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List Of Rock Instrumentals
The following is a list of rock instrumentals. Only instrumentals that are notable are included. Instrumentals which have charted Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. 1950s and 1960s chartings 1970s and 1980s chartings 0-9 10cc * "How Dare You" (''How Dare You! (album)'', 1976) A A Flock of Seagulls * " DNA" (''A Flock of Seagulls'', 1982) ABBA * " Intermezzo No. 1" (''ABBA'', 1975) * "Arrival" (''Arrival'', 1976) AC/DC * "Fling Thing" (B-side of " Jailbreak", 1976) * "D.T." ("From album: Who Made Who", 1985) * "Chase the Ace" ("From album: Who Made Who", 1985) Aerosmith * "The Movie" ("From album: Permanent Vacation", 1987) * "Krawhitham" (''Pandora's Box'', 1991) * "Circle Jerk" (''Pandora's Box'', 1991) * ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Rumble (instrumental)
"Rumble" is an instrumental by American group Link Wray & His Ray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll. In 2018, the song was inducted into the Rock and Roll Hall of Fame in a new category for singles. History At a live gig in Fredericksburg, Virginia, in early 1958, attempting to work up a backing for The Diamonds' " The Stroll", Link Wray & His Ray Men came up with the instrumental "Rumble", which they originally called "Oddball". It was an instant hit with the live audience, which demanded four repeats that night. Eventually the instrumental came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked a pencil through the cone of his amplifier to make the recording sound more like the live version. But Bleyer's stepdaughter loved it, so he released it despite ...
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Forty Miles Of Bad Road
"Forty Miles of Bad Road" is a rock and roll instrumental recorded by Duane Eddy. Released as a single in 1959, it also appeared on Eddy's 1960 album '' $1,000,000 Worth of Twang''. Background Duane told Oldies Radio DJ "Wild" Wayne that the title came about when he and his producer Lee Hazlewood were waiting in line to buy tickets at a movie theatre. They overheard two guys in front of them discussing a blind date that one of them just had. One asked the other as to how the blind date went. His friend replied that it was ok but the girl had a face that looked like "forty miles of bad road". Duane and Lee looked at each other and said we have the title of our next record. Chart performance The song charted at #9 on the Pop chart. "Forty Miles of Bad Road" also went to #17 on the Hot R&B Sides chart. Song influence *The idiom is referenced in the lyrics of the R.E.M. song " Crush with Eyeliner": "She's a sad tomato/She's three miles of bad road". *It is also referenced in Bo ...
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Bongo Rock
"Bongo Rock" is a rock and roll instrumental written and recorded by Preston Epps. Released as a single in 1959, it charted #14 Pop in the United States and #4 in Canada. In 1973 the Incredible Bongo Band recorded a cover version of "Bongo Rock" under the title "Bongo Rock '73" which became a minor hit. The Incredible Bongo Band version of the tune gained significant popularity in early hip hop circles as a breakbeat. Pioneering DJ Kool Herc used it frequently in his sets. It was issued in the ''Ultimate Breaks and Beats'' compilation series and has been extensively sampled by pop and hip hop producers. The song reached #20 on Canadian charts, partly because the producers registered it as Canadian content with MAPL certification. This is despite the fact that the recording had been made in Los Angeles by an entirely American line-up of musicians (Ed Greene, Wilton Felder, Joe Sample, David T. Walker, Bobbye Hall, and Dean Parks). The song's MAPL certification helped push it up ...
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Preston Epps
Preston Eugene Epps (July 19, 1930 – May 9, 2019) was an American percussionist. Career Epps was born in Mangum, Oklahoma. He learned to play percussion instruments, including the bongos, while he was stationed in Okinawa during the Korean War. After his tour of duty he settled in Southern California, playing in coffee shops and working odd jobs. Arthur Laboe, a local disc jockey, signed him to Original Sound Records, which released his single "Bongo Rock" in 1959. The tune became a hit in the U.S., reaching #14 on the ''Billboard'' Hot 100 that year.Billboard Singles A billboard (also called a hoarding in the UK and many other parts of the world) is a large out-of-home advertising, outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboard ... Allmusic.com The follow-up, "Bongo Bongo Bongo", reached #78 the following year. Original Sound released a full-length long play, LP in 1960, which reached #35 ...
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The Fabulous Wailers
The Wailers, often known as The Fabulous Wailers, were an American rock band from Tacoma, Washington. They became popular in the Pacific Northwest from the late 1950s to the early 1960s, performing saxophone-driven R&B and Chuck Berry rock and roll. Their biggest hit was " Tall Cool One", first released in 1959, and they have been credited as being "one of the very first, if not the first, of the American garage bands." Career The group was formed – originally as The Nitecaps – in 1958, by five high school friends: * John Greek (27 October 1940 – 6 October 2006) – rhythm guitar, trumpet * Richard Dangel (1 December 1942 – 2 December 2002) – lead guitar * Kent Morrill (2 April 1941 – 15 April 2011) – keyboards, vocals * Mark Marush (15 August 1940 – 9 August 2007) – tenor sax * Mike Burk (b. 1942) – drums In late 1958, the group recorded a demo of an instrumental written by Dangel, Morrill and Greek, which found its way to Clark Galehouse of New York base ...
