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List Of Avant-garde Films Before 1930
A list of avant-garde and experimental films made before 1930. Though some had dedicated music scores written for them, or were synchronized to records, nearly all of these films were silent. Several of them involve color, through tinting, hand-painting or even photographic color. See also * Cinéma pur References * Paul Rotha and Roger Manvell, "Movie Parade: A Pictorial Survey of the Cinema" London: The Studio, 1936 * Jay Leyda, "Kino: A History of the Russian and Soviet Film" Princeton University Press, 1983 (originally published in 1960) * Parker Tyler, "Underground Film: A Critical History" New York: Da Capo Press, 1995 (originally published in 1969) * David Curtis, "Experimental Cinema" New York: Universe Books, 1970 * P. Adams Sitney, "Visionary Film" New York: Oxford University Press, 1979 * Jan-Christoper Horak, ed., Lovers of Cinema: the first American film avant-garde, 1919–1945. University of Wisconsin Press, 1998. External links * * {{YouTube, id=KzL ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léopold Survage
Léopold Frédéric Léopoldowitsch Survage (31 July 1879 – 31 October 1968) was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes. Nationality Survage was French, of Russian-Denmark, Danish-Finland, Finnish descent, born in Lappeenranta, Finland (with selected references indicating a birthplace of Moscow, Russia). Variant names included Léopold Sturzwage, Leopold Sturwage, Leopoldij Sturzwasgh and Leopoldij Lvovich Sturzwage. Biography At a young age, Survage was directed to enter the piano factory operated by his Finnish father. He learned to play piano, then completed a commercial diploma in 1897. After a severe illness at the age of 22, Survage rethought his career and entered the Moscow School of Painting, Sculpture and Architecture. Introduce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtenay Foote
Courtenay Foote (22 November 1878 – 4 May 1925) was an English stage and silent film actor. Born in Yorkshire, England, Foote attended Oxford, studied engineering in Germany, and worked as a civil engineer in Scotland. Friends who heard him recite blank verse encouraged him to become an actor, but his grandfather opposed that idea. Foote abandoned the plan for a while and became a broker, but his lack of success in that field led his grandfather to drop his opposition to acting. An introduction to F. R. Benson, followed by Foote's recitations as an audition, resulted in Foote's first acting job. He performed with Benson's troupe for 18 months, progressing from smaller parts to more significant roles. He went on to London, performing at the Haymarket Theatre, the Court Theatre, and the Shakesperean Festival. Foote's first play in the United States was ''The Debtors'', in which he debuted as Arthur Clenham in New York, followed by a touring production. A developing intere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hypocrites (1915 Film)
''Hypocrites'', also known as ''The Hypocrites'' and ''The Naked Truth'', is a 1915 silent drama film written and directed by Lois Weber (1879–1939). The film contains several full nude scenes, and is said to include the first appearance of full frontal nudity in a non-pornographic film by an American actress (Margaret Edwards). The film is regarded as anticlerical, and the nudity was justified by its religious context. Cast * Courtenay Foote as Gabriel, the Ascetic / Gabriel, a minister * Herbert Standing as The Abbot / A pillar of the church * Margaret Edwards as Truth * Myrtle Stedman as a nun / A choir singer * Adele Farrington as The Queen / An aristocrat * Dixie Carr as a Magdalen * Nigel De Brulier as a member of the choir / monk * Matty Roubert as Boy kneeling beside cradle * Charles Villiers as the Minister * Vera Lewis as Parishioner ''(uncredited)'' Cast notes: * Margaret Edwards was 17 years old when she was discovered by Lois Weber. Production Writer-director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Dieudonné
Albert Dieudonné (26 November 1889 – 19 March 1976) was a French actor, screenwriter, film director and novelist. Biography Dieudonné was born in Paris, France, and made his acting debut in silent film in 1908 for ''The Assassination of the Duke of Guise'', with musical score by Camille Saint-Saëns. In 1924, he directed the film drama ''Catherine'', in which he also appeared as a major character. Jean Renoir acted as his assistant director on the film. Between 1915 and 1916, Dieudonné acted in five films for director Abel Gance, including the 1915 film ''La Folie du Docteur Tube'' and the 1916 film '' Le périscope''. In 1927 he was hired back to star in the title role in Gance's epic film, ''Napoléon''. In 1929 Dieudonné wrote a novel that was made into a 1930 musical comedy film titled ''The Sweetness of Loving'', and he wrote the script for the 1936 '' La Garçonne''. Albert Dieudonné died in Paris in 1976 at the age of 86. According to his last wishes, he is buried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Gance
