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List Of Classical Guitarists
This is a list of classical guitarists. Baroque (17th and 18th centuries) 19th century 20th century https://www.youtube.com/channel/UCXAPUbFDFJfxY2qijBIG2Og?view_as=subscriberModern See also * List of flamenco guitarists References {{Portal bar, Classical music, Lists Classical Classical guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Carré (guitarist)
Antoine Carré was a baroque guitarist and composer. He published two books of guitar tablatures. Works The first book is titled ''Livre de Guitarre Contenant Plusieurs Pièces...Avec la Manière de Toucher Sur la Partie ou Basse Continue,'' published in Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ... in 1671 and is dedicated to the Princess Palatine. The second book, ''Livre de Pièces de Guitarre de Musique...'' was also published in Paris (c. 1675, 1690 or 1720; but probably between 1675 and 1690). French composers French male composers French classical guitarists French male guitarists French Baroque composers Composers for the classical guitar 17th-century French people Year of birth missing Year of death missing 17th-century male musicians {{Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Carulli
Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli (9 February 1770 – 17 February 1841) was an Italian composer for classical guitar and the author of the influential ''Méthode complète pour guitare ou lyre'', op. 27 (1810), which contains music still used by student guitarists today. He wrote a variety of works for classical guitar, including numerous solo and chamber works and several concertos. He was an extremely prolific writer, composing over 400 works for the instrument. Biography Carulli was born to an affluent, upper-class family in Naples. His father, Michele, was a distinguished literator, secretary to the delegate of the Neapolitan Jurisdiction. Like many of his contemporaries, he was taught musical theory by a priest, who was also an amateur musician. Carulli's first instrument was the cello, which he taught from the local priest, but when he was twenty he discovered the guitar and devoted his life to the study and advancement of the guitar. As there we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Arcas
Julián Arcas (25 October 1832 – 16 February 1882) was a Spanish classical guitarist and composer, who influenced Francisco Tárrega and Antonio de Torres. He was "one of the most important figures in Spanish music in the 19th century". Biography Arcas was born in MarÃa, AlmerÃa, and died in Antequera, Malaga. From 1860 until 1872, he performed all over Europe. The young Francisco Tárrega listened to him in 1863 in Castellón and played for him after the performance, on the request of Tárrega's father. Arcas then invited Tárrega to study with him in Barcelona. Between 1864 and 1870, Arcas performed all over Spain, in some of these appearances partnering with a pianist called Patanas, after which he retired to AlmerÃa, establishing a business in Calle Granada.Summerfield (2002), p. 37. Arcas wrote fifty-two original works and transcribed thirty further pieces for the guitar, including waltzes, variations, preludes and dances. Thirty were published in Barcelona by Vidal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Küffner
Joseph Küffner (''Kueffner'') (31 March 1776 in Würzburg – 9 September 1856 in Würzburg). was a German musician and composer who, among other achievements, contributed significantly to the guitar repertory, including chamber music. Life He was a violinist with the Würzburg court orchestra, and was later, when Würzburg became part of Bavaria (1802), assigned to take charge of military music. At this point he became bandmaster with a Bavarian Army regiment. Music A quintet of Küffner's for clarinet and strings was once attributed to Carl Maria von Weber, and is still recorded in collections of Weber's music. He composed seven symphonies and a large number of works for various chamber music combinations. His output also contains a substantial quantity of music for classical guitar (some of it being available in modern editions). Compositions *Symphonies **First Symphony op. 75 (pub. Schott, 1818) **Second Symphony op. 76 (Schott) **Third Symphony op. 83 (pub. André, ca 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Ferrer (guitarist)
José Ferrer Esteve de Fujadas (in 19th-century France known as "Joseph Ferrer") (13 March 1835 – 7 March 1916) was a Spanish guitarist and composer. Life Ferrer was born in Torroella de MontgrÃ, Girona, and studied guitar with his father, a guitarist and collector of sheet music, before continuing his studies with José Brocá. In 1882, he left Spain for Paris in order to teach at the Institut Rudy and at the Académie Internationale de Musique, also becoming the official guitarist of the Comédie Française, and remained in Paris for 16 years. Ferrer gave regular performances as a soloist. He taught at the Conservatori Superior de Música del Liceu in Barcelona from 1898 to 1901. Following a period of moving between Barcelona and Paris, he settled permanently in Barcelona in 1905, where he died. Music Most of Ferrer's compositions were written for guitar but, being a deeply religious man, he also wrote some sacred music. His works for guitar solo and duo resemble the fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Brocá
José Brocá y Codina (in Catalan: Antoni Josep Mateu Brocà i Codina) (21 September 1805 – 3 February 1882) was a Spanish guitarist and composer of the Romantic period. Life and music Brocá was born in Reus, province of Tarragona. Mainly self-taught on the guitar, he also studied briefly with Dionisio Aguado. He was reputed to have been an excellent performer on his instrument. As a teacher based in Barcelona, his best-known pupils included Felipe Pedrell and José Ferrer who both dedicated compositions to him (and vice versa). He was a friend to Julián Arcas. In his teaching, Brocá used Aguado's method. Brocá died in Barcelona. Brocá composed around twenty works for the guitar; Bone (1914/54) singles out his opus 19 (''Fantasia and Tone Poem'') as his "principal guitar composition".Bone, as above, p. 60. Brocá's music was praised for its elegance and its stylistic proximity to Tárrega's, despite being several decades older. Compositions for guitar Dates after online ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Kaspar Mertz
