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List Of Power Pop Albums
The following is a list of power pop albums by notable artists that have been described as such by music reviews, or any similar source. They are listed chronologically, with the older ones at the top of the list. 1970s 1980s 1990s 2000s 2010s See also *List of power pop artists and songs *Lists of albums References Bibliography * * * {{Albumlist Power pop Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and ch ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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Raspberries (band)
The Raspberries were an American pop rock band formed in 1970 from Cleveland, Ohio. They had a run of success in the early 1970s music scene with their pop rock sound, which AllMusic later described as featuring "exquisitely crafted melodies and achingly gorgeous harmonies." The members were known for their clean-cut public image, with short-hair and matching suits, which brought them teenybopper attention as well as scorn from some mainstream media outlets as " uncool". The group drew influence from the British Invasion era—especially The Beatles, The Who, The Hollies, and Small Faces—and its mod sensibility. In both the US and the UK, the Raspberries helped pioneer the power pop music style that took off after the group disbanded. They also have had a following among professional musicians such as Jack Bruce, Ringo Starr, and Courtney Love. The group's "classic" lineup consisted of Eric Carmen (vocalist/guitarist/bassist/pianist), Wally Bryson (guitarist), Jim Bonfanti (dru ...
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The Cars (album)
''The Cars'' is the debut studio album by American rock band the Cars, released on June 6, 1978, by Elektra Records. Produced by Roy Thomas Baker, the album spawned the singles "Just What I Needed", " My Best Friend's Girl", and "Good Times Roll". It peaked at number 18 on the US ''Billboard'' 200 and has been certified six-times platinum by the Recording Industry Association of America (RIAA). Background Formed in Boston in 1976, the Cars consisted of Ric Ocasek, Benjamin Orr, Elliot Easton, David Robinson, and Greg Hawkes, all of whom had been in and out of multiple bands throughout the 1970s. After becoming a club staple, the band recorded a number of demos in early 1977. Some of these songs later appeared in finished form on ''The Cars'', such as "Just What I Needed" and " My Best Friend's Girl", while others were saved for a later release, such as "Leave or Stay" and "Ta Ta Wayo Wayo" (both of which later saw release on their 1987 album ''Door to Door''). The demos for "Ju ...
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The Cars
The Cars were an American rock band formed in Boston in 1976. Emerging from the new wave scene in the late 1970s, they consisted of Ric Ocasek ( rhythm guitar), Benjamin Orr (bass guitar), Elliot Easton (lead guitar), Greg Hawkes (keyboards), and David Robinson ( drums). Ocasek and Orr shared lead vocals, and Ocasek was the band's principal songwriter and leader. The Cars were at the forefront of the merger of 1970s guitar-oriented rock with the new synthesizer-oriented pop that became popular in the early 1980s. Robert Palmer, music critic for ''The New York Times'' and ''Rolling Stone'', described the Cars' musical style: "They have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."Palmer, Robert. "Pop: Cars Merge Styles" ''The New York Times'' August 9, 1978: C17 T ...
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Third (Big Star Album)
''Third'' (reissued in 1985 as ''Third/Sister Lovers'') is the third album by American rock band Big Star. Sessions started at Ardent Studios in September 1974. Though Ardent created promotional, white-label test pressings for the record in 1975, a combination of financial issues, the uncommercial sound of the record, and lack of interest from singer Alex Chilton and drummer Jody Stephens in continuing the project prevented the album from ever being properly finished or released at the time of its recording. It was eventually released in 1978 by PVC Records. After two commercially unsuccessful albums, ''Third'' documents the band's deterioration as well as the declining mental state of singer Alex Chilton. It has since gone on to become a cult album, and was placed at number 449 on ''Rolling Stone'' magazine's 2012 list of the "500 Greatest Albums of All Time" list. Its reputation growing with time, the album moved up to number 285 on ''Rolling Stone'' magazine's 2020 listing. T ...
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Chicago Reader
The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a group of friends from Carleton College. The ''Reader'' is recognized as a pioneer among alternative weeklies for both its creative nonfiction and its commercial scheme. Richard Karpel, then-executive director of the Association of Alternative Newsweeklies, wrote: e most significant historical event in the creation of the modern alt-weekly occurred in Chicago in 1971, when the ''Chicago Reader'' pioneered the practice of free circulation, a cornerstone of today's alternative papers. The ''Reader'' also developed a new kind of journalism, ignoring the news and focusing on everyday life and ordinary people. After being owned by same four founders since 1971, by the early 2000s profits and readership of the ''Reader'' were dropping, and o ...
