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List Of Red Digital Cinema Cameras
The following provides a full list of cameras and notable accessories manufactured under the Red Digital Cinema Company brand. Cameras Some models have different body variants: Aluminum Alloy, Forged or Woven Carbon Fiber and Magnesium and some have a custom-colored limited editions. Red One The Red One was Red Digital Cinema’s first production camera. Using a S35mm image plane, the Red One displays a natural depth of field from 2K to over 4K resolutions. The first Red Ones were outfitted with the 12 megapixel Mysterium sensor, capable of capturing up to 120 frames per second at 2K resolution and 30 frames per second at 4K resolution. The only possible acquisition format is Redcode Raw. The cameras were initially sold with a CF card slot that later could be replaced with a RedMag module. The second generation, Red One Mysterium-X has a 14 megapixel Mysterium-X sensor. It captures up to 120 frames per second at 2K resolution and up to 30 frames per second at 4K resolution. Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Digital Cinema
Red Digital Cinema (''Red Digital Cinema Camera Company'') is an American company that manufactures professional digital cinematography cameras and accessories. The company's headquarters is in Foothill Ranch, California, with studios in Hollywood, California. It has offices in London, Shanghai, and Singapore, retail stores in Hollywood, New York City, and Miami, as well as various authorized resellers and service centers around the world. History Red Digital Cinema was founded by Jim Jannard, who had previously founded Oakley. As a self-described "camera fanatic" owning over 1,000 models, Jannard started the company with the intent to deliver a (relatively) affordable 4K digital cinema camera. Jannard dates this idea to a time when he bought a Sony HDR-FX1 video camera and learned that the files had to be converted with software from Lumiere HD and were not viewable on Mac OS. Lumiere HD's owner Frederic Lumiere collaborated with Jannard on developing an alternative and intr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super 35
Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track. History Super 35 was revived from a similar Superscope variant known as Superscope 235, which was originally developed by the Tushinsky Brothers (who founded Superscope Inc. in 1954) for RKO in 1954. The first film to be shot in Superscope was '' Vera Cruz'', a western film produced by Hecht-Lancaster Productions and distributed through United Artists. When cameraman Joe Dunton was preparing to shoot ''Dance Craze'' in 1982, he chose to revive the Superscope format by using a full silent-standard gate and slightly optically recentering the lens port (to adjust for the inclusion of the area of the optic soundtrack -the gray track on left side of the illustration). These two characteristics are central to the format. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apple ProRes
Apple ProRes is a high quality, " visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Much like the H.26x and MPEG standards, the ProRes family of codecs use compression algorithms based on the discrete cosine transform (DCT). ProRes is widely used as a final format delivery method for HD broadcast files in commercials, features, Blu-ray and streaming. Overview ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. This is achieved by only using intra-frame compression, where each frame is stored independently and can be decoded with no dependencies on other frames. The benefit of an intermediate codec is that it offers excellent random access performance in post-production applications, and retains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avid DNxHD
Avid DNxHD ("Digital Nonlinear Extensible High Definition") is a lossy high-definition video post-production codec developed by Avid for multi-generation compositing with reduced storage and bandwidth requirements. It is an implementation of SMPTE VC-3 standard. Overview DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3 standard. DNxHD is intended to be an open standard, but as of March 2008, has remained effectively a proprietary Avid format. The source code for the Avid DNxHD codec is freely available from Avid for internal evaluation and review, although commercial use requires Avid licensing approval. It has been commercially licensed to a number of companies including Ikegami, FilmLight, Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panavision
Panavision is an American motion picture equipment company founded in 1953 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004). Panavision operates exclusively as a rental facility—the company owns its entire inventory, unlike most of its competitors. Early history Robert Gottschalk founded Panavision in late 1953, in partnership with Richard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Bay
Michael Benjamin Bay (born February 17, 1965) is an American film director and producer. He is best known for making big-budget, high-concept action films characterized by fast cutting, stylistic cinematography and visuals, and extensive use of special effects, including frequent depictions of explosions. The films he has produced and directed, which include '' Armageddon'' (1998), ''Pearl Harbor'' (2001) and the ''Transformers'' film series (2007–present), have grossed over worldwide, making him one of the most commercially successful directors in history. He is co-founder of commercial production house The Institute, a.k.a. The Institute for the Development of Enhanced Perceptual Awareness. He co-owns Platinum Dunes, a production house which has remade horror films, including '' The Texas Chainsaw Massacre'' (2003), '' The Amityville Horror'' (2005), '' The Hitcher'' (2007), ''Friday the 13th'' (2009) and '' A Nightmare on Elm Street'' (2010). Despite his commercial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Fincher