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Johnny And The Hurricanes
Johnny and the Hurricanes were an American instrumental rock band from Toledo, Ohio, United States. They specialized in adapting popular traditional melodies into the rock idiom, using organ and saxophone as their featured instruments. Between 1958 and 1963, the group had a number of hits in both the US and the UK, and the band developed a following in Europe. In 1962, they played at the Star-Club in Hamburg, where the Beatles, then a little-known band, served as an opening act. The band continued as a live act through 2005; leader Johnny Paris died in 2006. Career They began as the Orbits in Toledo in 1957. Led by saxophonist Johnny Paris (born August 29, 1940 as John Matthew Pocisk, Walbridge, Ohio, died May 1, 2006, Ann Arbor, Michigan), they were school friends who played on a few recordings behind Mack Vickery, a local rockabilly singer. They signed with Harry Balk and Irving Micahnik of Twirl Records, which led to national engagements in 1958; at this point, they were r ...
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The Happy Organ
"The Happy Organ" is the name of an instrumental composition made famous by Dave "Baby" Cortez in 1959. Cortez co-composed it with noted celebrity photographer James J. Kriegsmann and frequent collaborator Ken Wood. A significant portion of the tune bears a strong resemblance to the traditional "Shortnin' Bread" tune. The record topped the ''Billboard'' Hot 100 on 11 May 1959 and also reached #5 on Billboard's R&B chart. In Canada the song reached #6. "The Happy Organ" originally featured lyrics and was intended to be sung accompanied by a piano and an organ. Cortez recorded a vocal for it, but was unhappy with the result. He spotted a Hammond B3 organ in the studio and decided to play the song's melody on it. He also brought in studio drummer, Gary Hammond, to provide percussion. The guitar solo is by session musician Wild Jimmy Spruill. Hearing an organ on a rock or R&B song at the time was unusual, but Cortez helped popularize its use outside of the jazz field. The ...
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Dave "Baby" Cortez
David Cortez Clowney (born August 13, 1938), known by the stage name Dave "Baby" Cortez, is an American pop and R&B organist and pianist, best known for his 1959 hit, " The Happy Organ". Life and career Clowney was born in Detroit, Michigan, United States, and attended Northwestern High School in the city. His father played the piano, and encouraged him to pursue a musical career. Clowney played the piano for 10 years, then he took up the organ. He made his first record in 1956 under his own name, Ron Wynn, "Dave 'Baby' Cortez", ''Allmusic.com''
Retrieved March 22, 2016.
and also sang with two groups, the Pearls and the Valentines, in the mid-1950s.
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Guitar Boogie (song)
"Guitar Boogie" is a guitar instrumental recorded by Arthur "Guitar Boogie" Smith in 1945. It was one of the first recordings in the style later dubbed " hillbilly boogie" to reach a widespread audience, and eventually sold nearly three million copies. It was the first guitar instrumental to climb the country music charts, and then crossover and also gain high rankings on the popular music charts. "Guitar Boogie" has been interpreted and recorded by a variety of musicians. It is among the songs discussed as the first rock and roll record. Original song "Guitar Boogie" is an uptempo twelve-bar boogie-style instrumental and is patterned after older boogie-woogie piano pieces. Roosevelt Graves and His Brother recorded an instrumental "Guitar Boogie" in 1929, which was issued by Paramount Records. It features a descending arpeggio based on "Pinetop's Boogie Woogie", a piano-based piece recorded by Pinetop Smith in 1928. Music historian Larry Birnbaum describes it as "not the same ...
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The Virtues (band)
The Virtues were an early American rock and roll band from Philadelphia, Pennsylvania, United States. History The group formed around leader Frank Virtue (January 21, 1923 – June 11, 1994), who played the violin as a child and took up the guitar and the double bass as a teenager. He continued with the latter as a member of the Philadelphia Orchestra and studied orchestration at Temple University. He enlisted in the Navy in 1945 and became bandleader of the Regular Navy Dance Band in United States Naval Training Center Bainbridge. He was discharged in 1946 because his father, who had been diagnosed with cancer, could no longer support his family. The Virtues AllMusic Virtue considered putting together a big band but, due to financial constraints, assembled an amplified trio instead, with Ralph Frederico on the piano and Steve Rossi on the guitar. Virtue named the band the Virtuoso Trio after their formation in 1947. The Virtuoso Trio toured the regional club circuit for the bette ...
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Yep!
"Yep!" is a song written by Duane Eddy and Lee Hazlewood and performed by Eddy. The song reached #17 on the UK Singles Chart and #30 on the Billboard Hot 100, ''Billboard'' Hot 100 in 1959. The song appeared on his 1959 album, ''Especially for You (Duane Eddy album), Especially for You''. The song was produced by Lee Hazlewood and Lester Sill. Other versions *The Surfaris released a version as part of an Extended play, EP in 1963 in music, October 1963.The Surfaris, "Yep!" EP release
Retrieved April 26, 2014


References

1959 songs 1959 singles Songs written by Duane Eddy Songs written by Lee Hazlewood Duane Eddy songs Song recordings produced by Lee Hazlewood Song recordings produced by Lester Sill {{1950s-single-stub ...
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