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List Of Street And Vernacular Dances
Below is a list of vernacular dance, vernacular/street dances, varying from traditional dance, traditional to electronic dance, modern electronic styles. See also

*List of ethnic, regional, and folk dances sorted by origin {{DEFAULTSORT:Street and vernacular dances Dance-related lists ...
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Vernacular Dance
Vernacular dances are dances which have developed 'naturally' as a part of 'everyday' culture within a particular community. In contrast to the elite and official culture, vernacular dances are usually learned naturally without formal instruction.Andriy Nahachewski, "Ukrainian Dance: A Cross-Cultural Approach",p. 34/ref> along with other concepts of vernacular culture. The word 'vernacular' is used here in much the same as it is in reference to vernacular language, defined in contrast to literary or cultured language. Vernacular dances in urban context are commonly referred to as street dances. Some folklorists suggest the term as a more universal replacement of the term " folk dance", while others use it to better delineate the concept of folk dance. Richard M. Dorson, "Folklore and Folklife: An Introduction"pp.385-387/ref> The term is attributed to Marshall and Jean Stearns (1968), Marshall Winslow Stearns, Jean Stearns, ''Jazz Dance: The Story of American Vernacular Dance'', D ...
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Swing (dance)
Swing dance is a group of Social dance, social dances that developed with the swing music, swing style of jazz music in the 1920s–1940s, with the origins of each dance predating the popular "swing era". Hundreds of styles of swing dancing were developed; those that have survived beyond that era include Lindy Hop, Balboa (dance), Balboa, Collegiate shag, Collegiate Shag, and Charleston (dance), Charleston. Today, the best-known of these dances is the Lindy Hop, which originated in Harlem in the early 1930s. While the majority of swing dances began in African Americans, African American communities as vernacular dance, vernacular African American dances, some influenced swing-era dances, like Balboa, developed outside of these communities. "Swing dance" was not commonly used to identify a group of dances until the latter half of the 20th century. Historically, the term "Swing" referred to the style of jazz music, which inspired the evolution of the dance. Jitterbug is any form ...
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Salsa (dance)
Salsa is a latin dance, associated with the music genre of the same name, which was first popularized in the United States in the 1960s in New York City. Salsa is an amalgamation of Cuban dances, such as mambo, pachanga and rumba, as well as American dances such as swing and tap. Origin Salsa dancing — as a dance to accompany salsa music — was popularized in the 1960s. It was primarily developed by Puerto Ricans and Cubans living in New York in the late 1960s and early 1970s. Different regions of Latin America and the United States (including countries in the Caribbean) have distinct salsa styles, such as Cuban, Puerto Rican, Colombian, and New York styles. Salsa dance socials are commonly held in nightclubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival. Some debate exists about the exact origins of the name "salsa". Some claim it originated from something musicians shouted while playing to generate excitement. The term was popu ...
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Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. '' Cajones'' (wooden boxes) were used as drums until the early 20th cent ...
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Merengue (dance)
Merengue (, ) is a style of Dominican music and dance. Merengue is the national dance of the Dominican Republic and is also important to national identity in the country. It is a type of danced walk and is accessible to a large variety of people with or without dance experience. The music of merengue draws influence from European and Afro-Cuban styles and mainly uses instruments like guitars, drums, and a charrasca or metal scraper. The dance originated as a rural dance and later became a ballroom dance. Merengue has three distinct sections: the paseo, the merengue proper, and the closing jaleo which includes improvisation. Partners hold each other in a closed position. The leader holds the follower's waist with their right hand and the follower's right hand with their left hand at the follower's eye level. Partners bend their knees slightly left and right, thus making the hips move left and right. The hips of the leader and follower move in the same direction throughout the song ...
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ...
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Flexing (dance)
FlexN, also spelled as Flexing, is a style of street dance from Brooklyn, New York that is characterized by rhythmic contortionist perform shirtless and incorporate hat tricks in their performance for showmanship, as also used in turf dancing. Origins Before FlexN gained mainstream exposure, it started out at the home of a couple called Rocky and Sandra Cummings. In 1992, the couple created a talent show and a local cable TV show in New York City, called 'Flex N Brooklyn'. The dance roots are traced back to reggae, dancehall, and "...a chopped-up instrumental called the 'Volume' riddim". The producers of the new genre refer to it as FDM, Flex Dance Music. Unlike other street dance styles originating in the United States, FlexN did not come from hip-hop dance, funk music, or hip-hop culture. It evolved from a Jamaican style of street dance called bruk-up. In a 2009 interview with ''WireTap'' magazine, dancer Stefan "Mr. Wiggles" Clemente described bruk-up as a "reggae style of anim ...
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Texas Tommy (dance)
The Texas Tommy is a vigorous social dance for couples that originated in San Francisco in the early twentieth century. History After the great 1906 San Francisco earthquake and fire, the Barbary Coast, the red-light district of the city, was rebuilt and given new life as a tourist attraction, a place of dance halls, theaters, shops, and restaurants. Dance exhibitions and variety shows designed to attract tourists replaced prostitution as the chief business of the area. Many of the dance crazes that swept America during the 1900s and 1910s originated in this section of San Francisco. The Thalia, the largest and most popular dance hall on the Pacific coast, was the birthplace of the Texas Tommy. ("Tommy" was a slang term for prostitute.) Around 1910, the Texas Tommy was a hit at a lowlife hot spot called Purcell's, a Negro cabaret, but it became respectable when it was danced at the upscale Fairmont Hotel, the most popular venue for ballroom dancing in San Francisco. Who invented t ...
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Tap Dance
Tap dance is a form of dance characterized by using the sounds of tap shoes striking the floor as a form of percussion. Two major variations on tap dance exist: rhythm (jazz) tap and Broadway tap. Broadway tap focuses on dance; it is widely performed in musical theater. Rhythm tap focuses on musicality, and practitioners consider themselves to be a part of the jazz tradition. The sound is made by shoes that have a metal "tap" on the heel and toe. There are different brands of shoes which sometimes differ in the way they sound. Ok History The fusion of several ethnic percussive dances, such as West African step dances and Welsh, Irish, and Scottish clog dancing, hornpipes, and jigs, tap dance is believed to have begun in the mid-1800s during the rise of minstrel shows. As minstrel shows began to decline in popularity, tap dance moved to the increasingly popular Vaudeville stage. Due to Vaudeville's unspoken "two-colored rule", which forbade blacks to perform solo, many Vaudevi ...
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Stepping (African-American)
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture. The participant's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the step depends upon the desired beat and rhythm of the performers. Some forms of stepping include the use of props, such as canes, rhythm sticks and/or fire and blindfolds. The tradition of stepping is rooted within the competitive schoolyard song and dance rituals practiced by historically African American fraternities and sororities, beginning in the 1900s. Stepping Stepping fi ...
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Big Apple (dance)
The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century. History Origin (1860–1936) The exact origin of the Big Apple is unclear but one author suggests that the dance originated from the "ring shout", a group dance associated with religious observances that was founded before 1860 by African Americans on plantations in South Carolina and Georgia. The ring shout is described as a dance with "counterclockwise circling and high arm gestures" that resembled the Big Apple. It is still practiced today in small populations of the southern United States. The dance that eventually became known as the Big Apple is speculated to have been created in the early 1930s by African-American youth dancing at the Big Apple Club, which was at the former House of Peace Synagogue on Park Street in Columbia, South Carolina. The synagogue was converted into a black juke joint called the "Big ...
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