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List Of BIEM Members
{{Short description, none This is a list of BIEM member organisations. * Albania ALBAUTOR * Argentina SADAIC * Australia AMCOS * Austria AUSTROMECHANA * Belgium SABAM * Brazil SBACEM * Bulgaria MUSICAUTOR * Canada SODRAC * Chile SCD * China MCSC * Croatia HDS * Czechia OSA * Denmark, Norway, Sweden, Finland, Iceland, Lithuania and Estonia NCB * France SDRM, SACEM, SGDL, SACD * Georgia GESAP * Germany GEMA * Greece AEPI * Guinea-Bissau SACEM * Hong Kong CASH * Hungary ARTISJUS * Israel ACUM * Italy, The Vatican, San Marino SIAE * Japan JASRAC * Malaysia MACP * Mexico SACM * Netherlands STEMRA * Peru APDAYC * Philippines FILSCAP * Poland Society of Authors ZAiKS * Portugal Sociedade Portuguesa de Autores (SPA) * Romania UCMR-ADA * Russian Federation RAO * Serbia and Montenegro SOKOJ * Slovakia SOZA * Slovenia SAZAS * Spain SGAE The Spanish Society of Authors and Publishers (''Sociedad General de Autores y Editores, SGAE'') is the main collecting society for songwri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BIEM
The Bureau International de l'Edition Mécanique (BIEM), also known as Bureau International des Sociétés Gérant les Droits d'Enregistrement et de Reproduction Mécanique, is an organisation coordinating statutory licence agreements among different countries. It administers mechanical rights, ensuring payment of royalties to the creators of musical, literary and dramatic work), which may be reproduced on a CD or DVD, or through digital means, such as downloads from the Internet. The members of mechanical rights societies are composers, authors and publishers. Founded in 1929, BIEM is based in Neuilly-sur-Seine, France, and represents 53 societies, from 58 countries. Its role is to aid collaboration between member societies and to assist in solving problems arising among individual members and/or user groups. It represents the interests of its member societies, including in forums relating to authors' rights, such as WIPO, UNESCO, TRIPS and the WCO. See also *List of BIEM mem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesellschaft Für Musikalische Aufführungs- Und Mechanische Vervielfältigungsrechte
The Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsrechte (GEMA; "Society for musical performing and mechanical reproduction rights") is a government-mandated collecting society and performance rights organization based in Germany, with administrative offices in Berlin and Munich. GEMA represents the usage rights stemming from authors' rights (e.g., mechanical licensing, broadcast licensing, synchronization licensing) for the musical works of those composers, lyricists, and publishers who are members in the organization. It is the only such institution in Germany and a member of BIEM and CISAC. Other collecting societies include the (AKM) ''Society of authors, composers and music publishers'' ( de) in Austria and SUISA in Switzerland. As an "accredited profit-making association with legal capacity" (de: '' rechtsfähiger wirtschaftlicher Verein''), GEMA's capacity to be a subject of legal rights and duties is based upon state conferral (unde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechanical-Copyright Protection Society
The Mechanical-Copyright Protection Society (MCPS) is an organisation that collects royalties and protects rights for music publisher, song writer and composer members, when their music is reproduced, in any format – including online, physical and synchronised. The MCPS collects and pays royalties to members when their music is: * copied and used in physical products (such as records, CDs and DVDs) * streamed or downloaded on services such as Spotify, Apple Music, Netflix and Amazon * synchronised into audio-visual entertainment including TV, film, video games and advertising * on radio. The MPA Group owns and operates MCPS on behalf of over 30,000 music publisher, song writer and composer members. History The Mechanical-Copyright Protection Society was established in its first form in 1910, originally known as Mecolico, the Mechanical Licenses Company. This was a reaction to the introduction of the Copyright Act of 1911 which formally accredited copyright to sound recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sociedad General De Autores Y Editores
The Spanish Society of Authors and Publishers (''Sociedad General de Autores y Editores, SGAE'') is the main collecting society for songwriters, composers and music publishers in Spain. It is similar to AGADU, ASCAP The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadca ..., GEMA, SADAIC, Société des auteurs, compositeurs et éditeurs de musique, SACEM and SAYCO. The philologist, poet, composer, scriptwriter, movie and television director and producer Antón Reixa (1957) is the Chairman of the Board of Directors since May 2012. SGAE was founded in 1889 as Society of Authors of Spain. In 1995, its name changed to Society of Authors and Publishers, seeking to accommodate cultural editors. SGAE comprises more than 100,000 music, audiovisual and dramatic creators. Created in 1899, its main m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Authors ZAiKS
