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List Of Video Compression Formats
The following is a list of compression formats and related codecs. Audio compression formats Non-compression * Linear pulse-code modulation (LPCM, generally only described as PCM) is the format for uncompressed audio in media files and it is also the standard for CD-DA; note that in computers, LPCM is usually stored in container formats such as WAV, AIFF, or AU, or as raw audio format, although not technically necessary. ** FFmpeg * Pulse-density modulation (PDM) ** Direct Stream Digital (DSD) is standard for Super Audio CD *** foobar2000 Super Audio CD Decoder (based on MPEG-4 DST reference decoder) *** FFmpeg (based on dsd2pcm) * Pulse-amplitude modulation (PAM) Lossless compression * Actively used ** Most popular *** Free Lossless Audio Codec (FLAC) **** libFLAC **** FFmpeg *** Apple Lossless Audio Codec (ALAC) **** Apple QuickTime **** libalac **** FFmpeg **** Apple Music *** Monkey's Audio (APE) **** Monkey's Audio SDK **** FFmpeg (decoder only) *** OptimFROG (OFR) *** ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codec
A codec is a device or computer program that encodes or decodes a data stream or signal. ''Codec'' is a portmanteau of coder/decoder. In electronic communications, an endec is a device that acts as both an encoder and a decoder on a signal or data stream, and hence is a type of codec. ''Endec'' is a portmanteau of encoder/decoder. A coder or encoder encodes a data stream or a signal for transmission or storage, possibly in encrypted form, and the decoder function reverses the encoding for playback or editing. Codecs are used in videoconferencing, streaming media, and video editing applications. History In the mid-20th century, a codec was a device that coded analog signals into digital form using pulse-code modulation (PCM). Later, the name was also applied to software for converting between digital signal formats, including companding functions. Examples An audio codec converts analog audio signals into digital signals for transmission or encodes them for storage. A receiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OptimFROG
OptimFROG is a proprietary lossless audio data compression codec developed by Florin Ghido. OptimFROG is optimized for very high compression (small file sizes) at the expense of encoding and decoding speed, and consistently measures among the highest compressing lossless codecs. OptimFROG comes with three compressors: one lossless codec for integer LPCM format WAVE files, one for IEEE_754 floating-point WAVE files, and a ''DualStream'' format with a lossy part and a correction file for losslessness. OptimFROG DualStream OptimFROG DualStream is a lossy codec, aimed to fill the gap between perceptual coding and lossless coding as OptimFROG DualStream has an option to produce a correction file. This file can be used, in combination with the main lossy-encoded file, for lossless decoding, but not, unlike Wavpack hybrid for instance, for playback. This correction feature is also offered by MPEG-4 SLS and DTS-HD Master Audio. Technical details Metadata The OptimFROG file formats use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FXpansion
FXpansion is a Ltd company that produces music software including Geist2, Strobe2, Tremor, Etch, Bloom, Maul and DCAM Dynamics. History FXpansion is a company that develops music software, and was founded in 1999 in London, United Kingdom. Their base of operations from 2005-2009 was in London's inner East End, in the media/bar zone of Shoreditch. In 2008, FXpansion opened a US subsidiary, FXpansion USA Inc, to handle sales and distribution in North America, and a development office in Australia. In 2009, FXpansion relocated their HQ to London's South Bank. On 1 September 2016, it was announced that fellow London based music technology company ROLI had acquired FXpansion. In April 2020, ROLI sold FXpansion instrument BFD to InMusic Brands inMusic is an American enterprise that is the parent company for a family of brands of varying audio products used in the DJ, music production, live sound, musical instrument, pro audio, software, stage lighting, and consumer electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RealAudio
