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Linux Libertine
Linux Libertine is a digital typeface created by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It is developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License. Characteristics Linux Libertine is a proportional serif typeface inspired by 19th century book type and is intended as a replacement for the Times font family. The typeface has five styles: regular, bold, italic, bold italic, and small capitals, all of which are available in TrueType and OpenType format, as well as in source code. The OpenType version allows automatic positioning and substitution, including true fractions, ligatures and kerning. A display type variant, while similar in letter form, is lighter in weight and bears a closer resemblance to old-style types such as Palatino. There is also a complementary humanist sans-serif face, Linux Biolinum, similar t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linux Biolinum
Linux Libertine is a digital typeface created by the Libertine Open Fonts Project, which aims to create FOSS, free and open alternatives to Proprietary software, proprietary typefaces such as Times New Roman. It is developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License. Characteristics Linux Libertine is a proportional serif typeface inspired by 19th century book type and is intended as a replacement for the Times New Roman, Times font family. The typeface has five styles: regular, bold, italic, bold italic, and small capitals, all of which are available in TrueType and OpenType format, as well as in source code. The OpenType version allows automatic positioning and substitution, including true fractions, ligatures and kerning. A display type variant, while similar in letter form, is lighter in weight and bears a closer resemblance to old-style types such as Palatino. There is also a complementary Sans-seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German, ) or "Gothic", and serif typefaces as "roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, creating serifs. Another theory is that serifs were devised to neate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optima (typeface)
Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany in 1958. Though classified as a sans-serif, Optima has a subtle swelling at the terminals suggesting a glyphic serif. Optima was inspired by classical Roman capitals and the stonecarving on Renaissance-period tombstones Zapf saw in Florence on a 1950 holiday to Italy. Zapf intended Optima to be a typeface that could serve for both body text and titling. To prove its versatility, Zapf set his entire book ''About Alphabets'' in the regular weight. Zapf retained an interest in the design, collaborating on variants and expansions into his eighties. History Interested in calligraphy and the history of Italian printing and lettering, Zapf first visited Italy in 1950. While in Florence, Zapf was particularly interested in the design of the lettering in tombstones of the cemetery of the Basilica of Santa Croce, Florence, Basilica di Santa Croce in Flo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Caps
In typography, small caps (short for "small capitals") are characters typeset with glyphs that resemble uppercase letters (capitals) but reduced in height and weight close to the surrounding lowercase letters or text figures. This is technically not a case-transformation, but a substitution of glyphs, although the effect is often approximated by case-transformation and scaling. Small caps are used in running text as a form of emphasis that is less dominant than all uppercase text, and as a method of emphasis or distinctiveness for text alongside or instead of italics, or when boldface is inappropriate. For example, the text "Text in small caps" appears as in small caps. Small caps can be used to draw attention to the opening phrase or line of a new section of text, or to provide an additional style in a dictionary entry where many parts must be typographically differentiated. Well-designed small capitals are not simply scaled-down versions of normal capitals; they normally reta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Text Figures
Text figures (also known as non-lining, lowercase, old style, ranging, hanging, medieval, billing, or antique figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name. They are contrasted with lining figures (also called titling or modern figures), which are the same height as upper-case letters. Georgia is an example of a popular typeface that employs text figures by default. Design In text figures, the shape and positioning of the numerals vary as those of lowercase letters do. In the most common scheme, '' 0'', '' 1'', and '' 2'' are of x-height, having neither ascenders nor descenders; '' 6'' and '' 8'' have ascenders; and '' 3'', '' 4'', '' 5'', '' 7'', and '' 9'' have descenders. Other schemes exist; for example, the types cut by the Didot family of punchcutters and typographers in France between the late 18th and early 19th centuries typically had an ascending ''3'' and ''5'', a form pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Numbers
Roman numerals are a numeral system that originated in ancient Rome and remained the usual way of writing numbers throughout Europe well into the Late Middle Ages. Numbers are written with combinations of letters from the Latin alphabet, each letter with a fixed integer value, modern style uses only these seven: The use of Roman numerals continued long after the decline of the Roman Empire. From the 14th century on, Roman numerals began to be replaced by Arabic numerals; however, this process was gradual, and the use of Roman numerals persists in some applications to this day. One place they are often seen is on clock faces. For instance, on the clock of Big Ben (designed in 1852), the hours from 1 to 12 are written as: The notations and can be read as "one less than five" (4) and "one less than ten" (9), although there is a tradition favouring representation of "4" as "" on Roman numeral clocks. Other common uses include year numbers on monuments and buildings and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleuron (typography)
