowed lyrics from an earlier song and set them to an upbeat shuffle arrangement that inspired other musicians to perform and record it. Johnny Burnette and the Rock and Roll Trio made an important contribution in 1956 – they reworked it as a guitar riff-driven song, which features an early use of intentionally distorted guitar in rock music. In 1965, the Yardbirds popularized the song as an early psychedelic blues rock song, due largely to Jeff Beck's fuzz-toned guitar work. Theirs soon became the most copied arrangement with recordings by a variety of musicians. After guitarist Jimmy Page joined the group, the Yardbirds recorded an updated version with new lyrics as "Stroll On" for the film ''Blowup'' in 1966. With a highly charged rhythm section and a dual l ...
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John Paul Jones (musician)
John Richard Baldwin (born 3 January 1946), better known by his stage name John Paul Jones, is an English musician, composer and record producer who was the bassist and keyboardist for the rock band Led Zeppelin. Prior to forming the band with Jimmy Page in 1968, he was a session musician and arranger. After the death of drummer John Bonham in 1980, Led Zeppelin disbanded, and Jones developed a solo career. He has collaborated with musicians across a variety of genres, including the supergroup Them Crooked Vultures with Dave Grohl and Josh Homme. He was inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin. Biography Early years John Richard Baldwin was born in Sidcup, Kent, England, on 3 January 1946. He started playing piano at age six, learning from his father, Joe Baldwin, a pianist and arranger for big bands in the 1940s and 1950s, notably with Ambrose and his Orchestra. His mother was also in the music business which allowed the family to often ...
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Jim McCarty
James Stanley McCarty (born 25 July 1943) is an English musician, best known as the drummer for the Yardbirds and Renaissance. Following Chris Dreja's departure from the Yardbirds in 2013, McCarty became the only member of the band to feature in every line up. He was inducted into the Rock and Roll Hall of Fame in 1992 as a member of the Yardbirds. Early life He was born at Walton Hospital in Liverpool, England, but his family moved to London when he was two years old. He attended Hampton School in Hampton where Paul Samwell-Smith was a fellow pupil. When playing with the early Yardbirds, he worked as a stockbroker in the London Stock Exchange. Career McCarty has performed and recorded with the Yardbirds, Together, Renaissance, Shoot, Illusion, the Yardbirds reunion band Box of Frogs, Stairway, the British Invasion All-Stars, and Pilgrim, as well as under his own name and as the Jim McCarty Band. Since 1992 he has been playing with the reformed Yardbirds. The Yardbirds ...
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Donovan
Donovan Phillips Leitch (born 10 May 1946), known mononymously as Donovan, is a Scottish musician, songwriter, and record producer. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and—since at least 2008—in County Cork, Ireland, with his family. Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series ''Ready Steady Go!''. Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein for Hickory Records, after which he signed to CBS/Epic in the US—the first signing by the company's new vice-president Clive Davis—and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in ...
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Herman's Hermits
Herman's Hermits are an English beat, rock and pop group formed in 1964 in Manchester, originally called Herman and His Hermits and featuring lead singer Peter Noone. Produced by Mickie Most, the Hermits charted with number ones in the UK and in America, where they ranked as one of the most successful acts in the Beatles-led British Invasion. They also appeared in four films, two of them vehicles for the band. Recordings Their chart debut was a cover of Gerry Goffin and Carole King's "I'm into Something Good" (a then recent US Top 40 hit for Earl-Jean). In September 1964 it replaced the Kinks' "You Really Got Me" at number one in the UK singles chart and in December reached no. 13 in the US. The Hermits never topped the British charts again, but in America in 1965—when '' Billboard'' magazine ranked them America's top singles act of the year (with the Beatles at no. 2)—they topped the Hot 100 with two non-UK releases: " Mrs. Brown You've Got a Lovely Daughter" and " ...
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Smokestack Lightning
"Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Background Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s, when he was performing with Charley Patton in small Delta communities. The song, described as "a hypnotic one-chord drone piece", draws on earlier blues, such as Tommy Johnson's "Big Road Blues", the Mississippi Sheiks' "Stop and Listen Blues", and Charley Patton's "Moon Going Down". Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak". It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh ...
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I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley (Bo Diddley song), Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After Diddley's release, Waters recorded an "answer song" to "I'm a Man" in May 1955, titled "Mannish Boy", a play on words on Bo Diddley's younger age as it related to the primary theme of the song. In a ''Rolling Stone'' magazine interview, Bo Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M.. ...
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I'm Waiting For The Man
"I'm Waiting for the Man" is a song by American rock band the Velvet Underground. Written by Lou Reed, it was first released on their 1967 debut album, ''The Velvet Underground & Nico''. The lyrics describe a man's efforts to obtain heroin in Harlem. In various reviews, it is described as "tough garage rock", "proto-punk classic", and "one of the all-time classic rock songs", with renditions by a number of artists. Recording Along with "Venus in Furs" and "Heroin", "I'm Waiting for the Man" was recorded in May 1966 at TTG Studios while the band was staying in Hollywood. It has been musically described as garage rock, proto-punk, and hard rock. The lyrics describe a man's efforts to obtain heroin. Despite the song's title, the lyrics refer to "my man" rather than "the man" throughout. Reception and legacy In a song review for AllMusic, Dave Thompson called it "one of the all-time classic rock songs... Over chunky guitar, clunking piano, and jackhammer drums, Reed half-sings, ha ...
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The Velvet Underground
The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Their integration of rock and the avant-garde achieved little commercial success during the group's existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The group's provocative subject matter, musical experiments, and often nihilistic attitudes also proved influential in the development of punk rock and new wave music. The group performed under several names before settling on the Velvet Underground in 1965, inspired by the book of the same name. In 1966, pop artist Andy Warhol became their manager, and they served as the house band at Warhol's studio, the Factory, and his tra ...
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White Summer
"White Summer" is a guitar instrumental by English rock guitarist Jimmy Page, that incorporates Indian and Arabic musical influences. Page initially recorded and performed it with the Yardbirds and later included it in many Led Zeppelin concerts. According to biographer Keith Shadwick, it is based on an old Irish folk song, "specifically derived from ' She Moved Through the Fair' in the 1963 version by avyGraham, which he in turn credited to Padraic Colum". The later Led Zeppelin song " Over the Hills and Far Away" was "spun off" from "White Summer" as well as an unreleased 20-minute instrumental recorded in early 1974 at Headley Grange. Yardbirds song "White Summer" was recorded 28–29 April 1967 at De Lane Lea Studios in London. Jimmy Page was the only band member to perform on the recording and was accompanied by Chris Karan on tabla and an unidentified oboe player doubling the melody line. The song combines elements of traditional Eastern as well as Western music. In a ...
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Dazed And Confused (song)
"Dazed and Confused" is a song written by American singer-songwriter Jake Holmes in 1967. Performed in a folk rock style, he recorded it for his debut album '' "The Above Ground Sound" of Jake Holmes''. Although some concluded that it was about a bad acid trip, Holmes insists the lyrics refer to the effects of a girl's indecision on ending a relationship. After hearing Holmes perform the song in August 1967, English rock group the Yardbirds reworked it with a radically different arrangement. It quickly became a centerpiece of their live performances, several recordings of which have been released, including on ''Yardbirds '68'', produced by guitarist Jimmy Page. "Dazed and Confused" was adopted by Page's new group, Led Zeppelin, who recorded a version based on the Yardbirds' arrangement, though featuring some rewritten lyrics and a new vocal line, for their debut album. It became a signature song and concert staple for much of the group's career. Despite being adapted from Ho ...
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