Listed Buildings In Stanthorne
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Listed Buildings In Stanthorne
Stanthorne is a former civil parish, now in the parish of Stanthorne and Wimboldsley, in Cheshire West and Chester, England. It contains eleven buildings that are recorded in the National Heritage List for England as designated listed buildings, all of which are listed at Grade II. This grade is the lowest of the three gradings given to listed buildings and is applied to "buildings of national importance and special interest". The parish is entirely rural, and this is reflected in the nature of many of the listed buildings. The River Wheelock, the Shropshire Union Canal, and its Middlewich Branch The Middlewich Branch of the Shropshire Union Canal is located in Cheshire, in the north west of England, and runs between Middlewich, where it joins the Trent and Mersey Canal, and Barbridge Junction, where it joins the main line of the Shrops ... pass through the parish, and there are listed buildings associated with all three waterways. References Citations Sourc ...
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Stanthorne
Stanthorne is a village in Cheshire, England, 2 miles west of Middlewich. The A54 runs through the village, connecting it to the railway station at Winsford. At the 2011 census, it had a population of 153. In 2015, the civil parish amalgamated with Wimboldsley to form Stanthorne and Wimboldsley. History Stanthorne was a township in the ancient parish of Davenham and eventually became a civil parish in 1866. In the 1870s, Stanthorne was described as "a township in Davenham parish, Cheshire; 1 mile WNW of Middlewich. Acres, 1,062. Real property, £2,438. Pop., 161. Houses, 27." In 1936, a few boundary changes occurred, resulting in the addition of a few acres of Clive and Kinderton, but the loss of the 358 acres of Winsford. The buildings within Stanthorne include eleven Grade II listed buildings. Stanthorne Hall was built between 1804 and 1807 by Richard Dutton and is a country house to the west of the village. Another Grade II listed building is Stanthorne Mill on the River W ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Hughes Bridge, Winsford
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Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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Fanlight
A fanlight is a form of lunette window, often semicircular or semi-elliptical in shape, with glazing bars or tracery sets radiating out like an open fan. It is placed over another window or a doorway, and is sometimes hinged to a transom. The bars in the fixed glazed window spread out in the manner of a sunburst. It is also called a "sunburst light". Gallery Image:Priestley Door.jpg, Main door and fanlight, Joseph Priestley House in Northumberland, Pennsylvania Image:2007-04-08DeilingenKapelle05.jpg, Image:03576 - Porta Venezia, Milano - Dettaglio - Foto Giovanni Dall'Orto 23-Jun-2007.jpg, City gate Milan, Italy Image:Palácio-da-Pena Pátio-dos-Arcos 1 (OUT-07).jpg, Palácio Nacional da Pena, Sintra, Portugal Image:AriahParkHotelLeadlight.jpg, Hotel, Ariah Park, New South Wales File:Lunette over door.jpg, Fanlight over door with side lights See also * Lunette A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously f ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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English Country House
An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who ruled rural Britain until the Reform Act 1832. Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses. With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s, the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifest ...
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Stanthorne Hall
Stanthorne Hall is a country house standing to the west of the village of Stanthorne, Cheshire, England. It was built between 1804 and 1807 for Richard Dutton, who had purchased the estate from the Leicesters of Tabley. The house is constructed in brick with painted stone dressings and a slate roof. It is in three storeys with a symmetrical entrance front of three bays. The doorway is surrounded by Tuscan columns and an open pediment with a fanlight. The windows are sash windows. To the rear is a long wing. Inside the house, the entrance hall contains an open well staircase of three flights, and has a cornice with a frieze containing triglyphs. Two of the ground floor rooms have black marble fireplaces. The house is recorded in the National Heritage List for England as a designated Grade II listed building. See also *Listed buildings in Stanthorne Stanthorne is a former civil parish, now in the parish of Stanthorne and Wimboldsley, in Cheshire West and Chester, E ...
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Dormer
A dormer is a roofed structure, often containing a window, that projects vertically beyond the plane of a pitched roof. A dormer window (also called ''dormer'') is a form of roof window. Dormers are commonly used to increase the usable space in a loft and to create window openings in a roof plane. A dormer is often one of the primary elements of a loft conversion. As a prominent element of many buildings, different types of dormer have evolved to complement different styles of architecture. When the structure appears on the spires of churches and cathedrals, it is usually referred to as a ''lucarne''. History The word ''dormer'' is derived from the Middle French , meaning "sleeping room", as dormer windows often provided light and space to attic-level bedrooms. One of the earliest uses of dormers was in the form of lucarnes, slender dormers which provided ventilation to the spires of English Gothic churches and cathedrals. An early example are the lucarnes of the spire of C ...
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