A fleuron (;), also known as printers' flower, is a typographic element, or glyph, used either as a punctuation mark or as an ornament for typographic compositions. Fleurons are stylized forms of flowers or leaves; the term derives from the fro, floron ("flower"). Robert Bringhurst in ''The Elements of Typographic Style'' calls the forms "horticultural dingbats". A commonly-encountered fleuron is the , the floral heart or (ivy leaf). It is also known as an aldus leaf (after Italian Renaissance printer Aldus Manutius). History Flower decorations are among the oldest typographic ornaments. A fleuron can also be used to fill the white space that results from the indentation of the first line of a paragraph, on a line by itself to divide paragraphs in a highly stylized way, to divide lists, or for pure ornamentation. The fleuron (as a formal glyph) is an sixteenth century introduction. Fleurons were crafted the same way as other typographic elements were: as individual metal s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic transcription, phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form.International Phonetic Association (IPA), ''Handbook''. The IPA is used by lexicography, lexicographers, foreign language students and teachers, linguistics, linguists, speech–language pathology, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of wiktionary:lexical, lexical (and, to a limited extent, prosodic) sounds in oral language: phone (phonetics), phones, phonemes, Intonation (linguistics), intonation, and the separation of words and syllables. To represent additional qualities of speech—such as tooth wiktionary:gnash, gnashing, lisping, and sounds made wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital ß
Capital may refer to: Common uses * Capital city, a municipality of primary status ** List of national capital cities * Capital letter, an upper-case letter Economics and social sciences * Capital (economics), the durable produced goods used for further production * Economic capital * Financial capital, an economic resource measured in terms of money * Capital (Marxism), a central concept in Marxian critique of political economy *Capital good *Natural capital *Public capital * Human capital *Instructional capital * Social capital Architecture and buildings * Capital (architecture), the topmost member of a column or pilaster * Capital (fortification), a proportion of a bastion * The Capital (building), a commercial building in Mumbai, India Arts, entertainment and media Literature Books * ''Das Kapital'' ('Capital: Critique of Political Economy'), a foundational theoretical text by Karl Marx * '' Capital: The Eruption of Delhi'', a 2014 book by Rana Dasgupta * ''Capital'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ligature (typography)
In writing and typography, a ligature occurs where two or more graphemes or letters are joined to form a single glyph. Examples are the characters æ and œ used in English and French, in which the letters 'a' and 'e' are joined for the first ligature and the letters 'o' and 'e' are joined for the second ligature. For stylistic and legibility reasons, 'f' and 'i' are often merged to create 'fi' (where the tittle on the 'i' merges with the hood of the 'f'); the same is true of 's' and 't' to create 'st'. The common ampersand (&) developed from a ligature in which the handwritten Latin letters 'E' and 't' (spelling , Latin for 'and') were combined. History The earliest known script Sumerian cuneiform and Egyptian hieratic both include many cases of character combinations that gradually evolve from ligatures into separately recognizable characters. Other notable ligatures, such as the Brahmic abugidas and the Germanic bind rune, figure prominently throughout ancient m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Alphabet
The Hebrew alphabet ( he, wikt:אלפבית, אָלֶף־בֵּית עִבְרִי, ), known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is an abjad script used in the writing of the Hebrew language and other Jewish languages, most notably Yiddish, Judaeo-Spanish, Ladino, Judeo-Arabic languages, Judeo-Arabic, and Judeo-Persian. It is also used informally in Israel to write Levantine Arabic, especially among Druze in Israel, Druze. It is an offshoot of the Aramaic alphabet, Imperial Aramaic alphabet, which flourished during the Achaemenid Empire and which itself derives from the Phoenician alphabet. Historically, two separate abjad scripts have been used to write Hebrew. The original, old Hebrew script, known as the paleo-Hebrew alphabet, has been largely preserved in a variant form as the Samaritan alphabet. The present "Jewish script" or "square script", on the contrary, is a stylized form of the Aramaic alphabet and was technicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrillic Script
The Cyrillic script ( ), Slavonic script or the Slavic script, is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic languages, Slavic, Turkic languages, Turkic, Mongolic languages, Mongolic, Uralic languages, Uralic, Caucasian languages, Caucasian and Iranian languages, Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia. , around 250 million people in Eurasia use Cyrillic as the official script for their national languages, with Russia accounting for about half of them. With the accession of Bulgaria to the European Union on 1 January 2007, Cyrillic became the third official script of the European Union, following the Latin script, Latin and Greek alphabet, Greek alphabets. The Early Cyrillic alphabet was developed during the 9th century AD at the Preslav Literary School in the First Bulgarian Empire during the reign of tsar Simeon I of Bulgar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