RealAudio, or also spelled as Real Audio is a proprietary audio format developed by RealNetworks and first released in April 1995. It uses a variety of audio codecs, ranging from low-bitrate formats that can be used over dialup modems, to high-fidelity formats for music. It can also be used as a streaming audio format, that is played at the same time as it is downloaded. In the past, many internet radio stations used RealAudio to stream their programming over the internet in real time. In recent years, however, the format has become less common and has given way to more popular audio formats. RealAudio was heavily used by the BBC websites until 2009, though it was discontinued due to its declining use. BBC World Service, the last of the BBC websites to use RealAudio, discontinued its use in March 2011. File extensions RealAudio files were originally identified by a filename extension of .ra (for Real Audio). In 1997, RealNetworks also began offering a video format called RealVideo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HD-AAC
MPEG-4 SLS, or MPEG-4 Scalable to Lossless as per ISO/IEC 14496-3:2005/Amd 3:2006 (Scalable Lossless Coding), is an extension to the MPEG-4 Part 3 (MPEG-4 Audio) standard to allow lossless audio compression scalable to lossy MPEG-4 General Audio coding methods (e.g., variations of AAC). It was developed jointly by the Institute for Infocomm Research (I2R) and Fraunhofer, which commercializes its implementation of a limited subset of the standard under the name of HD-AAC. Standardization of the HD-AAC profile for MPEG-4 Audio is under development (as of September 2009). MPEG-4 SLS allows having both a lossy layer and a lossless correction layer similar to Wavpack Hybrid, OptimFROG DualStream and DTS-HD Master Audio, providing backwards compatibility to MPEG AAC-compliant bitstreams. MPEG-4 SLS can also work without a lossy layer (a.k.a. "SLS Non-Core"), in which case it will not be backwards compatible, Lossy compression of files is necessary for files that need to be streamed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-4 SLS
MPEG-4 SLS, or MPEG-4 Scalable to Lossless as per ISO/IEC 14496-3:2005/Amd 3:2006 (Scalable Lossless Coding), is an extension to the MPEG-4 Part 3 (MPEG-4 Audio) standard to allow lossless audio compression scalable to lossy MPEG-4 General Audio coding methods (e.g., variations of AAC). It was developed jointly by the Institute for Infocomm Research (I2R) and Fraunhofer, which commercializes its implementation of a limited subset of the standard under the name of HD-AAC. Standardization of the HD-AAC profile for MPEG-4 Audio is under development (as of September 2009). MPEG-4 SLS allows having both a lossy layer and a lossless correction layer similar to Wavpack Hybrid, OptimFROG DualStream and DTS-HD Master Audio, providing backwards compatibility to MPEG AAC-compliant bitstreams. MPEG-4 SLS can also work without a lossy layer (a.k.a. "SLS Non-Core"), in which case it will not be backwards compatible, Lossy compression of files is necessary for files that need to be streamed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Lossless Coding
MPEG-4 Audio Lossless Coding, also known as MPEG-4 ALS, is an extension to the MPEG-4 Part 3 audio standard to allow lossless audio compression. The extension was finalized in December 2005 and published as ISO/IEC 14496-3:2005/Amd 2:2006 in 2006. The latest description of MPEG-4 ALS was published as subpart 11 of the MPEG-4 Audio standard (ISO/IEC 14496-3:2019) (5th edition) in December 2019. MPEG-4 ALS combines a short-term predictor and a long term predictor. The short-term predictor is similar to FLAC in its operation - it is a quantized LPC predictor with a losslessly coded residual using Golomb Rice Coding or Block Gilbert Moore Coding (BGMC). The long term predictor is modeled by 5 long-term weighted residues, each with its own lag (delay). The lag can be hundreds of samples. This predictor improves the compression for sounds with rich harmonics (containing multiples of a single fundamental frequency, locked in phase) present in many musical instruments and human voice. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Packed PCM
