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List Of Hindi Films Of 1932
A list of films produced by the Hindi_cinema, Hindi film industry based in Mumbai in 1932: A-B C-I J-M N-R S-Z References External linksBollywood films of 1932 at IMDb {{Indianfilmlist Lists of Bollywood films by year, 1932 Lists of 1932 films by country or language, Bollywood 1932 in Indian cinema, Films, Bollywood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Cinema
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalil (actor)
Khalil was an Indian cinema actor of silent and talkie films. He achieved stardom with silent films like ''Gul-E-Bakavali'' (1924), ''Kulin Kanta'' (1925), and ''Lanka Ni Laadi'' (1925) which was a major success commercially. His other successes included ''Cinema Queen'' (1925) with Sulochana, ''Draupadi'' (1931), and ''Daily Mail'' (1930). Khalil is referred to as the "macho hero". Khalil worked from 1920 to 1941, making a transition to Talkies in 1931 with ''Draupadi'' directed by B. P. Mishra, and ''Daulat Ka Nasha'' directed by Pesi Karani. Both films were produced by Kohinoor and Imperial Films. He shifted to Calcutta from Bombay in 1934, and immediately "made his mark" with the East India Film Company production ''Quismat Ki Kasauti'' (1934), directed by Pesi Karani. He also wrote lyrics for films like ''Dard-e-Dil'' (1934). Career Silent films Khalil's first film was ''Krishna Sudama'' (1920), a silent film co-produced by Kohinoor Film Company and Imperial Film Company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanubhai Vakil
Nanubhai Vakil (23 May 1902 – 29 December 1980) was a Hindi and Gujarati film director. He was the first to make a Gujarati talkie film with a biopic on the saint Narsinh Mehta in 1932. ''Narsinh Mehta's'' (1932) star cast included the actress Mehtab. Career Vakil frequently collaborated with Zubeida and Patience Cooper. The twelve-year-old Suraiya, who had done minor roles as a child artist in films like ''Usne Kya Socha'' (1937) was cast as the young Mumtaz in ''Taj Mahal'' (1941) by Vakil. Vakil later remade several of the silent films "based on Parsi theatre plays". W. M. Khan, who became famous as the first person to sing in an Indian film, "De De Allah Ke Naam Pe Pyare" in ''Alam Ara ''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves on a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a '' fakir'' (Muhammad Wazir Khan) ...'' (1931) was made to reprise that son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishnu Maya
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva. Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power ( Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities ( Saguna), and have certain form, but is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
