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List Of French Films Before 1910
A list of the earliest films produced in the Cinema of France between 1892 and 1909 ordered by year of release. For an A-Z list of French films see :French films 1890s 1900s See also * 1892 in France * 1895 in France * 1896 in France * 1898 in France * 1899 in France * 1900 in France * 1901 in France * 1902 in France * 1903 in France * 1904 in France * 1905 in France * 1906 in France * 1907 in France External links French film
at the Internet Movie Database {{Filmsbycountry Lists of French films by decade, 1910s 1890s in France, Films Lists of 1890s films, French 1900s in France, Films Lists of 1900s films, French ...
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Cinema Of France
French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented ...
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Partie De Cartes
''Partie de cartes'' (also known as ''Card Game'' and ''The Messers. Lumière at Cards'' (USA), or ''A Quiet Game of Écarté'') is an 1895 French black-and-white short film directed and produced by Louis Lumière and starring ''Antoine Féraud''. Plot Three older men, wearing hats and smoking cigars, are sitting at a patio. Two of the men are playing cards (Écarté) at a table while the third man sits watching. As the game continues a (younger) waiter walks across carrying a tray with a bottle of wine and glasses on it. The man sitting at the table then proceeds to pour the drinks while the waiter observes the card game. Production It was filmed by means of the Cinématographe, an all-in-one camera, which also serves as a film projector and developer. As with all early Lumière films, this film was made in a 35 mm format with an aspect ratio of 1.33:1. The production was shot at Villa du Clos des Plages in La Ciotat, France. Cast *Antoine Féraud (waiter?) * Antoine Lumià ...
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Bateau-mouche Sur La Seine
''Bateaux Mouches'' () are open excursion boats that provide visitors to Paris, France, with a view of the city from along the river Seine. They also operate on Parisian canals such as Canal Saint-Martin which is partially subterranean. The term is a registered trademark of the ''Compagnie des Bateaux Mouches'', the most widely known operator of the boats in Paris, founded by Jean Bruel (1917–2003); however, the phrase, because of the success of the company, is used generically to refer to all such boats operating on the river within the city. ''Bateaux Mouches'' translates literally as "fly boats" ("fly" meaning the insect); however, the name arose because they were originally manufactured in boatyards situated in the Mouche area of Lyon. These boats are popular tourist attractions in Paris. They started with steamers at an Exhibition in 1867. Many seat several hundred people, often with an open upper deck and an enclosed lower deck; some have sliding canopies that can clo ...
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Bataille De Boules De Neige
''Bataille de neige'' (), also known as ''Snowballing'', is an 1897 French short silent film produced by the Lumiére brothers. Filmed in Lyon, France, it depicts a number of individuals engaged in a snowball fight on a city street. Plot The camera is centered on a pathway made through a snow-covered city street. On both side of the pathway, several men and women are engaged in a snowball fight. A cyclist rides into the path of the fight, and is hit by snowballs, causing him to lose control of his bicycle and fall to the ground. His cap is flung onto the pathway. One male participant in the engagement grabs hold of the cyclist's bicycle and lifts it off the ground, and the fallen cyclist scrambles to his feet and yanks his bicycle away from the participant. After retrieving possession of his bicycle, the cyclist climbs back atop it and rides away. Production ''Bataille de neige'' was shot in Lyon, France, with a cinématographe, an all-in-one camera, which also serves as a film ...
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L'Arroseur
''Watering the Flowers'' (french: L'Arroseur) was an 1896 French short comedy film directed by Georges Méliès. It was released by Méliès's company Star Film and is numbered 6 in its catalogues. The film was made in imitation of the more famous Louis Lumière film ''L'Arroseur Arrosé''. It is currently presumed lost. See also *List of lost films For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reas ... References External links * ''L'Arroseur'' at SilentEra 1896 films French black-and-white films Films directed by Georges Méliès French silent short films 1896 comedy films Lost French films French comedy short films 1890s lost films Lost comedy films 1896 short films Silent comedy films 1890s French films {{1890s-France-film-stub ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Workers Leaving The Lumière Factory
''Workers Leaving The Lumière Factory in Lyon'' (french: La Sortie de l'Usine Lumière à Lyon), also known as ''Employees Leaving the Lumière Factory'' and ''Exiting the Factory,'' is an 1895 French short black-and-white silent documentary film directed and produced by Louis Lumière. It is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 ''Roundhay Garden Scene'' pre-dated it by six and a half years. Content Three separate versions of this film exist, which differ from one another in numerous ways-‌‌‌‌‌‌the clothing style changes demonstrating the different seasons in which they were filmed. They are often referred to as the "one horse", "two horses", and "no horse" versions, in reference to a horse-drawn carriage that appears in the first two versions (pulled by one horse in the original and two horses in the first remake). Another film with the same theme was made in 1896, that features another factory (or anoth ...
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La Voltige
''La Voltige'' (also known as ''Horse Trick Riders'') is an 1895 French short black-and-white silent documentary film directed and produced by Louis Lumière. It was filmed in Lyon, Rhône, Rhône-Alpes, France. Given its age, this short film is available to freely download from the Internet. The film formed part of the first commercial presentation of the Lumière Cinématographe on December 28, 1895 at the Salon Indien, Grand Café, 14 Boulevard des Capuchins, Paris. Production As with all early Lumière movies, this film was made in a 35 mm format with an aspect ratio of 1.33:1. It was filmed by means of the Cinématographe, an all-in-one camera, which also serves as a film projector and developer. Plot Three men and a horse stand in a field. The first man in white holds the reins of the horse, the second man in black stands observing while the third man attempts to mount the horse. After six unsuccessful attempts he is finally able to seat himself and is set to ride off s ...
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Le Saut à La Couverture
''Le Saut à la couverture'' (also known as ''Brimade dans une caserne'') is an 1895 in film, 1895 France, French Short subject, short black-and-white silent film, silent documentary film directed and produced by Louis Lumière. The film formed part of the first commercial presentation of the Lumière on 28 December 1895 at the Salon Indien, Grand Café, 14 Boulevard des Capuchins, Paris. Production As with all early Lumière movies, this film was made in a 35mm movie film, 35 mm format with an Aspect ratio (image), aspect ratio of 1.33:1. It was filmed by means of the , an all-in-one camera, which also serves as a film projector and developer. Plot Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket. He attempts this unsuccessfully twice in a row failing to jump high enough. On the third attempt he is able to jump and spin in the air, nearly clearing in the blank ...
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Repas De Bébé
''Repas de bébé'' (also known as ''Le Repas de bébé,'' ''Le Repas (de bébé),'' ''Le Déjeuner de bébé,'' ''Baby’s First Meal,'' ''Baby’s Breakfast,'' ''Baby’s Lunch,'' ''Baby's Dinner,'' ''Baby's Tea Time,'' ''The Family Breakfast,'' ''A Baby's Meal,'' ''Feeding the Baby,'' and ''Feeding Baby'') is an 1895 French short black-and-white silent actuality film photographed by Louis Lumière and showing his brother Auguste Lumière and his wife Marguerite feeding their infant daughter, Andrée Lumière. One of the earliest recordings made by the brothers Lumière, ''Le Repas de bébé'' (catalogued as Vue no. 88) is an unedited, single take of less than a minute's duration. The company's catalog described it as "Un papa fait avaler son déjeuner à un bébé" (a father feeds lunch r breakfastto a baby) and records that the scene was taken between March 22 and June 10, 1895. The film formed part of the first commercial presentation of the Lumière Cinématographe on ...
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