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List Of Compositions By Vincent D'Indy
This is a list of compositions by Vincent d'Indy. Works with opus number *Op. 1, Piano Sonata in C minor (1869) *Op. 2, ''La chanson des aventuriers de la mer'' for male voices, piano, and string quintet after Victor Hugo (1872) *Op. 3, ''Attente'', song for voice and piano after Hugo (1871) *Op. 4, ''Madrigal'', song for voice and piano after Robert de Bonnières (1872) *Op. 5, ''Jean Hundaye'', symphony (1874-5) [cf. John Hunyadi] (rejected by composer) *Op. 6, ''Antoine et Cléopâtre'', overture after William Shakespeare (1876) *Op. 7, Piano Quartet in A minor (1878–88) *Op. 8, ''La Forêt enchantée'' (Harald), symphonic legend after Ludwig Uhland, Uhland (1878) *Op. 9, ''Petite sonate dans la forme classique'' for piano (1880) *Op. 10, ''Plainte de Thécla'', song after de Bonnières and Friedrich Schiller (1880) *Op. 11, ''Au galop'' (''Melodie espagnole''), song after de Bonnières (1876-9) *Op. 12, ''Wallenstein'', three symphonic overtures after Schiller's ''Wallenstei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canticle
A canticle (from the Latin ''canticulum'', a diminutive of ''canticum'', "song") is a hymn, psalm or other Christianity, Christian song of praise with lyrics usually taken from biblical or holy texts. Canticles are used in Christian liturgy. Catholic Church Prior to the Pope Pius X's Reform of the Roman Breviary by Pope Pius X, 1911 reforms, a single cycle of seven canticles was used at Lauds: * Sunday – The Song of the Three Holy Children () * Monday – The Song of Isaiah the Prophet () * Tuesday – The Song of Hezekiah () * Wednesday – The Song of Hannah () * Thursday – The (First) Song of the sea, Song of Moses () * Friday – The Prayer of Habakkuk () * Saturday – The (Second) Song of Moses () These canticles are rather long, and the weekday ones display something of a penitential theme, but some were not often used, as all feasts, and weekdays in Eastertide used the Canticle of Daniel, the Sunday canticle. The 1911 reform introduced for weekdays not of penitenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vercors Plateau
The Vercors Massif is a range in France consisting of rugged plateaus and mountains straddling the ''départements'' of Isère and Drôme in the French Prealps. It lies west of the Dauphiné Alps, from which it is separated by the rivers Drac and Isère. The cliffs at the massif's eastern limit face the city of Grenoble. Background Over time, various features of the complex geography have been recognised including, the Quatre Montagnes (four mountains), the Coulmes (gorges), the Vercors Drômois (Drome Vercors), the Hauts-Plateaux (high plateaus) and, in the foothills, Royans, Gervanne, Diois, and Trièves. The massif is sometimes called the "fortress." The movement of people tends to be between the massif and the surrounding plains rather than between the various parts of the massif itself. Until the mid twentieth century, the name ''Vercors'' was used to describe only the township of La Chapelle-en-Vercors (with Royans), and the northern area around Lans-en-Vercors, Vill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV Of France
Henry IV (french: Henri IV; 13 December 1553 – 14 May 1610), also known by the epithets Good King Henry or Henry the Great, was King of Navarre (as Henry III) from 1572 and King of France from 1589 to 1610. He was the first monarch of France from the House of Bourbon, a cadet branch of the Capetian dynasty. He was assassinated in 1610 by François Ravaillac, a Catholic zealot, and was succeeded by his son Louis XIII. Henry was the son of Jeanne III of Navarre and Antoine de Bourbon, Duke of Vendôme. He was baptised as a Catholic but raised in the Protestant faith by his mother. He inherited the throne of Navarre in 1572 on his mother's death. As a Huguenot, Henry was involved in the French Wars of Religion, barely escaping assassination in the St. Bartholomew's Day massacre. He later led Protestant forces against the French royal army. Henry became king of France in 1589 upon the death of Henry III, his brother-in-law and distant cousin. He was the first Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Legend
The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary Maddocks, "Pictures for aristocrats: the manuscripts of the ''Légende dorée''", in Margaret M. Manion, Bernard James Muir, eds. ''Medieval texts and images: studies of manuscripts from the Middle Ages'' 1991:2; a study of the systemization of the Latin manuscripts of the ''Legenda aurea'' is B. Fleith, "Le classement des quelque 1000 manuscrits de la Legenda aurea latine en vue de l'éstablissement d'une histoire de la tradition" in Brenda Dunn-Lardeau, ed. ''Legenda Aurea: sept siècles de diffusion", 1986:19-24 It was likely compiled around the years 1259–1266, although the text was added to over the centuries. Initially entitled ''Legenda sanctorum'' (''Readings of the Saints''), it gained its popularity under the title by which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus De Voragine
Jacobus de Voragine (c. 123013/16 July 1298) was an Italian chronicler and archbishop of Genoa. He was the author, or more accurately the compiler, of the ''Golden Legend'', a collection of the legendary lives of the greater saints of the medieval church that was one of the most popular religious works of the Middle Ages. Biography Jacobus was born either in Varazze or in Genoa, where a family originally from Varazze and bearing that name is attested at the time. He entered the Dominican order in 1244, and became the prior at Como, Bologna and Asti in succession. Besides preaching with success in many parts of Italy, he also taught in the schools of his own fraternity. He was provincial of Lombardy from 1267 till 1286, when he was removed at the meeting of the order in Paris. He also represented his own province at the councils of Lucca (1288) and Ferrara (1290). On the last occasion he was one of the four delegates charged with signifying Pope Nicholas IV's desire for the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Menuet Sur Le Nom De Haydn (d'Indy)
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vivarais
Vivarais (; oc, Vivarés; la, Vivariensis provincia{{cite web , url=http://www.columbia.edu/acis/ets/Graesse/orblatv.html , title = ORBIS LATINUS - Letter V) is a traditional region in the south-east of France, covering the ''département'' of Ardèche, named after its capital Viviers on the river Rhône. In feudal times part of the Holy Roman Empire with its bishop as count, it became in 1309 one of the Capetian territories as included in the Languedoc province of the French realm, and continued to be a French province until 1789. In 1999, a wine region, Côtes du Vivarais AOC, was established near Côtes du Rhône in several communes of the south of ''département'' Ardèche and a few in northern Gard Gard () is a department in Southern France, located in the region of Occitanie. It had a population of 748,437 as of 2019; [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fervaal
''Fervaal'', Op. 40, is an opera (''action musicale'' or lyric drama) in three acts with a prologue by the French composer Vincent d'Indy. The composer wrote his own libretto, based in part on the lyric poem ''Axel'' by the Swedish author Esaias Tegnér. D'Indy worked on the opera during the years 1889 to 1895, and the score was published in 1895. Background ''Fervaal'' premiered at the Théâtre de la Monnaie in Brussels on 12 March 1897. It was subsequently produced in Paris in 1898, and again in that city in 1912. The first of 13 performances by the Opéra-Comique company (at the Théâtre du Châtelet), on 10 May 1898 was conducted by André Messager and included in the cast Raunay and Imbart de la Tour from the Brussels premiere, along with Gaston Beyle, Ernest Carbonne and André Gresse. It was last performed on stage in 1912/13 (at the Paris Palais Garnier, again with Messager conducting). In concert, it was presented by RTF in 1962. The Bern Opera House presented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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