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List Of Large Sensor Interchangeable-lens Video Cameras
List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels. Digital video cameras Still cameras with video mode See also * List of 4K video recording devices A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby unio ... References {{reflist, 2 Cameras by type Digital movie cameras Digital SLR cameras Film and video technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Image Sensor Format
In digital photography, the image sensor format is the shape and size of the image sensor. The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras. Sensor size is often expressed as optical format in inches. Other measures are also used; see table of sensor formats and sizes below. Lenses produced for 35 mm film cameras may mount well on the digital bodies, but the larger image circle of the 35 mm system lens allows unwanted light into the camera body, and the smaller size of the image sensor compared to 35 mm film format results in cropping of the image. This latter effect is known as field-of-view crop. The format size ratio (relative to the 35 mm film format) is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UV Filter
UV filters are compounds, mixtures, or materials that block or absorb ultraviolet (UV) light. One of the major applications of UV filters is their use as sunscreens to protect skin from sunburn and other sun/UV related damage. After the invention of digital cameras changed the field of photography, UV filters have been used to coat glass discs fitted to camera lenses to protect hardware that is sensitive to UV light. Background Earlier types of photographic film were quite sensitive to UV light, which used to cause haziness or fogginess, and a bluish hue in color film. UV filters were used to filter out shorter ultraviolet wavelengths while remaining transparent to visible light. However, the modern-day photographic film and digital cameras are less sensitive to UV wavelengths. UV filters are sometimes referred to as L37 or L39 filters, depending on the wavelengths of light they filter out. For example, an L37 filter removes ultraviolet light with wavelengths shorter than 370& ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikon F-mount
The Nikon F-mount is a type of interchangeable lens mount developed by Nikon for its 35mm format single-lens reflex cameras. The F-mount was first introduced on the Nikon F camera in 1959, and features a three-lug bayonet mount with a 44mm throat and a flange to focal plane distance of 46.5mm. The company continues, with the 2020 D6 model, to use variations of the same lens mount specification for its film and digital SLR cameras. History The Nikon F-mount is one of only two SLR lens mounts (the other being the Pentax K-mount) which were not abandoned by their associated manufacturer upon the introduction of autofocus, but rather extended to meet new requirements related to metering, autofocus, and aperture control. The large variety of F-mount compatible lenses makes it the largest system of interchangeable flange-mount photographic lenses in history. Over 400 different Nikkor lenses are compatible with the system. The F-mount is also popular in scientific and industrial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B4-mount
The B4 lens mount was standardized in 1992 by the Broadcasting Technology Association (BTA) and is defined in BTA S-1005. This standard defines the physical mount, but also optical properties and some electrical connections. The B4 mount defines the sensor to have a diagonal size of 11 mm (a so-called 2/3" size sensor). The B4-mount is used by practically all 2/3" broadcast lenses and cameras (as of 2019). Although the standard was set in 1992, the B4 mount already existed before 1980. The Sony BVP-300, produced from 1978, was possibly the first camera with a B4 mount. Further, all Sony Betacam cameras had a B4 mount. The BTA was formed by Japanese broadcaster NHK and included members from Canon, Fuji, Hitachi, Ikegami, JVC, Matsushita (Panasonic), Nikon, Sony and Toshiba. It was formed in the mid 1980s and set various standards for television. It is now part of ARIB, Association of Radio Industries and Businesses. Mechanical The flange of the mount defines the positionin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CinemaDNG
CinemaDNG is the result of an Adobe-led initiative to define an industry-wide open file format for digital cinema files.Adobe Press ReleaseAdobe Starts Initiative to Develop Open Format for Digital Cinema Files CinemaDNG caters for sets of movie clips, each of which is a sequence of raw video images, accompanied by audio and metadata. CinemaDNG supports stereoscopic cameras and multiple audio channels. CinemaDNG specifies directory structures containing one or more video clips, and specifies requirements and constraints for the open format files, ( DNG, TIFF, XMP, and/or MXF), within those directories, that contain the content of those clips.Adobe LabsCinemaDNG - Image Data Format Specification (Version 1.0.0.0)(PDF) CinemaDNG is different from the Adobe DNG (Digital Negative) format that is primarily used as a raw image format for still cameras. However, each CinemaDNG image is encoded using that DNG image format. The image stream can then be stored in one of two formats: either ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon EF Lens Mount
