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List Of Solo Piano Compositions By Henry Cowell
This is a list of compositions by Henry Cowell. Pieces by date of composition * Anger Dance (1914; orig. Mad Dance) * Dynamic Motion (1916; frequently misdated 1914) * Three Irish Legends (1922) # The Tides of Manaunaun (1917; frequently misdated 1911 or 1912) # The Hero Sun (1922) # The Voice of Lir (1920) * Five Encores to Dynamic Motion (1917) # What's This? # Amiable Conversation # Advertisement # Antinomy (rev. 1959) # Time Table * The Trumpet of Angus Og (1918–24) * Fabric Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not th ... (1920) * Vestiges (1920) * The Sword of Oblivion for string piano (ca. 1920–22) * Exultation (1921) * Six Ings (1922) # Floating # Frisking # Fleeting # Scooting # Wafting # Seething * Piece for Piano with Strings (1923; for solo string piano, desp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Cowell
Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 2022.Campbell, Brett (2014)"Liberating Henry Cowell's Music at San Quentin" ''San Francisco Classical Voice''. Retrieved 19 June 2022. Earning a reputation as an extremely controversial performer and eccentric composer, Cowell became a leading figure of American avant-garde music for the first half of the 20th century — his writings and music serving as a great influence to similar artists at the time, including Lou Harrison, George Antheil, and John Cage, among others.Swed, Mark (2010)"Critic's notebook: Revelatory Henry Cowell revival at Lincoln Center" ''The Los Angeles Times''. Retrieved 19 June 2022. He is considered one of America's most important and influential composers. Cowell was mostly self-taught and developed a unique musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamic Motion
American composer Henry Cowell wrote one of his first surviving piano pieces, ''Dynamic Motion'' (HC 213), in 1916. It is known as one of the first pieces in the history of music to utilize violent tone clusters for the keyboard. It requires the performer to use various limbs to play massive secundal Chord (music), chords, and calls for keys to be held down without sounding to extend its Consonance and dissonance, dissonant cluster overtones via sympathetic resonance. Some of the clusters outlined in this piece are those written for fists, palms, and forearms. The piece is also noted for its extended use of tuplet, tuplets, featuring triplets, quintuplets, and sextuplets in the melody line. History While still a teenager and studying at the University of California, Berkeley, Cowell wrote the piano piece ''Dynamic Motion'', his first important work to explore the possibilities of the tone cluster. He first presented the piece to his composition teacher, Charles Seeger. This gli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tides Of Manaunaun
''The Tides of Manaunaun'' is a short piano piece in B minor by American composer Henry Cowell (1897–1965). It premiered publicly in 1917, serving as a prelude to a theatrical production, ''The Building of Banba''. ''The Tides of Manaunaun'' is the best known of Cowell's many tone cluster pieces. Background ''The Building of Banba'', for which ''The Tides of Manaunaun'' was composed, was based on Irish mythological poems by the theosophist John Osborne Varian. ''The Building of Banba'' has been described by some scholars as a "pageant" or "play", and by Cowell himself (more than fifty years later) as an "opera". The production was staged in the summer of 1917 at a convention of the theosophical community of Halcyon in coastal San Luis Obispo County, California; Varian was a leader of the group, to which he had introduced the 20-year-old Cowell. Cowell would later claim that ''The Tides of Manaunaun'' had been composed in 1912, or even earlier. In 1944 Cowell arranged this son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabric (Cowell)
Henry Cowell Henry Dixon Cowell (; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher and teacher. Marchioni, Tonimarie (2012)"Henry Cowell: A Life Stranger Than Fiction" ''The Juilliard Journal''. Retrieved 19 June 202 ...'s 1920 work ''Fabric'', HC 307, is a short piano piece meant to be an exercise in a form of experimental rhythmic notation he had been developing at the time. Background It was written in the month of September 1922, with the complexity resulting from Cowell's preoccupation with rhythmic exploration and polyrhythmic tendencies. The piece is dedicated to Georgia Kober.Sachs (2012), p. 91 References External links * 20th-century classical music 1920 compositions Compositions by Henry Cowell Compositions for solo piano Modernist compositions {{Classical-composition-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Snows Of Fuji-Yama
Henry Cowell wrote the piano piece ''The Snows of Fuji-Yama'', HC 395, in 1924. The piece was from Cowell's tone cluster phase and was his first expedition into the foray of Asian-inspired music, using black-key clusters to emphasize a pentatonic scale in F major. He first performed the piece at a concert in the Los Angeles Millennium Biltmore Hotel on November 20, 1926.'' The New York Times'', November 14, 1926 __NOTOC__ See also *List of solo piano compositions by Henry Cowell This is a list of compositions by Henry Cowell. Pieces by date of composition * Anger Dance (1914; orig. Mad Dance) * Dynamic Motion (1916; frequently misdated 1914) * Three Irish Legends (1922) # The Tides of Manaunaun (1917; frequently misd ... Notes References Citations Sources * Sachs, Joel (2012). ''Henry Cowell: A Man Made of Music''. Oxford: Oxford University Press. External links * * 20th-century classical music 1924 compositions Compositions by Henry Cowell Compositions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Banshee (composition)
The Banshee (1925) is a piano composition by American composer Henry Cowell (1897–1965). It was the first piano piece ever written to be performed entirely free of the keyboard, using only manual manipulation of the strings within the instrument to produce sound via the flesh and nails of the finger.MARIA CIZMIC. "Embodied Experimentalism and Henry Cowell's The Banshee." ''American Music'' 28, no. 4 (2010): 436-58. doi:10.5406/americanmusic.28.4.0436. Cowell stated that his inspiration in creating the "string piano" method of playing came from a desire to reinvent the landscape of piano technique, finding new usages and sounds for old instruments without necessarily inventing new ones. In addition to the string piano method changing the technical execution of producing sound, performance of ''The Banshee'' also required the performer to play the instrument in a new orientation, standing in the crook of the piano perpendicular to the strings, rather than seated at a bench. This ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmicana
Henry Cowell's 1938 work ''Rhythmicana'' is a suite of piano pieces centered on polyrhythms and dissonant counterpoint. It is known for its unusual time signatures The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ..., with the first two movements being in time, and the third movement having the polymeter of in the right hand and in the left. Background Cowell had already used the title for his rhythmicon concerto seven years earlier. The complexity results from Cowell's lifelong preoccupation with rhythmic exploration. The piece is dedicated to J. M. Beyer. References External links * 20th-century classical music 1938 compositions Compositions by Henry Cowell Compositions for solo piano Compositions that use extended techniques Modernist compositions {{Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Henry Cowell
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Compositions By American Composers
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lists Of Piano Compositions By Composer
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Compositions In The 20th Century
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
