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List Of Typefaces Designed By Frederic Goudy
The following is a list of typefaces designed by Frederic Goudy. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier revivalist printers such as William Morris. Eric Sloane, who was his neighbour as a boy, recalled that he also took inspiration from hand-painted signs. He also developed a number of typefaces influenced by blackletter medieval manuscripts, illuminated manuscript capitals and Roman square capitals carved into stone. This means that several of his most famous designs such as Copperplate Gothic and Goudy Stout are unusual deviations from his normal style. Goudy's taste matched a trend of the period, in which a preference for using mechanical, geometric Didone fonts introduced in the eighteenth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goudy Specimens , a surname
{{disambiguation ...
Goudy may refer to: * Frederic Goudy (1865–1947), American type designer * Todd Goudy, Canadian provincial politician * William C. Goudy (1824–1893), American politician * Yann Goudy (born 1975), French racing driver * Goudy Old Style, a type face created by Frederic Goudy See also * Goudie Goudie is a surname. Notable people with the surname include: * Alexander Goudie, Scottish painter * Andrew Goudie, geographer * Big Boy Goudie * Chuck Goudie (born 1956), American television journalist * Elizabeth Goudie * Gordon Goudie * Jame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swash (typography)
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's ''La Operina,'' which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France. Typefaces with swashes Most typefaces with swashes are serif fonts, among which (if present) they are often found solely in italics. Advanced digital fonts often supply two italic designs: one with swashes and a more restrained standard italic. Among old-style typefaces, some releases of Caslon, such as Adobe Caslon, and Garamond, including Adobe Garamond Pro and EB Garamond, have swash designs. Old-style typefaces which include swashes but do not follow a specific historical model include Minion by Robert Slimbach and Nexus by Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goudy Old Style
Goudy Old Style (also known as just Goudy) is an Serif#Old-style, old-style serif typeface originally created by Frederic Goudy, Frederic W. Goudy for American Type Founders (ATF) in 1915. Suitable for text and display applications, Goudy Old Style matches the historicist trend of American printing in the early twentieth century, taking inspiration from the printing of the Italian Renaissance without a specific historical model. Eccentricities include the upward-curved ear on the g and the diamond shape of the dots of the i, j, and the points found in the period, colon and exclamation point, and the sharply canted hyphen. The design is relatively light in Type color, colour. History In Goudy's autobiography, he described the italic based on study of sixteenth-century italics: "I studied many of the older italics and came to the conclusion that...some of the outstanding italics of the sixteenth century had little or no inclination and yet preserved their italic character". Several ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upright Italic
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deepdene (typeface)
Deepdene is a serif typeface designed by Frederic Goudy from 1927–1933. It belongs to the "old-style" of serif font design, with low contrast between strokes and an oblique axis. However, Deepdene has crisp serifs and a nearly upright italic, with much less of a slant than is normal for this style. Issued by the American branch of Lanston Monotype, Deepdene was popular on its release and often used for the body text of books. Several digitisations have been created. Deepdene is named after Goudy's home in Marlborough-on-Hudson. This was itself named for the road on which he previously lived in Queens, New York. Design Goudy described the design as loosely inspired by "a Dutch type which had just been introduced;" Goudy's friend Paul Bennett suggested in later life that this was Jan van Krimpen's Lutetia although Walter Tracy writes that the attribution cannot be certain. He also later created a medium weight, bold and bold italic. Goudy's biographer D. J. R. Bruckner pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Type
In typesetting, a sort or type is a block with a typographic character etched on it, which is lined up with others to print text. In movable-type printing, the sort or type is cast from a matrix mold and assembled by hand with other sorts bearing additional characters into lines of type to make up a ''form'', from which a page is printed. Background From the invention of movable type up to the invention of hot metal typesetting essentially all printed text was created by selecting sorts from a type case and assembling them line by line into a form used to print a page. When the form was no longer needed all of the type had to be sorted back into the correct slots in the type case in a very time-consuming process called "distributing". This sorting process led to the individual pieces being called sorts. It is often claimed to be the root of expressions such as "out of sorts" and "wrong sort", although this connection is disputed. During the hot metal typesetting era, pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mergenthaler Linotype Company
The Mergenthaler Linotype Company is a corporation founded in the United States in 1886 to market the Linotype machine (), a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. It became the world's leading manufacturer of book and newspaper typesetting equipment; outside North America, its only serious challenger for book typesetting was the Anglo-American Monotype Corporation. Starting in 1960, the Mergenthaler Linotype Company became a major supplier of phototypesetting equipment which included laser typesetters, typefonts, scanners, typesetting computers. In 1987, the US-based Mergenthaler Linotype Company became part of the German Linotype-Hell AG; in the US the company name changed to Linotype Co. In 1996, the German Linotype-Hell AG was taken over by the German printing machine company Heidelberger Druckmaschinen AG. A separate business, Linotype Library GmbH was established to manage the digital assets. In 2005, Linotype Library GmbH shortened i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Metal Typesetting
In printing and typography, hot metal typesetting (also called mechanical typesetting, hot lead typesetting, hot metal, and hot type) is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape. It was the standard technology used for mass-market printing from the late nineteenth century until the arrival of phototypesetting and then electronic processes in the 1950s to 1980s. History Hot metal typesetting was developed in the late nineteenth century as a development of conventional cast metal type. The technology had several advantages: it reduced labour since type sorts did not need to be slotted into position manually, and each casting created crisp new type for each printing job. In the case of Linotype machines, each line was ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punchcutting
Punchcutting is a craft used in traditional typography to cut letter punches in steel as the first stage of making metal type. Steel punches in the shape of the letter would be used to stamp matrices into copper, which were locked into a mould shape to cast type. Cutting punches and casting type was the first step of traditional typesetting. The cutting of letter punches was a highly skilled craft requiring much patience and practice. Often the designer of the type would not be personally involved in the cutting. The initial design for type would be two-dimensional, but a punch has depth, and the three-dimensional shape of the punch, as well as factors such as the angle and depth to which it was driven into the matrix, would affect the appearance of the type on the page. The angle of the side of the punch was particularly significant. Process The punchcutter begins by transferring the outline of a letter design to one end of a steel bar. The outer shape of the punch could b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
