List Of Medieval Musical Instruments ...
This is a list of medieval musical instruments as used in European music. List References External links''Zampogne e Ciaramella'' {{DEFAULTSORT:Medieval musical instruments Medieval In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the Post-classical, post-classical period of World history (field), global history. It began with t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Adufe
The adufe is a traditional square tambourine of Moorish origin, which is used in Portugal and Galicia. History A Portuguese percussion instrument, it was traditionally used in the Beira region of Castelo Branco. It was also used in many other regions across the Iberian Peninsula, and similar instruments are also found in Northern Africa. Normally used for Christian religious processions it was also used as a musical company for the local festivals or even for the works in the fields. Traditionally, it was only played by women. However it was also played by men in several occasions, though not in religious times Features The adufe is a square or rectangular frame drum usually made of pine, over which is mounted a goat's skin. The size of the frame usually ranges from 12 to 22 inches on each side, and 1 to 2 inches thick. The skin is stitched on the sides, with the stitches covered by a coloured ribbon. In the interior small seeds or small stones are placed to make pleasing so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses ''tangents''—small wedges, typically made of wood—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. One or more of the drone strings usually passes over a loose bridge that can be made ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vielle
The vielle is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin. The instrument was also known as a ''fidel'' or a ''viuola'', although the French name for the instrument, ''vielle'', is generally used; the word comes from the same root as ''fiddle''. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tromba Marina
A tromba marina, marine trumpet or nuns' fiddle, ( Fr. ''trompette marine''; Ger. ''Marientrompete, Trompetengeige, Nonnengeige'' or ''Trumscheit'', Pol. ''tubmaryna'') is a triangular bowed string instrument used in medieval and Renaissance Europe that was highly popular in the 15th century in England and survived into the 18th century. The tromba marina consists of a body and neck in the shape of a truncated cone resting on a triangular base. It is usually four to seven feet long, and is a monochord (although some versions have sympathetically-vibrating strings). It is played without stopping the string, but playing natural harmonics by lightly touching the string with the thumb at nodal points. Its name comes from its trumpet like sound due to the unusual construction of the bridge, and the resemblance of its contour to the marine speaking-trumpet of the Middle Ages. Construction The body of the marine trumpet is generally either three sides of wood joined in an elongate ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab '' rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite ins ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Psaltery
A psaltery ( el, ψαλτήρι) (or sawtry, an archaic form) is a fretboard-less box zither (a simple chordophone) and is considered the archetype of the zither and dulcimer; the harp, virginal, harpsichord and clavichord were also inspired by it. Its resonance box is usually trapezoidal, rectangular or in the form of a "pig's head" and often richly decorated. Etymology The psaltery of Ancient Greece (''epigonion'') was a harp-like stringed instrument. The word ''psaltery'' derives from the Ancient Greek ψαλτήριον (''psaltḗrion''), "stringed instrument, psaltery, harp" and that from the verb ψάλλω (''psállō''), "to touch sharply, to pluck, pull, twitch" and in the case of the strings of musical instruments, "to play a stringed instrument with the fingers, and not with the plectrum." The psaltery was originally made from wood, and relied on natural acoustics for sound production. In the King James Bible "psaltery", and its plural, "psalteries", are used to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Psalterium (instrument)
The string drum or Tambourin de Béarn (in German) is a long rectangular box zither beaten with a mallet. It is paired with a one-handed flute (French: galoubet) with three finger holes, similar to a pipe and tabor. It has also been called tambourin de Gascogne, tambourin à cordes in Catalan, Pyrenean string drum, ttun-ttun in Basque , salmo in Spanish, and chicotén in Aragonese. It was known in the middle ages as the ''choron'' or ''chorus''. In specific usage, this name denotes a form of long psaltery-styled instrument that is tuned to provide drone chords when drummed. It can be found in a similar body shape with three to eight strings. The tuning is often held in root, tonic and dominant, or root and fifth. That with one Psaltery-related instrument is easy to play because the strings are struck with a mallet as a whole. The name ''salterio'' or ''psalterium'' for the instrument comes from the Yebra, Spain. Researcher Violet Alford said that it was a mistake to include th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses ''tangents''—small wedges, typically made of wood—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. One or more of the drone strings usually passes over a loose bridge that can be made ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Organistrum
The organistrum is an early form of hurdy-gurdy. Generally considered the ancestor of all subsequent hurdy-gurdies, the organistrum differs substantially from later instruments in that it was played by two individuals: one turned the crank while the other pulled the keys upward to change the musical pitch of the melody strings. Origins The word organistrum is derived from ''organum'' and ''instrumentum''; the former term was applied to the primitive harmonies, consisting of octaves accompanied by fourths or fifths, first practised by Hucbald in the 10th century. This explanation enables us to fix with tolerable certainty the date of the invention of the organistrum, at the end of the 10th or beginning of the 11th century, and also to understand the construction of the instrument. A stringed instrument of the period — such as a guitar fiddle, a rotta or oval vielle — being used as model, the proportions were increased for the convenience of holding the instrument and of dividin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |