List Of Piscine And Amphibian Humanoids
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List Of Piscine And Amphibian Humanoids
Piscine and amphibian humanoids (people with the characteristics of fish or amphibians) appear in folklore and fiction. Folklore Myth * Adaro from the mythology of the Solomon Islands * Atargatis from Assyrian mythology * Blue men of the Minch ''("na fir ghorma":'' Scottish Gaelic pronunciation: ə fiɾʲ ˈɣɔɾɔmə * Dagon in Semitic mythology * Ea from Babylonian mythology * Glaucus, mortal transformed into a merman in Greek mythology * Heqet, ancient Egyptian frog-headed goddess of fertility. * Huh, ancient Egyptian frog-headed god whose name means "endlessness". * Iaras from Brazilian mythology * Mami Wata from the mythology of the Southern Africa * Matsya, avatar of Vishnu in piscine form * Nommo fish-like amphibian spirits in Dogon mythology. * Oannes from Babylonian mythology * Pania and Ponaturi from Māori mythology * Pincoys and La Sirena chilota, princess of the sea from Chilote mythology * Rusalki from Slavic mythology * Siyokoy in Philippine mythology ...
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Merman
Mermen, the male counterparts of the mythical female mermaids, are legendary creatures, which are male human from the waist up and fish-like from the waist down, but may assume normal human shape. Sometimes they are described as hideous and other times as handsome. Antiquity Perhaps the first recorded merman was the Assyrian-Babylonian sea-god Ea (called Enki by the Sumerians), linked to the figure known to the Greeks as Oannes. However, while some popular writers have equated Oannes of the Greek period to the god Ea (and to Dagon), Oannes was rather one of the ''apkallu'' servants to Ea. The ''apkallu'' have been described as "fish-men" in cuneiform texts, and if Berossus is to be believed, Oannes was indeed a being possessed of a fish head and man's head beneath, and both a fish tail and manlike legs. But Berossus was writing much later during the era of Greek rule, engaging in the "construction" of the past. Thus even though figurines have been unearth to corroborate this ...
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Brazilian Mythology
Brazilian mythology is the subset of Brazilian folklore with cultural elements of diverse origin found in Brazil, comprising folk tales, traditions, characters and beliefs regarding places, people, and entities. The category was originally restricted to indigenous elements, but has been extended to include: * Medieval iberic traditions brought by the Portuguese settlers, some of which are forgotten or very diminished in Portugal itself; as well as other European nations folklore, such as Italy, Germany and Poland. * African traditions brought by Africans to Brazil as slaves during the colonial times—including their religious beliefs; * Elements originated in Brazil by the contact of the three different traditions; * Contemporary elements that are re-elaborations of old traditions. Because Brazil is a melting pot of cultures, many elements of Brazilian mythology are shared by the traditions of other countries, especially its South American neighbors and Portugal. Prominent ...
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Chilote Mythology
The Chilote mythology or Chilota mythology is formed by the myths, legends and beliefs of the people who live in the Chiloé Archipelago, in the south of Chile. This mythology reflects the importance of the sea in the life of Chilotes. Chilote mythology is based on a mixture of indigenous religions and beliefs from the natives (the Chonos and Huilliches) that live in the Archipelago of Chiloé, and the legends and superstitions brought by the Spanish conquistadores, who in 1567 began the process of conquest in Chiloé and with it the fusion of elements that would form a separate mythology. Chilota mythology flourished, isolated from other beliefs and myths in Chile, due to the separation of the archipelago from the rest of the Spanish occupation in Chile, when the Mapuches occupied or destroyed all the Spanish settlements between the Bío-Bío River and the Chacao channel following the disaster of Curalaba in 1598. Hierarchy of mythical creatures The highest rank belongs to the ...
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Sirena Chilota
La Sirena chilota is an aquatic creature belonging to the Chilote mythology. Perhaps its origin is due to binding of the myths of the Sumpall of the Mapuche mythology and the Mermaid of European mythology. Like to the mermaids, the siren chilota is characterized by a body half fish and half woman, with blond hair and golden scales; and her human side would look like a very beautiful teen. She would be the youngest daughter of Millalobo (king of sea, in Chilote mythology) and the human Huenchula. Commissioned by her father, she has the task of caring for all fish. Also helps her siblings (the Pincoya and Pincoy) to carry the bodies of drowned sailors, toward the Caleuche The Caleuche (from the Mapudungun ''kalewtun,'' "to transform, to change" and ''che'', "people": "transformed people"), also called The Enchanted Ship, Barcoiche, The Ghost Ship, or The Warlocks' Ship, is a legendary ghost ship from Chilote m ..., for the purpose of reviving the sailors and to be happy. Sir ...
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Pincoy
The Pincoy is a male water spirit of the seas, belonging to the Chilote mythology of Chiloé, Chile. It looks equivalent to a merman creature, his body would be like a large sea lion, colour bright golden, with handsome and manly human face and long golden hair, being magically attractive to the women. He is the son of Millalobo (mythical king of the seas of Chiloé) and the human Huenchula; his sisters, are the Sirena chilota and the Pincoya (which also is his wife). With his sisters he carries the dead from the sea unto the Caleuche The Caleuche (from the Mapudungun ''kalewtun,'' "to transform, to change" and ''che'', "people": "transformed people"), also called The Enchanted Ship, Barcoiche, The Ghost Ship, or The Warlocks' Ship, is a legendary ghost ship from Chilote my .... In addition, he is responsible of singing a beautiful and strange song, so that the Pincoya start her magical dance, for fertility of the sea. References * Bernardo Quintana Mansilla. Chiloé mitol ...
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Māori Mythology
Māori mythology and Māori traditions are two major categories into which the remote oral history of New Zealand's Māori may be divided. Māori myths concern fantastic tales relating to the origins of what was the observable world for the pre-European Māori, often involving gods and demigods. Māori tradition concerns more folkloric legends often involving historical or semi-historical forebears. Both categories merge in to explain the overall origin of the Māori and their connections to the world which they lived in. Māori had yet to invent a writing system before European contact, beginning in 1769, so they had no method to permanently record their histories, traditions, or mythologies. They relied on oral retellings memorised from generation to generation. The three forms of expression prominent in Māori and Polynesian oral literature are genealogical recital, poetry, and narrative prose. Experts in these subjects were broadly known as . The rituals, beliefs, and ge ...
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Ponaturi
In Māori mythology, the Ponaturi are a group of hostile creatures (goblins) who live in a land beneath the sea by day, returning to shore each evening to sleep. They dread daylight, which is fatal to them. They appear in a number of stories, including: :* a story of Tāwhaki. The Ponaturi kill Tāwhaki's father Hemā, and carry his body away. They also capture Urutonga, Tāwhaki's mother, whom they put to work as the doorkeeper of their house Manawa-Tāne. In revenge, Tāwhaki and Urutonga block up all the holes of the house to make the Ponaturi think that it is still night. They then suddenly let in the rays of the sun, and all the dreadful creatures are destroyed (Tregear 1891:206, 350). :* a story of the hero Rātā. The Ponaturi carry off his father's bones and use them to beat time when as they practice their magical arts. Rātā hides himself, learns their incantations, and recites a more powerful spell called Titikura. He then attacks them, kills their priests, and recapt ...
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Pania
Statue of Pania Pania, often styled "Pania of the Reef", is a figure of Māori mythology, and a symbol of the New Zealand city of Napier. There is a statue of Pania on Napier's Marine Parade. The legend of Pania of the Reef Pania was a beautiful maiden who lived in the sea on the east coast of the North Island of New Zealand. By daylight she swam about with creatures of her reef world but after sunset would go to a stream that ran into the bay where the city of Napier now exists. She would travel up the stream to an area where she could rest among the flax bushes. Karitoki, the very handsome son of a Māori chief, quenched his thirst every evening at the stream where Pania rested because it had the sweetest water. He was unaware she was observing him for many weeks until one night she whispered a faint spell. It carried on the wind to Karitoki who turned around to see Pania emerge from her hiding place. Karitoki had never seen someone so beautiful and instantly fell in love. P ...
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Oannes (mythology)
Apkallu (Akkadian) and Abgal ( Sumerian: ) are terms found in cuneiform inscriptions that in general mean either "wise" or "sage". In several contexts the ''Apkallu'' are seven demi-gods, sometimes described as part man and part fish, associated with human wisdom; these creatures are often referred to in scholarly literature as the ''Seven Sages''. Sometimes the sages are associated with a specific primeval king. After the deluge (see ''Epic of Gilgamesh''), further sages and kings are listed. Post-deluge, the sages are considered human, and in some texts are distinguished by being referred to as ''Ummanu'', not ''Apkallu''. The terms ''Apkallu'' (as well as ''Abgal'') is also used as an epithet for kings and gods as a mark of wisdom or knowledge. A further use of the term ''Apkallu'' is when referring to figurines used in apotropaic rituals; these figurines include fish-man hybrids representing the seven sages, but also include bird-headed and other figures. In a later work ...
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Dogon People
The Dogon are an ethnic group indigenous to the central plateau region of Mali, in West Africa, south of the Niger River, Niger bend, near the city of Bandiagara, and in Burkina Faso. The population numbers between 400,000 and 800,000. They speak the Dogon languages, which are considered to constitute an independent branch of the Niger–Congo language family, meaning that they are not closely related to any other languages. The Dogon are best known for Dogon religion, their religious traditions, their mask dances, wooden sculpture, and their architecture. Since the twentieth century, there have been significant changes in the social organisation, material culture and beliefs of the Dogon, in part because Dogon country is one of Mali's major tourist attractions. Geography and history The principal Dogon area is bisected by the Bandiagara Escarpment, a sandstone cliff of up to high, stretching about 150 km (90 miles). To the southeast of the cliff, the sandy Séno-Gond ...
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Nommo
The Nommo or Nummo are primordial ancestral spirits in Dogon religion and cosmogony (sometimes referred to as demi deities) venerated by the Dogon people of Mali. The word Nommos is derived from a Dogon word meaning "to make one drink." Nommos are usually described as amphibious, hermaphroditic, fish-like creatures. Folk art depictions of Nommos show creatures with humanoid upper torsos, legs/feet, and a fish-like lower torso and tail. Nommos are also referred to as "Masters of the Water", "the Monitors", and "the Teachers". Nommo can be a proper name of an individual or can refer to the group of spirits as a whole. For purposes of this article, "Nommo" refers to a specific individual and "Nommos" is used to reference the group of beings. Nommo mythology Dogon religion and says that Nommo was the first living creature created by the sky god Amma. Shortly after his creation, Nommo underwent a transformation and multiplied into four pairs of twins. One of the twins rebelled agai ...
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Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ...
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