Listed Buildings In Gildingwells
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Listed Buildings In Gildingwells
Gildingwells is a civil parish in the Metropolitan Borough of Rotherham, South Yorkshire, England. The parish contains six listed buildings that are recorded in the National Heritage List for England The National Heritage List for England (NHLE) is England's official database of protected heritage assets. It includes details of all English listed buildings, scheduled monuments, register of historic parks and gardens, protected shipwrecks, an .... All the listed buildings are designated at Grade II, the lowest of the three grades, which is applied to "buildings of national importance and special interest". The parish contains the village of Gildingwells and the surrounding countryside, and all the listed buildings are farmhouses or farm buildings. __NOTOC__ Buildings References Citations Sources * * * * * * * {{DEFAULTSORT:Gildingwells Lists of listed buildings in South Yorkshire Buildings and structures in the Metropolitan Borough of Rotherham ...
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Gildingwells
Gildingwells is a village and civil parish in the Metropolitan Borough of Rotherham in South Yorkshire, England, on the border with Nottinghamshire. It lies between Dinnington and Carlton in Lindrick at , and at an elevation of around 60 metres above sea level. It has a population of 115, increasing to 226 at the 2011 Census but now including Letwell Letwell is a rural village and civil parishes in England, civil parish in the Metropolitan Borough of Rotherham in South Yorkshire, England, on the border with Nottinghamshire. It lies between Dinnington, South Yorkshire, Dinnington and Langold, .... Situated on a rural crossroads, Gildingwells is little more than a collection of farms. Education and shopping needs are fulfilled by the nearby settlements of Dinnington and Woodsetts. See also * Listed buildings in Gildingwells References External links Villages in South Yorkshire Geography of the Metropolitan Borough of Rotherham Civil parishes in South Yorkshire ...
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Rustication (architecture)
Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below.">Florence.html" ;"title="Palazzo Medici-Riccardi in Florence">Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below. Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the ...
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Bay Window
A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or run over one or multiple storey A storey (British English) or story (American English) is any level part of a building with a floor that could be used by people (for living, work, storage, recreation, etc.). Plurals for the word are ''storeys'' (UK) and ''stories'' (US). T ...s. In plan, the most frequently used shapes are isosceles trapezoid (which may be referred to as a ''canted (architecture), canted bay window'') and rectangle. But other polygonal shapes with more than two corners are also common as are curved shapes. If a bay window is curved it may alternatively be called ''bow window.'' Bay windows in a triangular shape with just one corner exist but are relatively rare. A bay window supported by a corbel, Bracket (archite ...
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Hip Roof
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope (although a tented roof by definition is a hipped roof with steeply pitched slopes rising to a peak). Thus, a hipped roof has no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on houses may have two triangular sides and two trapezoidal ones. A hip roof on a rectangular plan has four faces. They are almost always at the same pitch or slope, which makes them symmetrical about the centerlines. Hip roofs often have a consistent level fascia, meaning that a gutter can be fitted all around. Hip roofs often have dormer slanted sides. Construction Hip roofs are more difficult to construct than a gabled roof, requiring more complex systems of rafters or trusses. Hip roofs can be constructed on a wide variety of plan shapes. Each ridge is central over the rectangle of the building below it. The t ...
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Belt Course
A belt course, also called a string course or sill course, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the horizontal line of the sills visually more prominent. Set between the floors of a house, it helps to make the separate floors distinguishable from the exterior of the building. The belt course often projects from the side of the building. Georgian architecture is notable for the use of belt courses. Although the belt course has its origins as a structural component of a building, by the 18th century it was almost purely a decorative element and had no functional purpose. In brick or stone buildings taller than three stories, however, a shelf angle Shelf ( : shelves) may refer to: * Shelf (storage), a flat horizontal surface used for display and storage Geology * Continental shelf, the extended perimeter of a continent, usually covered by shallow seas * Ice shelf, a thick platform of ice f ... is usually ...
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Roughcast
Roughcast or pebbledash is a coarse plaster surface used on outside walls that consists of lime and sometimes cement mixed with sand, small gravel and often pebbles or shells. The materials are mixed into a slurry and are then thrown at the working surface with a trowel or scoop. The idea is to maintain an even spread, free from lumps, ridges or runs and without missing any background. Roughcasting incorporates the stones in the mix, whereas pebbledashing adds them on top. According to the ''Encyclopædia Britannica'' Eleventh Edition (1910–1911), roughcast had been a widespread exterior coating given to the walls of common dwellings and outbuildings, but it was then frequently employed for decorative effect on country houses, especially those built using timber framing (half timber). Variety can be obtained on the surface of the wall by small pebbles of different colours, and in the Tudor period fragments of glass were sometimes embedded. Though it is an occasional home-de ...
