Lion With A Snake
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Lion With A Snake
''Lion with a Snake'' (French: ''Lion au serpent'') is an 1832 sculpture by Antoine-Louis Barye. It measures . The original plaster was exhibited at the Paris Salon of 1833 and is in the Museum of Fine Arts of Lyon. It was cast in bronze using the lost-wax process in 1835 by . The original cast was acquired by Louis Philippe I and - after being exhibited in the Tuileries Gardens from 1836 to 1911 - is now in the Louvre. A stone version is sited in the Tuileries. Another bronze cast was made in 1891 by and was the first bronze installed in Rittenhouse Square Rittenhouse Square is a neighborhood, including a public park, in Center City Philadelphia. The park is one of the five original open-space parks planned by William Penn and his surveyor Thomas Holme during the late 17th century. The neighborho ... in Philadelphia the following year, where it is known as ''Lion Crushing a Serpent''. File:Antoine-Louis Barye - Lion and Snake - Walters 27548 - Three Quarter.jpg, Baltimo ...
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Antoine-Louis Barye
Antoine-Louis Barye (24 September 179525 June 1875) was a Romantic French sculptor most famous for his work as an ''animalier'', a sculptor of animals. His son and student was the known sculptor Alfred Barye. Biography Born in Paris, France, Barye began his career as a goldsmith, like many sculptors of the Romantic Period. He first worked under his father Pierre, and around 1810 worked under the sculptor Martin-Guillaume Biennais, who was a goldsmith to Napoleon. After studying under sculptor Francois-Joseph Bosio in 1816, and painter Baron Antoine-Jean Gros, he was in 1818 admitted to the École des Beaux-Arts. But it was not until 1823, while working for the goldsmith Emile Fauconnier that he discovered his true predilection from watching the animals in the Jardin des Plantes, making vigorous studies of them in pencil drawings comparable to those of Delacroix, then modeling them in sculpture on a large or small scale. In 1819 while he was studying at the École des Beaux- ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Museum Of Fine Arts Of Lyon
The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal Abbaye des Dames de Saint-Pierre, which was built in the 17th century. The abbess always came from the high French nobility and here re ...
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Lost-wax Process
Lost-wax casting (also called "investment casting", "precision casting", or ''cire perdue'' which has been adopted into English from the French, ) is the process by which a duplicate metal sculpture (often silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method. The oldest known examples of this technique are approximately 6,500-year-old (4550–4450 BC) and attributed to gold artefacts found at Bulgaria's Varna Necropolis. A copper amulet from Mehrgarh, Indus Valley civilization, in Pakistan, is dated to circa 4,000 BC. Cast copper objects, found in the Nahal Mishmar hoard in southern Israel, which belong to the Chalcolithic period (4500–3500 BC), are estimated, from carbon-14 dating, to date to circa 3500 BC. In Other examples from somewhat later periods are from Mesopotamia in the third millennium BC. Lost-wax casting was widespread in Europe until the 18th century, when a piece-moulding process came to predo ...
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Louis Philippe I
Louis Philippe (6 October 1773 – 26 August 1850) was King of the French from 1830 to 1848, and the penultimate monarch of France. As Louis Philippe, Duke of Chartres, he distinguished himself commanding troops during the Revolutionary Wars and was promoted to lieutenant general by the age of nineteen, but he broke with the Republic over its decision to execute King Louis XVI. He fled to Switzerland in 1793 after being connected with a plot to restore France's monarchy. His father Louis Philippe II, Duke of Orléans (Philippe Égalité) fell under suspicion and was executed during the Reign of Terror. Louis Philippe remained in exile for 21 years until the Bourbon Restoration. He was proclaimed king in 1830 after his cousin Charles X was forced to abdicate by the July Revolution (and because of the Spanish renounciation). The reign of Louis Philippe is known as the July Monarchy and was dominated by wealthy industrialists and bankers. He followed conservative policies, ...
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Tuileries Gardens
The Tuileries Garden (french: Jardin des Tuileries, ) is a public garden located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was eventually opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place where Parisians celebrate, meet, stroll and relax. History The Italian Garden of Catherine de' Medici (16th century) File:Tuileries projet et jardins.jpg, Plan for the palace and gardens by Jacques I Androuet du Cerceau, 1576–1579 File:Map of Tuileries and Louvre, as in c. 1589.png, Plan of the Tuileries garden in about 1589. The Louvre is to the right In July 1559, after the accidental death of her husband, Henry II, Queen Catherine de' Medici decided to leave her residence of the Hôtel des Tournelles, at the eastern part of Paris, near the Bastille. Together with her son, the n ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Tuileries
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper. History Plan of Catherine de Medici (16th C.) The site of the Tuileries palace was originally just outside the walls of the city, in an area frequently flooded by the Seine as far as the present Rue Saint-Honore. The land was occupied by the workshops and kilns craftsmen who ma ...
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Rittenhouse Square
Rittenhouse Square is a neighborhood, including a public park, in Center City Philadelphia. The park is one of the five original open-space parks planned by William Penn and his surveyor Thomas Holme during the late 17th century. The neighborhood is among the highest-income urban neighborhoods in the country. Together with Fitler Square, the Rittenhouse neighborhood and the square comprise the Rittenhouse–Fitler Historic District. Rittenhouse Square Park is maintained by the non-profit group The Friends of Rittenhouse Square. The square cuts off 19th Street at Walnut Street and also at a half-block above Manning Street. Its boundaries are 18th Street to the east, Walnut St. to the north, Rittenhouse Square West (a north–south boundary street), and Rittenhouse Square South (an east–west boundary street), making the park approximately two short blocks on each side. History Originally called Southwest Square, Rittenhouse Square was renamed in 1825 after David Rittenhouse ...
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Sculptures Of Lions
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Snakes In Art
Snakes are elongated, limbless, carnivorous reptiles of the suborder Serpentes . Like all other squamates, snakes are ectothermic, amniote vertebrates covered in overlapping scales. Many species of snakes have skulls with several more joints than their lizard ancestors, enabling them to swallow prey much larger than their heads (cranial kinesis). To accommodate their narrow bodies, snakes' paired organs (such as kidneys) appear one in front of the other instead of side by side, and most have only one functional lung. Some species retain a pelvic girdle with a pair of vestigial claws on either side of the cloaca. Lizards have evolved elongate bodies without limbs or with greatly reduced limbs about twenty-five times independently via convergent evolution, leading to many lineages of legless lizards. These resemble snakes, but several common groups of legless lizards have eyelids and external ears, which snakes lack, although this rule is not universal (see Amphisbaenia, Dibamida ...
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19th-century Sculptures
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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