The EF lens mount is the standard lens mount on the Canon EOS family of SLR film and digital cameras. EF stands for "Electro-Focus": automatic focusing on EF lenses is handled by a dedicated electric motor built into the lens. Mechanically, it is a bayonet-style mount, and all communication between camera and lens takes place through electrical contacts; there are no mechanical levers or plungers. The mount was first introduced in 1987. Canon claims to have produced its 100-millionth EF-series interchangeable lens on 22 April 2014. History The EF mount replaces its predecessor, the FD mount. The standard autofocus lens mounting technology of the time used a motor in the camera body to drive the mechanics of the focus helicoid in the lens by using a transfer lever. The key innovation of the EF series was to use a motor inside the lens itself for focusing. This allowed for autofocusing lenses which did not require mechanical levers in the mount mechanism, only electrical co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackmagic Design
Blackmagic Design Pty Ltd. is an Australian digital cinema company and hardware manufacturer based in Port Melbourne, Victoria, Australia. It designs and manufactures broadcast and cinema hardware, most notably high-end digital-movie cameras, and also develops video editing software, such as the DaVinci Resolve and Blackmagic Fusion applications. History The company was founded in 2001 by Grant Petty and produced its first product, a capture card for macOS called DeckLink that was the first to offer uncompressed 10-bit video, in 2002. The company later released newer versions of the product and added color-correction capabilities, support for Windows, and full support for Adobe Premiere Pro and Microsoft DirectShow. *In 2005 the company released several products, including the Multibridge family of PCIe bi-directional converters and the FrameLink family of DPX-based software. *In 2006 the company released Blackmagic On-Air television production software. *In 2009 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arriflex D-21
The Arriflex D-21 is a film-style digital motion picture camera introduced by Arri in 2008 to replace their earlier generation Arriflex D-20. Overview The D-21 uses a Super 35 (4:3 aspect ratio) sized single CMOS sensor and accepts 35 mm film camera lenses (54mm PL mount). It features an optical viewfinder and modular construction. Arri Digital Official Arriflex D-21 site The D-21 captures images in three general modes: ''HD'' ('HD422 (16:9)' or 'HD444 (16:9)'), ''Mscope'', and ''Data'' ('ARRIRAW (16:9)' or 'ARRIRAW (4:3)'). Its sensor is a CMOS chip with a Bayer mask, Arri Digital Bayer Mask with dimensions of 2880x2160 pixels. Arri Alexa FAQ Similar cameras * |
Arriflex D-20
{{short description, American digital motion picture camera The Arriflex D-20 is a film-style digital motion picture camera made by Arri first introduced in November 2005. The camera's attributes are its optical viewfinder, modularity, and 35mm-width CMOS sensor. The camera was discontinued in 2008 when its successor, the Arriflex D-21, was introduced. Overview The D-20 uses a single CMOS sensor the width of a Super 35 film gate aperture. Effectively the D-20, when used with current 35 mm PL mount motion picture lenses, yields the same field of view and depth of field as Super 35 mm film motion picture cameras. The D-20 captures images in two main modes: *In Data mode the sensor uses 2880x2160 active pixels generating RAW Bayer-data at 12 bit in a 4:3 aspect ratio. The RAW data then needs to be processed outboard to generate a full color image. A delivery aspect ratio for theatrical release, commonly 1.85:1, is achieved by cropping from the original image, similar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ProRes 422
Apple ProRes is a high quality, " visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Much like the H.26x and MPEG standards, the ProRes family of codecs use compression algorithms based on the discrete cosine transform (DCT). ProRes is widely used as a final format delivery method for HD broadcast files in commercials, features, Blu-ray and streaming. Overview ProRes is a line of intermediate codecs, which means they are intended for use during video editing, and not for practical end-user viewing. This is achieved by only using intra-frame compression, where each frame is stored independently and can be decoded with no dependencies on other frames. The benefit of an intermediate codec is that it offers excellent random access performance in post-production applications, and retain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutral-density Filter
In photography and optics, a neutral-density filter, or ND filter, is a filter that reduces or modifies the intensity of all wavelengths, or colors, of light equally, giving no changes in hue of color rendition. It can be a colorless (clear) or grey filter, and is denoted by Wratten number 96. The purpose of a standard photographic neutral-density filter is to reduce the amount of light entering the lens. Doing so allows the photographer to select combinations of aperture, exposure time and sensor sensitivity that would otherwise produce overexposed pictures. This is done to achieve effects such as a shallower depth of field or motion blur of a subject in a wider range of situations and atmospheric conditions. For example, one might wish to photograph a waterfall at a slow shutter speed to create a deliberate motion-blur effect. The photographer might determine that to obtain the desired effect, a shutter speed of ten seconds was needed. On a very bright day, there might b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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