Abel Gance (; born Abel Eugène Alexandre Péréthon; 25 October 188910 November 1981) was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage, he is best known for three major silent films: ''J'accuse'' (1919), ''La Roue'' (1923), and ''Napoléon'' (1927). Early life Born in Paris in 1889, Abel Gance was the illegitimate son of a prosperous doctor, Abel Flamant, and a working-class mother, Françoise Péréthon (or Perthon). Initially taking his mother's name, he was brought up until the age of eight by his maternal grandparents in the coal-mining town of Commentry in central France. He then returned to Paris to rejoin his mother, who had by then married Adolphe Gance, a chauffeur and mechanic, whose name Abel then adopted. Although he later fabricated the history of a brilliant school career and middle-class background, Gance left school at the age of 14, and the love of literature and art which sustained him throughout his l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Folie Du Docteur Tube
''La Folie du docteur Tube'' is a 1915 short silent experimental film directed by Abel Gance, in which a scientist takes a white, cocaine-like powder which makes him hallucinate. Gance shows the man's hallucinations by using a series of distorting lenses on the camera. A copy of the film is preserved at the Cinémathèque française The Cinémathèque Française (), founded in 1936, is a French non-profit film organization that holds one of the largest archives of film documents and film-related objects in the world. Based in Paris's 12th arrondissement, the archive offers ... and has been digitised. Plot A famous and whimsical Doctor Tube invents a powder that makes people deformed. He first tries the experiment on a dog, then on his assistant, a black child, and on himself. The result amuses them a lot. He then sprays some powder on two lovely young girls who visit him, who are devastated by the result, as well as their fiancés who receive the same treatment. The bodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay Leyda
Jay Leyda (February 12, 1910 – February 15, 1988)David Stirk and Elena Pinto Simon in was an American avant-garde filmmaker and film historian, noted for his work on U.S, Soviet, and Chinese cinema, as well as his documentary compilations on the day-to-day lives of Herman Melville and Emily Dickinson. Life and work Leyda was born on February 12, 1910, in Detroit, Michigan. He was a member of the Workers Film and Photo League in the early 1930s. He traveled to the Soviet Union in 1933 to study film making at State Film Institute, Moscow, with Sergei Eisenstein, who had a troubled relationship with Stalin and the Soviet film bureaucracy. He participated in the filming of Eisenstein's lost film ''Bezhin Meadow'' (1935–37). When he returned to the United States in 1936 to become an assistant film curator at the Museum of Modern Art, he brought the only complete print of Eisenstein's ''Battleship Potemkin.'' In the 1940s he translated Eisenstein's writings. Although he did not h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Burliuk
David Davidovich Burliuk (Давид Давидович Бурлюк; 21 July 1882 – 15 January 1967) was a Russian-language poet, artist and publicist associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." Biography Early life David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.Pg. 77, ''Nabokov and his fiction: new perspectives'' by Julian W. Connolly Education, career From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natalia Goncharova
Natalia Sergeevna Goncharova (russian: Ната́лья Серге́евна Гончаро́ва, p=nɐˈtalʲjə sʲɪrˈɡʲe(j)ɪvnə ɡənʲtɕɪˈrovə; 3 July 188117 October 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death. Her painting vastly influenced the avant-garde in Russia. Her exhibitions held in Moscow and St Petersburg (1913 and 1914) were the first promoting a “new” artist by an independent gallery. When it came to the pre-revolutionary period in Russia, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Larionov
Mikhail Fyodorovich Larionov (Russian: Михаи́л Фёдорович Ларио́нов; June 3, 1881 – May 10, 1964) was a Russian avant-garde painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art. His lifelong partner was fellow avant-garde artist, Natalia Goncharova. Life and work Larionov was born at Tiraspol, in the Kherson Governorate of the Russian Empire. In 1898 he entered the Moscow School of Painting, Sculpture and Architecture under Isaac Levitan and Valentin Serov. He was suspended three times for his radical outlook. In 1900 he met fellow avant-garde artist Natalia Goncharova and formed a lifelong relationship with her. From 1902 his style was Impressionism. After a visit to Paris in 1906 he moved into Post-Impressionism and then a Neo-primitive style which derived partly from Russian sign painting. In 1908 he staged the Golden Fleece exhibition in Moscow, which included paintings by international avant-garde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Val Paul
Val Paul (April 10, 1886 – March 23, 1962) was an American actor and director of the silent era. He appeared in 99 films between 1913 and 1922. He also directed 10 films between 1920 and 1932. He was born in Denver, Colorado and died in Hollywood, California. Selected filmography * '' Suspense'' (1913) * ''The Secret of the Swamp'' (1916) * ''It Happened in Honolulu'' (1916) * '' God's Crucible'' (1917) * '' Mutiny'' (1917) * ''The Lair of the Wolf'' (1917) * ''Mr. Logan, U.S.A.'' (1918) * '' Treat 'Em Rough'' (1919) * ''Smiles'' (1919) * '' The Girl from Nowhere'' (1919) * '' Sundown Slim'' (1920 - directed) * '' West Is West'' (1920 - directed) * '' Hearts Up'' (1921 - directed) * '' The Kickback'' (1922 - directed) * ''The Timber Queen'' (1922) * '' Good Men and True'' (1922 - directed) * '' Canyon of the Fools'' (1923 - directed) * ''Crashin' Thru'' (1923 - directed) * '' Desert Driven'' (1923 - directed) * ''The Miracle Baby ''The Miracle Baby'' is a 1923 Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