Meridian Lossless Packing, also known as Packed PCM (PPCM), is a lossless compression technique for PCM audio data developed by Meridian Audio, Ltd. MLP is the standard lossless compression method for DVD-Audio content (often advertised with the Advanced Resolution logo) and typically provides about 1.5:1 compression on most music material. All DVD-Audio players are equipped with MLP decoding, while its use on the discs themselves is at their producers' discretion. Dolby TrueHD, used in Archival Disc Blu-ray and HD DVD, employs MLP, but compared with DVD-Audio, adds higher bit rates, 8 full-range channels, extensive metadata, and custom speaker placements (as specified by SMPTE). MLP in packaged media formats See also * Direct Stream Transfer * FLAC * Monkey's Audio * TTA * WavPack * Master Quality Authenticated Master Quality Authenticated (MQA) is a lossy audio compression format, which is used to transfer high-quality audio to a smartphone or audio device. The tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meridian Lossless Packing
Meridian Lossless Packing, also known as Packed PCM (PPCM), is a lossless compression technique for PCM audio data developed by Meridian Audio, Ltd. MLP is the standard lossless compression method for DVD-Audio content (often advertised with the Advanced Resolution logo) and typically provides about 1.5:1 compression on most music material. All DVD-Audio players are equipped with MLP decoding, while its use on the discs themselves is at their producers' discretion. Dolby TrueHD, used in Archival Disc Blu-ray and HD DVD, employs MLP, but compared with DVD-Audio, adds higher bit rates, 8 full-range channels, extensive metadata, and custom speaker placements (as specified by SMPTE). MLP in packaged media formats See also * Direct Stream Transfer * FLAC * Monkey's Audio * TTA * WavPack * Master Quality Authenticated Master Quality Authenticated (MQA) is a lossy audio compression format, which is used to transfer high-quality audio to a smartphone or audio device. The tec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DVD-Audio
DVD-Audio (commonly abbreviated as DVD-A) is a digital format for delivering high-fidelity audio content on a DVD. DVD-Audio uses most of the storage on the disc for high-quality audio and is not intended to be a video delivery format. The standard was published in March 1999 and the first discs entered the marketplace in 2000. DVD-Audio was in a format war with Super Audio CD (SACD), and along with consumers' tastes tending towards downloadable music, these factors meant that neither high-quality disc achieved considerable market penetration; DVD-Audio has been described as "extinct" by 2007. DVD-Audio remains a niche market but some independent online labels offer a wider choice of titles. Audio specifications DVD-Audio offers many possible configurations of audio channels, ranging from single-channel mono to 5.1-channel surround sound, at various sampling frequencies and sample rates. (The ".1" denotes a low-frequency effects channel (LFE) for bass and/or special audio effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolby TrueHD
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format. Dolby TrueHD competes with DTS's DTS-HD Master Audio (DTS-HD MA), another lossless surround sound codec. The Dolby TrueHD specification provides for up to 16 discrete audio channels, each with a sampling rate of up to 192kHz and sample depth of up to 24 bits. Dolby's compression mechanism for TrueHD is Meridian Lossless Packing (MLP); prior to Dolby TrueHD, MLP was used for the DVD-Audio format, although the two formats' respective implementations of MLP are not mutually compatible. A Dolby TrueHD audio stream varies in bitrate, as does any other losslessly compressed audio format. Like its predecessor, Dolby TrueHD's bitstream carries program metadata, or non-audio i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DTS-HD Master Audio
DTS-HD Master Audio (DTS-HD MA; known as DTS++ before 2004) is a multi-channel, lossless audio codec developed by DTS as an extension of the lossy DTS Coherent Acoustics codec (DTS CA; usually itself referred to as just DTS). Rather than being an entirely new coding mechanism, DTS-HD MA encodes an audio master in lossy DTS first, then stores a concurrent stream of supplementary data representing whatever the DTS encoder discarded. This gives DTS-HD MA a lossy "core" able to be played back by devices that cannot decode the more complex lossless audio. DTS-HD MA's primary application is audio storage and playback for Blu-ray Disc media; it competes in this respect with Dolby TrueHD, another lossless surround format. DTS-HD MA has enjoyed the greater share of this market since 2010, with the notable exception of the TrueHD-encoded Dolby Atmos spatial surround format, which is more popular than DTS's competing DTS:X (encoded with DTS-HD MA). Specifications DTS-HD MA can store up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
