List Of Compositions By Zdeněk Fibich
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List Of Compositions By Zdeněk Fibich
Below is a List of compositions by Zdeněk Fibich sorted by genre, Hud. number, opus number In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositio ..., date of composition, original and English titles. Hud. numbers are from ''Zdeněk Fibich: Tematický katalog'' (Zdeněk Fibich: Thematic Catalogue) by Vladimír Hudec (Prague, 2001). References * Zdeněk Fibich Souborné Vydání – Společnost Zdeňka Fibicha, Státní Nakladatelství Krásné Literatury, Hudba a Umění, Praha * John Tyrrell and Judith A. Mabary, article in The New Grove Dictionary of Music & Musicians, p. 762-764, London, Macmillan 1980 Pražská informační služba: Zdeněk FibichZdeněk Fibich: Průkopník moderního melodramu {{DEFAULTSORT:List of compositions by Zdenek Fibich * Fibich, Zdenek Fibich, Zde ...
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Zdeněk Fibich
Zdeněk Fibich (, 21 December 1850 in Loket (Benešov District), Všebořice – 15 October 1900 in Prague) was a List of Czech composers, Czech composer of european classical music, classical music. Among his compositions are chamber works (including two string quartets, a piano trio, piano quartet and a quintet for piano, strings and winds), symphonic poems, three symphony, symphonies, at least seven operas (the most famous probably ''Šárka (Fibich), Šárka'' and ''The Bride of Messina (opera), The Bride of Messina''), melodramas including the substantial trilogy ''Hippodamia'', liturgical music including a Mass (music), mass – a ''missa brevis''; and a large cycle (a total of 376 pieces, from the 1890s) of piano works called ''Moods, Impressions, and Reminiscences''. The piano cycle served as a diary of sorts of his love for a piano pupil, and one of the pieces formed the basis for the short instrumental work ''Poème'', for which Fibich is best remembered today. Early lif ...
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Šárka (Fibich)
''Šárka'', opus 51, is an opera in three acts by Zdeněk Fibich to a Czech libretto by Anežka Schulzová, his student and lover. Fibich composed the full score over the period of 8 September 1896 to 10 March 1897. At the time, Czech audiences regarded Fibich with suspicion as being overly influenced by the music of Richard Wagner, and Fibich had selected the legend of Šárka for this operatic subject to try to counter such sentiments. Even so, the opera still contains use of Wagner's idea of ''leitmotif''.Smaczny, Jan, "The Operas and Melodramas of Zdenĕk Fibich (1850–1900)" (1982–1983). ''Proceedings of the Royal Musical Association'', 109: pp. 119–133. The subject matter, the Bohemian legend of Šárka, which appears in 14th-century Czech literature, is related to that of Smetana's tone poem ''Má vlast'' and the opera of the same name by Janáček. Schulzová used as her primary literary source an 1880 version of the story by J. Vrchlický. Performance histo ...
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Alexander Bergen
Alexander is a male given name. The most prominent bearer of the name is Alexander the Great, the king of the Ancient Greek kingdom of Macedonia who created one of the largest empires in ancient history. Variants listed here are Aleksandar, Aleksander and Aleksandr. Related names and diminutives include Iskandar, Alec, Alek, Alex, Alexandre, Aleks, Aleksa and Sander; feminine forms include Alexandra, Alexandria, and Sasha. Etymology The name ''Alexander'' originates from the (; 'defending men' or 'protector of men'). It is a compound of the verb (; 'to ward off, avert, defend') and the noun (, genitive: , ; meaning 'man'). It is an example of the widespread motif of Greek names expressing "battle-prowess", in this case the ability to withstand or push back an enemy battle line. The earliest attested form of the name, is the Mycenaean Greek feminine anthroponym , , (/Alexandra/), written in the Linear B syllabic script. Alaksandu, alternatively called ''Alakasandu'' or ' ...
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