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List Of Program Music
Program music is a term applied to any musical composition on the classical music tradition in which the piece is designed according to some preconceived narrative, or is designed to evoke a specific idea and atmosphere. This is distinct from the more traditional absolute music popular in the Baroque Music, Baroque and Classical music era, Classical eras, in which the piece has no narrative program or ideas and is simply created for music's sake. Musical forms such as the symphonic poem, Ballade (classical music), ballade, Suite (music), suite, overture and some compositions in freer forms are named as program music since they intended to bring out extra-musical elements like sights and incidents. Opera, ballet, and Lieder could also trivially be considered program music since they are unintended to accompany vocal or stage performances. They will be excluded from this list except where they have been extensively popularised and played without the original vocals and/or stage pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Program Music
Program music or programatic music is a type of instrumental art music that attempts to musically render an extramusical narrative. The narrative itself might be offered to the audience through the piece's title, or in the form of program notes, inviting imaginative correlations with the music. A well-known example is Sergei Prokofiev's ''Peter and the Wolf''. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, ''Till Eulenspiegel'', the composer's domestic life, and an interpretation of Nietzsche's philosophy of the Übermensch. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of 19th-century late romantic music. Similar compositional forms also exist within popular music, including the concept album and rock opera. The term is almost exclusive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egmont (Beethoven)
''Egmont'', Op. 84 by Ludwig van Beethoven, is a set of incidental music pieces for the 1787 play of the same name by Johann Wolfgang von Goethe. It consists of an overture followed by a sequence of nine pieces for soprano, male narrator, and full symphony orchestra. The male narrator is optional; he is not used in the play and does not appear in some recordings of the complete incidental music. Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The subject of the music and dramatic narrative is the life and heroism of 16th-century nobleman Lamoral, Count of Egmont from the Low Countries. It was composed during the Napoleonic Wars when the First French Empire had extended its domination over vast swathes of Europe. Beethoven had famously expressed his great outrage over Napoleon Bonaparte's decision to crown himself Emperor in 1804, furiously scratching out his name in the dedication of the '' Eroica Symphony''. In the music for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coriolanus
''Coriolanus'' ( or ) is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same years he wrote '' Antony and Cleopatra'', making them the last two tragedies written by him. Coriolanus is the name given to a Roman general after his military feats against the Volscians at Corioli. Following his success he seeks to be consul, but his disdain for the plebeians and the mutual hostility of the tribunes lead to his banishment from Rome. He presents himself to the Volscians, then leads them against Rome. Characters ''Romans'' * Caius Marcius – later surnamed Coriolanus * Menenius Agrippa – Senator of Rome * Cominius – consul and commander-in-chief of the army * Titus Larcius – Roman general * Volumnia – Coriolanus' mother (historically, Veturia) * Virgilia – Coriolanus' wife * Young Martius – Coriolanus' son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coriolan Overture
The ''Coriolan Overture'' (german: link=no, Coriolan-Ouvertüre or Ouvertüre zu Coriolan), Op. 62, is a composition written by Ludwig van Beethoven in 1807 for Heinrich Joseph von Collin's 1804 tragedy ''Coriolan''. The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolanus' resolve and war-like tendencies (he is about to invade Rome), while the more tender E-flat major theme represents the pleadings of his mother to desist. Coriolanus eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome's gates, he kills himself. (This differs from the better-known play ''Coriolanus'' by William Shakespeare, in which he is murdered. Both Shakespeare's and Collin's plays are about the same semi-legendary figure, Gaius Marcius Coriolanus, whose actual fate was not recorded.) The overture was premiered in March 1807 at a private concert in the home of Prince Franz Joseph vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritual Of The Savage
''Ritual of the Savage'' is an album by American composer Les Baxter, released in 1951 often cited as one of the most important exotica albums. The album featured lush orchestral arrangements along with tribal rhythms and offered such classics as "Quiet Village", "Jungle River Boat", "Love Dance", and "Stone God." Baxter described the album as a "tone poem of the sound and the struggle of the jungle." The album's liner notes requested the listener to imagine themselves transported to a tropical land. "Do the mysteries of native rituals intrigue you…does the haunting beat of savage drums fascinate you? Are you captivated by the forbidden ceremonies of primitive peoples in far-off Africa or deep in the interior of the Belgian Congo?" Track listing # "Busy Port" – 3:07 # "Sophisticated Savage" – 2:15 # "Jungle River Boat" – 3:08 # "Jungle Flower" – 2:44 # "Barquita" – 1:45 # "Stone God" – 3:10 # "Quiet Village "Quiet Village" is an orchestral pop instrumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Baxter
Leslie Thompson "Les" Baxter (March 14, 1922 – January 15, 1996) was a best-selling American musician and composer. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica and scored over 100 motion pictures. Early life Baxter studied piano at the Detroit Conservatory before moving to Los Angeles for further studies at Pepperdine College. From 1943 on he played tenor and baritone saxophone for the Freddie Slack big band. Abandoning a concert career as a pianist, he turned to popular music as a singer. At the age of 23 he joined Mel Tormé's Mel-Tones, singing on Artie Shaw records such as "What Is This Thing Called Love?" Career Baxter then turned to arranging and conducting for Capitol Records in 1950, and conducted the orchestra in two early Nat King Cole hits, "Mona Lisa" and " Too Young". He also recorded Yma Sumac's first album: "Voice of the Xtabay", which can be considered one of the first recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1712 Overture And Other Musical Assaults
''1712 Overture and Other Musical Assaults'' is a classical music album released in 1989 by Telarc Records. The album contains works by P. D. Q. Bach, the alter ego of Professor Peter Schickele (as well as tracks credited to Schickele himself). It is scored for "really big orchestra and some not-quite so big ensembles, plus unique on-location introductions, spoken on the very historical spots where the actual history happened". Performers *Professor Peter Schickele, conductor, narrator, pianist, devious instrumentalist and intellectual guide *The Greater Hoople Area Off-Season Philharmonic, Walter Bruno, conductor *I Virtuosi di Hoople Track listing *Introduction (1:35) *''1712 Overture, S. 1712'' (11:33) *Introduction (1:12) *'' Bach Portrait'' (Schickele) (14:32) * Introduction (2:53) * Capriccio ''La Pucelle de New Orleans ''(The Maid of New Orleans New Orleans ( , , [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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