The Society of Authors ZAiKS ( pl, Stowarzyszenie Autorów ZAiKS, where the acronym stands for the Society′s original founding name, ''Society of Authors and Stage Composers'', pl, Związek Autorów i Kompozytorów Scenicznych or ''ZAiKS''), established 1918, was for many years the sole legal Polish copyright collective, and has remained the dominant one, following the loss of its ''de facto'' government-granted monopoly in 1995 as a result of entry into force of the new copyright law of Poland. It is a member of BIEM, CISAC and GESAC. Its headquarters are located in Warsaw at the ″House Under the Kings″, the former seat of the Załuski Library. The organization represents artists and composers with the mission of "defending their copyright rights". It has been subject to some criticism, for example for claiming rights to collect royalties for artists who are not its members, as well as for monopolistic practices. At one point the organization declared that it wants to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FILSCAP
The Filipino Society of Composers, Authors and Publishers, Inc. (FILSCAP), is a collecting society in the Philippines. It undertakes collective rights management for public performances and use of songs in television and radio broadcast and movies. FILSCAP's responsibility of royalty collecting extends to members of foreign affiliates such as the American Society of Composers, Authors, and Publishers (ASCAP), Broadcast Music Inc. (BMI), Composers and Authors Society of Hong Kong The Composers and Authors Society of Hong Kong Ltd.(CASH) is a copyright society in Hong Kong established in 1977 which aims to administer and enforce collectively the rights of composers and authors of musical works subsisting under the copyright l ... (CASH), and more than fifty other organizations. FILSCAP is the holder of deeds of assignment to collect royalties from artists both in within and outside the Philippines. Established in 1965, FILSCAP is the Philippines’ sole collective management organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BUMA/STEMRA
BUMA/STEMRA are two private organisations in the Netherlands, the Buma Association (Dutch: ''Vereniging Buma'') and the Stemra Foundation (Dutch: ''Stichting Stemra'') that operate as one single company that acts as the Dutch collecting society for composers and music publishers. History The Buma Association was set up by Dutch music authors and publishers in 1913, one year after the Dutch Copyright Act was passed. In 1936, with the arrival of the gramophone record, the replication of music multiplied. Realising its impact, the members of the Buma Association created the Stemra Foundation, which focuses on the replication of recorded works of music, ranging from LPs to CDs to Internet and mobile phones. In 2001, Buma/Stemra sued Consumer Empowerment, then the owners of Kazaa in the Netherlands. The court ordered Kazaa's owners to take steps to prevent its users from violating copyrights or else pay a heavy fine. In October 2001 a lawsuit was filed against Consumer Empowerment by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Author's Copyright Protection
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Society For Rights Of Authors, Composers And Publishers
The , often referred to as JASRAC, is a Japanese copyright collection society. It was founded in 1939 as a nonprofit organization, and is the largest musical copyright administration society in Japan. Overview JASRAC's main business activity is to act as trustee of copyright rights such as recording and performing rights for songwriters, lyricists, and music publishers. It manages licensing to music users, collects license fees, and distributes the same to the rights holders. It also supervises copyright infringements and prosecutes infringers. Because JASRAC is a foundation, it is subject to the subject to the rules non-profit management. The headquarters is located in Shibuya, Tokyo, in a building owned by the Masao Koga Music Cultural Memorial Foundation. It has 22 branches in major cities of Japan. JASRAC was established in 1939 with the predecessor Great Japan Music Association, and is the oldest copyright management company in Japan. History Plage Whirlwind In 1899, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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