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Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and Neoclassical architecture. It is also known as an '' œil-de-boeuf'' from the French, or simply a "bull's-eye". History Classical The oculus was used by the Ancient Romans, one of the finest examples being that in the dome of the Pantheon. Open to the weather, it allows rain and air to enter and fall to the floor, where it is carried away through drains. Though the opening looks small, it actually has a diameter of , allowing it to light the building. Byzantine The oculus was widely used in the architecture of the Byzantine Empire. It was applied to buildings in Syria in the 5th and 6th centuries and again in the 10th century. In Constantinople's Myrelaion Church (c. 920), there are two oculi above the stringcourse on both lateral facades. Renaissance Early examples of the oculus in Renaissance architecture can be seen in Florence Cathedral ...
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Keystone (architecture)
A keystone (or capstone) is the wedge-shaped stone at the apex of a masonry arch or typically round-shaped one at the apex of a vault. In both cases it is the final piece placed during construction and locks all the stones into position, allowing the arch or vault to bear weight. In arches and vaults (such as quasi-domes) keystones are often enlarged beyond the structural requirements and decorated. A variant in domes and crowning vaults is a lantern. Keystones, as a hallmark of strength or good architecture, or their suggested form are sometimes placed in the centre of the flat top of doors, recesses and windows for decorative effect, so as to form an upward projection of a lintel. Although a masonry arch or vault cannot be self-supporting until the keystone is placed, the keystone experiences the least stress of any of the voussoirs, due to its position at the apex. Old keystones can decay due to vibration, a condition known as bald arch. Architecture In a rib-vaulted c ...
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Impost (architecture)
In architecture, an impost or impost block is a projecting block resting on top of a column or embedded in a wall, serving as the base for the springer or lowest voussoir of an arch. Ornamental training The imposts are left smooth or profiled, and "then express a certain separation between abutment and arch." The Byzantine fighters are high blocks, which are sometimes referred to as pulvino. The Romanesque designed the impost ornamentally or figuratively, similar to the capitals. In the Gothic period, the fighter almost completely disappeared from the calyx bud capital. The architecture of the Renaissance returns to the formation of the imposts of the ancient column orders. See also * Capital (architecture) * Abacus (architecture) * Pulvino A pulvino (or impost block) is an architectural structural element ( dosseret) having the shape of an inverted pyramid cushion, which is placed between the column capital and the arch base. Overview Usually decorated with fretwork or relief ...
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Pier (architecture)
A pier, in architecture, is an upright support for a structure or superstructure such as an arch or bridge. Sections of structural walls between openings (bays) can function as piers. External or free-standing walls may have piers at the ends or on corners. Description The simplest cross section of the pier is square, or rectangular, but other shapes are also common. In medieval architecture, massive circular supports called drum piers, cruciform (cross-shaped) piers, and compound piers are common architectural elements. Columns are a similar upright support, but stand on a round base. In buildings with a sequence of bays between piers, each opening (window or door) between two piers is considered a single bay. Bridge piers Single-span bridges have abutments at each end that support the weight of the bridge and serve as retaining walls to resist lateral movement of the earthen fill of the bridge approach. Multi-span bridges require piers to support the ends of spans betwe ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Coping (architecture)
Coping (from ''cope'', Latin ''capa'') is the capping or covering of a wall. A splayed or wedge coping is one that slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may be made of stone (capstone), brick, clay or terracotta, concrete or cast stone, tile, slate, wood, thatch, or various metals, including aluminum, copper, stainless steel, steel, and zinc. In all cases it should be weathered (have a slanted or curved top surface) to throw off the water. In Romanesque work, copings appeared plain and flat, and projected over the wall with a throating to form a drip. In later work a steep slope was given to the weathering (mainly on the outer side), and began at the top with an astragal; in the Decorated Gothic style there were two or three sets off; and in the later Perpendicular Gothic these assumed a wavy section, and the coping mouldings continued round the sides, as well as at top and bottom, mitring at the angles, as ...
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