David Andrew Leo Fincher (born August 28, 1962) is an American film director. His films, mostly psychological thrillers and biographical dramas, have received 40 nominations at the Academy Awards, including three for him as Best Director. Fincher was the co-founder of Propaganda Films, a film and music video production company. Born in Denver, Colorado, Fincher was interested in filmmaking at an early age. He directed numerous music videos, most notably Madonna's " Express Yourself" in 1989 and "Vogue" in 1990, both of which won him the MTV Video Music Award for Best Direction. He made his feature film debut with '' Alien 3'' (1992), which garnered mixed reviews, followed by the thriller '' Seven'' (1995), which was better received. Fincher found success with '' The Game'' (1997) and greater success with '' Fight Club'' (1999), with the latter eventually becoming a cult classic. In 2002, he returned to prominence with the thriller ''Panic Room'' starring Jodie Foster. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DxOMark
DxOMark, currently stylized as DXOMARK, is a commercial website described as "an independent benchmark that scientifically assesses smartphones, lenses and cameras". Founded in 2008, DxOMark was originally owned by DxO Labs, a French engineering and consulting company, which is headquartered in Boulogne-Billancourt, Paris, France. DxOMark Image Labs was separated from DxO Labs in September 2017, and was later re-branded to DxOMark in 2019. DxOMark is now a wholly independent privately-owned company. DxOMark scores are used in many independent news publications and specialist media sites, including: '' The Washington Post, The New York Times, Die Zeit, Le Monde, Les Numeriques, '' NDTV'', India Today, The Indian Express, China Daily, Forbes, Wired'', ZDNet, Extreme Tech, Tech Crunch, ''TechRadar'', CNET, '' PC World'', Gizmodo, Engadget, Digital Trends, The Next Web, ''The Verge'', GSM Arena, Android Authority, Mac Rumors, '' Digital Photography Review'', ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayer Filter
A Bayer filter mosaic is a color filter array (CFA) for arranging RGB color filters on a square grid of photosensors. Its particular arrangement of color filters is used in most single-chip digital image sensors used in digital cameras, camcorders, and scanners to create a color image. The filter pattern is half green, one quarter red and one quarter blue, hence is also called BGGR, RGBG, GRBG, or RGGB. It is named after its inventor, Bryce Bayer of Eastman Kodak. Bayer is also known for his recursively defined matrix used in ordered dithering. Alternatives to the Bayer filter include both various modifications of colors and arrangement and completely different technologies, such as color co-site sampling, the Foveon X3 sensor, the dichroic mirrors or a transparent diffractive-filter array. Explanation Bryce Bayer's patent (U.S. Patent No. 3,971,065) in 1976 called the green photosensors ''luminance-sensitive elements'' and the red and blue ones ''chrominance-sensi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Software Development Kit
A software development kit (SDK) is a collection of software development tools in one installable package. They facilitate the creation of applications by having a compiler, debugger and sometimes a software framework. They are normally specific to a hardware platform and operating system combination. To create applications with advanced functionalities such as advertisements, push notifications, etc; most application software developers use specific software development kits. Some SDKs are required for developing a platform-specific app. For example, the development of an Android app on the Java platform requires a Java Development Kit. For iOS applications (apps) the iOS SDK is required. For Universal Windows Platform the .NET Framework SDK might be used. There are also SDKs that add additional features and can be installed in apps to provide analytics, data about application activity, and monetization options. Some prominent creators of these types of SDKs include Google ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debayering
A demosaicing (also de-mosaicing, demosaicking or debayering) algorithm is a digital image process used to reconstruct a full color image from the incomplete color samples output from an image sensor overlaid with a color filter array (CFA). It is also known as ''CFA interpolation'' or ''color reconstruction''. Most modern digital cameras acquire images using a single image sensor overlaid with a CFA, so demosaicing is part of the processing pipeline required to render these images into a viewable format. Many modern digital cameras can save images in a raw format allowing the user to demosaic them using software, rather than using the camera's built-in firmware. Goal The aim of a demosaicing algorithm is to reconstruct a full color image (i.e. a full set of color triples) from the spatially undersampled color channels output from the CFA. The algorithm should have the following traits: * Avoidance of the introduction of false color artifacts, such as chromatic aliases, zippe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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