Joseph Kaspar Mertz (in hu, Mertz János Gáspár) (17 August 1806 – 14 October 1856) was an Austro-Hungarian guitarist and composer. Biography Caspar Joseph Mertz (baptised Casparus Josephus Mertz) was born in Pressburg, now Bratislava (Slovakia), then the capital of the Kingdom of Hungary and part of the Austrian Empire. He never used his full name when performing or on his publications, preferring only the initials "J. K.". The name "Johann Kaspar" first appeared in the German guitar journal "Der Guitarrefreund" in 1901 and since that time has been incorrectly repeated. In 1900 J. M. Miller used the name "Joseph K. Mertz" for his publication of three previously unpublished manuscripts of Mertz in ''Three Compositions For Guitar''. He was active in Vienna (c.1840–1856), which had been home to various prominent figures of the guitar, including Anton Diabelli, Mauro Giuliani, Wenceslaus Matiegka and Simon Molitor. As virtuoso, he established a solid reputation as a perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Nepomucen Bobrowicz
Jan Nepomucen (de) Bobrowicz (12 May 1805 – 2 November 1881) was a Polish virtuoso guitarist, composer, music editor, and publisher. Franz Liszt called him "the Chopin of guitar". Life Bobrowicz was born in Kraków. He studied the guitar in Vienna with Mauro Giuliani during 1816–1819. After a short career as a solo performer on the guitar, he worked as a secretary in the senate of Kraków. From 1832, he worked as an editor for the music-publishing firm of Breitkopf & Härtel in Leipzig, Germany. Later he ran his own publishing business. As an editor he was responsible for probably hundreds of titles, published mainly in Polish. The venture which brought him probably the most fame was the 4th–10th editions of the original classical genealogical and heraldic reference, ''Herbarz Polski'' (The Polish Armorial), by heraldist and author Kasper Niesiecki (1682–1744). They appeared under Breitkopf & Härtel's imprint between 1839 and 1846. As a composer, Bobrowicz wrote about 4 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Bosch
Jaime Felipe José Bosch (in Catalan: Jaume Bosch i Renard, in France known as Jacques Bosch) (26 May 1825 – 31 March 1895) was a Catalan guitarist and song composer who established himself in Paris. Biography Bosch was born in Barcelona and educated at the school of the Convent de la Mercè in Barcelona, where he began his studies in piano and guitar. Before he emigrated, Bosch gave successful concerts in Barcelona, Madrid and Valencia between 1849 and 1852. From 1853 he settled in Paris and from 1857 toured frequently in France, the Netherlands and Germany. Bosch was a very good friend of the painter Édouard Manet and posed for him many times, one portrait being used as illustration for one of Bosch's publications, ''Plainte Moresque'', Op. 85, which is also dedicated to Manet. Besides many original compositions he wrote a ''Méthode de guitare'' (1891, see below) and an opera (''Roger de Flor'', 1868), which was not performed. In Paris, Bosch was much praised at the aristocra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Padovec
Ivan Eugen Padovec (17 July 1800 – 4 November 1873), commonly known as Johann (Ivan) Padowetz (see the signature on the photo), born in the baroque town of Varaždin in Croatia (known for its festivals of baroque music), was a guitar virtuoso, who gave concerts in Zagreb, Vienna, Prague, Budapest, Hamburg, London, etc. He constructed a ten-string guitar. Also, his ''Theoretisch-praktische Guitarrschule'' was published by Werner & Comp. in Vienna around 1844. List of works Orchestral compositions * ''Premier Concertino'' in C-major, for guitar and strings # ''Allegro moderato'' # ''Andante'' # ''Rondo. Allegretto'' * ''Second Concertino'' in F-major, for guitar and strings # ''Allegro moderato'' # ''Andante sostenuto'' # ''Polacca'' * ''Introduction und Variationen über ein Thema aus der Oper 'Die Kreuzritter for guitar and orchestra consisted of a string quintet, two flutes, two oboes, two clarinets, two bassoons, French horn, trumpet and timpani Compositions for two guitars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Regondi
Giulio Regondi (1822 – 6 May 1872) was a Swiss-born classical guitarist, concertinist and composer active in France and (mainly) the United Kingdom. Regondi was born of a German mother and an Italian father in Geneva, Switzerland. In 1831 Fernando Sor dedicated his ''Souvenir d'amitié'' op. 46 to Regondi, a child prodigy, when the boy was just nine. There is a reference to his appearing in London in 1831, presented as a child prodigy of the guitar. Most of Regondi's concertina A concertina is a free-reed musical instrument, like the various accordions and the harmonica. It consists of expanding and contracting bellows, with buttons (or keys) usually on both ends, unlike accordion buttons, which are on the front. The ... music was written for the English system, however, at which he was a virtuoso,''The Times'', 26 April 1837; p. 5; "GREAT CONCERT-ROOM – KING'S THEATRE €¦There was also a novelty in the shape of an instrument called 'a concertina,' an improvement on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François De Fossa
François de Fossa (full name: François de Paule Jacques Raymond de Fossa)Maurice J. Summerfield: ''The Classical Guitar. Its Evolution, Players and Personalities Since 1800'', 5th edition (Blaydon-on-Tyne: Ashley Mark Publishing Co., 2002), p. 122. (31 August 1775 – 3 June 1849) was a French classical guitarist and composer. Biography His father, also named François de Fossa, was one of the most important historians of the province of Roussillon. De Fossa was born in Perpignan, the capital of Pyrénées-Orientales in southern France along the border with Spain. At age 17, he joined an army regiment, the Légion de Pyrénées, which fought the revolutionary government in France. for most of his life, he remained an army officer, also travelling to Mexico in the 1790s in this function. A friend of Dionisio Aguado, he cooperated in his guitar method, also arranging its publication in Paris. He was also the copyist of Luigi Boccherini Ridolfo Luigi Boccherini (, also , ; 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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