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Twilley Don't Mind
''Twilley Don't Mind'' is the second album from the Dwight Twilley Band, recorded and released in 1977 on Shelter Records, distributed at the time by Arista Records. The band consisted of Dwight Twilley (guitar, piano, lead and harmony vocals), Phil Seymour (drums, bass, percussion, lead and harmony vocals), and Bill Pitcock IV (lead guitar, bass). The original album credited production to Oister, which was the original name of the Dwight Twilley Band, and Bob Schaper; later reissues have credited production directly to Twilley, Seymour and Schaper. Background After the critical success (albeit commercial failure) of the Dwight Twilley Band's first album, '' Sincerely'', hopes ran high for the second album. To capitalize on those hopes, Shelter Records reached a new distribution deal with Arista Records for the second album, which, unlike the first album, was demoed in advance. The band knew exactly which 10 songs that it wanted to record, and those were the only songs record ...
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In Color (album)
''In Color'' is the second studio album by Cheap Trick, released in 1977. It was produced by Tom Werman. This album is considered a classic of the power pop genre. The album was ranked No. 4 on ''Shake Some Action: The Ultimate Power Pop Guide''. In 2003, the album was also ranked number 443 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time. The lead single, "I Want You to Want Me", while not initially successful, became a top 10 hit as a live version from the ''Cheap Trick at Budokan'' album and remains the band's signature song. Overview ''In Color'', as opposed to the band's self-titled debut, features a more polished production in the hopes of making a commercial impact. The album made the band superstars in Japan, where "I Want You to Want Me" and "Clock Strikes Ten" were hit singles. Five of the ten tracks on ''In Color'' were later released in live form on Cheap Trick's live album ''Cheap Trick at Budokan'' ("Hello There", "Big Eyes", "I Wa ...
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Cheap Trick (1977 Album)
''Cheap Trick'' is the debut studio album by the American rock band Cheap Trick, released in 1977. It was released under Epic Records and produced by Jack Douglas, a frequent collaborator of the band. The album did not reach the ''Billboard'' 200 chart but did "bubble under" at number 207 for one week in April 1977. Overview Most of the songs have a more raw sound akin to hard rock bands of the period compared to the group's later more polished power pop style, and the song lyrics deal with more extreme subject matter than later albums. For instance, "The Ballad of TV Violence (I'm Not the Only Boy)" is about serial killer Richard Speck, "Daddy Should Have Stayed in High School" is about an ephebophile, and " Oh, Candy" is about a photographer friend of the band, Marshall Mintz, who committed suicide. Critical reception The album was generally well-received by critics with favorable comparisons to the Beatles and the Who, with critics likening Robin Zander's vocals to ...
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Cheap Trick
Cheap Trick is an American rock band from Rockford, Illinois, formed in 1973 by guitarist Rick Nielsen, bassist Tom Petersson, lead vocalist Robin Zander and drummer Bun E. Carlos. The current lineup of the band consists of Zander, Nielsen and Petersson. Cheap Trick released their self-titled debut album in 1977 and, later that year, found success in Japan with the release of their second album, '' In Color''. The band would achieve mainstream popularity in the United States in 1979 with their breakthrough album ''Cheap Trick at Budokan''. Cheap Trick reached the Top 10 in the US charts in 1979 with the ''Budokan'' live version of "I Want You to Want Me" and topped the charts in 1988 with " The Flame". Cheap Trick has performed live more than 5,000 times and sold more than 20 million albums. Over the course of its career, the band has experienced several resurgences of popularity and built a dedicated cult following. Cheap Trick was inducted into the Rock and Roll Hall of Fam ...
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Shake Some Action
''Shake Some Action'' is the fourth studio album by American rock band the Flamin' Groovies. The album was released in June 1976 by Sire Records. The title ''Shake Some Action'' originates from a line in the 1965 film ''None but the Brave''. Background and recording ''Shake Some Action'' was the first album by the newly reconstituted version of the Flamin' Groovies, who had returned from a five-year hiatus during which lead singer Roy Loney departed the band, leaving guitarist Cyril Jordan as its de facto leader. During that period, the Groovies had released three singles, all recorded in 1972 while the band was living in the UK, under contract to United Artists Records, and being produced by Dave Edmunds.Jordan, Cyril. Liner notes to ''Slow Death'' (2002). Retrieved 5 December 2017. Two of the songs from those sessions (the title track and "You Tore Me Down") eventually ended up on this album. The band drastically reshaped their musical style, stripping down the blues and rockabi ...
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Flamin' Groovies
Flamin' Groovies is an American rock band that formed in San Francisco in 1965, originally co-led by Roy Loney and Cyril Jordan. After the Groovies released three albums, on Epic ('' Supersnazz'') and Kama Sutra (''Flamingo'' and '' Teenage Head''), Loney left the band in 1971. He was replaced as co-leader by Chris Wilson, and the band's emphasis shifted more toward British Invasion power pop.Power Pop: The ’70s, The Birth Of Uncool
Magnetmagazine.com (2002-09-07). Retrieved on 1 September 2013.
The band signed to in 1972, releasing just three more singles until 1976. The Groovies then signed to