List Of Keyboard And Lute Compositions By Johann Sebastian Bach
Keyboard works () by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis ( Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue. Works for keyboard (BWV 772–994) Inventions and Sinfonias (772–801) * BWV 772 – Invention No. 1 in C major * BWV 772a – Invention No. 1 in C major (alternative version of BWV 772) * BWV 773 – Inve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BWV 802
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Overture In The French Style
The ''Overture in the French style'', BWV 831, original title ''Ouvertüre nach Französischer Art'', also known as the ''French Overture'' and published as the second half of the ''Clavier-Übung II'' in 1735 (paired with the ''Italian Concerto''), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach. Composition An earlier version of this work exists, in the key of C minor (BWV 831a); the work was transposed into B minor to complete the cycle of tonalities in Parts One and Two of the ''Clavier-Übung''. The keys of the six Partitas (B major, C minor, A minor, D major, G major, E minor) of ''Clavier-Übung I'' form a sequence of intervals going up and then down by increasing amounts: a second up (B to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). The key sequence continues into ''Clavier-Übung II'' (1735) with two larger works: the ''Italian Concerto'', a seventh down (E to F), and the '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Compositions By Johann Sebastian Bach Printed During His Lifetime
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his ''Clavier-Übung'' volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of ''The Musical Offering'', and vocal music, such as a cantata published early in his career. Other works, such as several canons, were printed without an indication by which instruments they were to be performed. No more than a few works by Johann Sebastian Bach were printed during his lifetime. Extended works for choir and instrumentalists were not printed very often in his day. Bach selected mostly keyboard compositions for publication, which conformed to such contemporary practices, and was instrumental in establishing him as a keyboard composer. His works not only circulated in print: also manuscripts were copied and transmitted. Whether or not a work was selected for print was independent of the quality of the music. Conte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BWV 830
The Partita for keyboard No. 6 in E minor, BWV 830, is a suite of seven movements written for the harpsichord by Johann Sebastian Bach. It was published in 1731 both as a separate work and as part of Bach's ''Clavier-Übung'' I. History Prior to publication, two movements of BWV 830 formed part of the first version of the sixth sonata in E minor for obbligato harpsichord and violin, BWV 1019: the Corrente as a harpsichord solo; and the Tempo di gavotta as a duo for violin and harpsichord. The surviving manuscript, largely written by Bach's nephew Johann Heinrich Bach, has been dated to 1725; the harpsichord parts for these two movements were written by Bach himself. BWV 830 is the last suite in Bach's ''Clavier-Übung'' I, the first music published by Bach within his lifetime. The partitas were initially published separately, starting in 1726; the title page of the collection of six, published together in 1731, carries the designation "Opus 1". Musical structure This par ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BWV 828
Partita for keyboard No. 4 in D Major, BWV 828, is a keyboard suite by Johann Sebastian Bach, originally dated 1728. It is the fourth suite in his ''Clavier-Übung I The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own directi ...''. Structure This partita consists of seven movements all in D major. Notes References * * External links * Suites by Johann Sebastian Bach Compositions for harpsichord {{classical-music-stub 1728 compositions ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BWV 826
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, issued individually, and then published as Bach's ''Clavier-Übung'' I in 1731. Musical structure This partita consists of six movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...: References Sources * * External links * {{Classical-music-stub Suites by Johann Sebastian Bach Compositions for harpsichord ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Partita
Partita (also ''partie'', ''partia'', ''parthia'', or ''parthie'') was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite. Johann Sebastian Bach wrote two sets of partitas for different instruments. Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the ''Overture in the French Style'' (often simply called ''French Overture'') is sometimes also considered a partita. See ''Partitas'' for keyboard (825–830) and choral partitas for organ. The "Partita" in A minor for solo flute (BWV 1013) which takes the form of a suite of four dances, has been given the title "partita" by its modern editors; it is sometimes transposed for oboe. Bach also wrote three partitas for solo violin in 1720 which he paired wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Partitas For Keyboard (Bach)
The Partitas, BWV 825–830, are a set of six keyboard suites written by Johann Sebastian Bach, published individually beginning in 1726, then together as ''Clavier-Übung I'' in 1731, the first of his works to be published under his own direction. They were, however, among the last of his keyboard suites to be composed, the others being the six English Suites, BWV 806-811 and the six French Suites, BWV 812-817, as well as the Overture in the French style, BWV 831. History The six partitas for keyboard form the last set of suites that Bach composed, and are the most technically demanding of the three. They were composed between 1725 and 1730 or 1731. As with the French and English Suites, the autograph manuscript of the Partitas is no longer extant. In keeping with a nineteenth-century naming tradition that labelled Bach's first set of Suites ''English'' and the second ''French,'' the Partitas are sometimes referred to as the ''German'' Suites. This title, however, is a p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Suites
The ''French Suites'', BWV 812–817, are six suites which Johann Sebastian Bach wrote for the clavier (harpsichord or clavichord) between the years of 1722 and 1725.Bach. ''The French Suites: Embellished version''. Bärenreiter Urtext Although Suites Nos. 1 to 4 are typically dated to 1722, it is possible that the first was written somewhat earlier. The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the '' English Suites'' received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner." This claim, however, is inaccurate: like Bach's other suites, they follow a largely Italian convention. There is no surviving definitive manuscript of these suites, and ornamentation varies both in type and in degree across manuscripts. The courantes of the first (in D m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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English Suites (Bach)
The ''English Suites'', BWV 806–811, are a set of six suites written by the German composer Johann Sebastian Bach for harpsichord (or clavichord) and generally thought to be the earliest of his 19 suites for keyboard (discounting several less well-known earlier suites), the others being the six French Suites (BWV 812–817), the six Partitas (BWV 825-830) and the Overture in the French style (BWV 831). They probably date from around 1713 or 1714. History These six suites for keyboard are thought to be the earliest set that Bach composed aside from several miscellaneous suites written when he was much younger. Bach's English Suites display less affinity with Baroque English keyboard style than do the French Suites to French Baroque keyboard style. It has also been suggested that the name is a tribute to Charles Dieupart, whose fame was greatest in England, and on whose ''Six Suittes de clavessin'' Bach's English Suites were in part based.Grove's Dictionary of Music and Music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |