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Lillie Grandval
Lillie Grandval (Frankfurt, 20 December 1904 – 21 August 2000)Kutsch, K. J. and Riemens, Leo (2003). ''Großes Sängerlexikon'' (fourth edition, in German). Munich: K. G. Saur, p. 1808. . was a French soprano, active in opera and operetta for over 30 years, and described as "One of the most popular French singers of her generation".Gourret J. ''Dictionnaire des Cantatrices de l'Opéra.'' Editions Albatros, Paris, 1987. Life and career Born Lillie Millot, she studied at the Paris Conservatoire under Thomas Salignac, and sang in music-hall and took part in the Lyon premiere of '' Le Tzaréwitch'' (Sonia) in 1929. She made her debut at the Paris Opéra-Comique on 15 December 1932 in ''Le pré aux clercs'' (Marguerite de Valois). With the company she went on to sing (Isabelle) in the same opera, the title role in ''Manon'', ''Mignon'' (Philine), the title roles in ''Mireille'', ''Phryné'' and ''Louise'', Carmen (Micaela), ''La Traviata'' (Violetta), ''Le Barbier de Séville'' (Rosi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ciboulette
''Ciboulette'' is a French opérette in three acts, music by Reynaldo Hahn, libretto by Robert de Flers and Francis de Croisset, first performed at the Théâtre des Variétés, in Paris, on 7 April 1923. One of the most elegant and refined compositions of Hahn, it is considered one of the last masterpieces of French operetta. Principal roles Synopsis The action takes place in Paris, in 1867. Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat. After many adventures, the lovers are united. Discography * ''Ciboulette'' (abridged) - Géori Boué, Roger Bourdin, Raymond Amadé - Orchestre de la Société des Concerts du Conservatoire, Marcel Cariven - Pathé (1952). * ''Ciboulette'' (abridged) - Andrée Grandjean, Willy Clément, Michel Hamel, Françoise Ogéas - Chorus and Orchestra of the Théâtre des Champs-Élysées, Paul Bonneau - Ducretet-Thomson (1955). * ''Ciboulette'' - Mady Mesp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willy Clément
Willy Clément (born in Cairo on 19 July 1918, died in Paris on 7 March 1965) was a French baritone who was noted in light baritone roles and operetta.Caubert A. Portrait - notes for INA memoire vive CD 064, Paris, 2006. Life and career Clément came to France at a young age, and entered the Conservatoire de Paris in November 1938, in the classes of Claire Croiza (singing), Georges Viseur (theory), and Vanni Marcoux (stage declamation). Due to the war, he completed his studies in Lyon, and graduated in July 1941, joining the Théâtre des Quatre Saisons Provinciales and singing at the Lyon Opera in the 1942–43 and 1943-44 seasons. He made his debut as Martin in ''Le Chemineau'' by Xavier Leroux. In 1944 he made what was the first of many radio broadcasts, as Pippo in ''La Mascotte''. He was engaged by the Opéra-Comique in Paris, and made his debut on 1 April 1945 in ''The Barber of Seville'' (Figaro), a role he sang often in Paris and around France. He also sang Marcel in ''La B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortunio (opera)
''Fortunio'' is a comédie lyrique or opera in four acts (originally five) and five tableaux by the French composer André Messager. The libretto by Gaston Arman de Caillavet and Robert de Flers is based on Alfred de Musset's 1835 comedy ''Le Chandelier''. It was first performed by the Opéra-Comique at the Salle Favart in Paris, on 5 June 1907, and remained part of the regular repertory until the 1940s. In recent years it has been revived in several productions in France and other countries. The opera has no spoken dialogue and comprises completely sung recitative and arias. Fortunio, clerk to the lawyer Maître André, becomes the decoy for an affair between Jacqueline – the lawyer's wife – and Clavaroche, an army officer, Fortunio falls in love with Jacqueline before discovering what is going on between her and the officer. Eventually she falls for Fortunio's innocent charm and sends Clavaroche away. Background Alfred de Musset's play ''Le Chandelier'' was published in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enghien-les-Bains
Enghien-les-Bains () is a commune in the northern suburbs of Paris, France. It is located from the centre of Paris, in the département of Val-d'Oise. Enghien-les-Bains is famous as a spa resort and a well-to-do suburb of Paris, developed in the nineteenth century around the scenic lake of Enghien. A casino, the only one in the vicinity of Paris, is located on the shores of the lake. Name The suffix ''les Bains'' (literally "the Baths") was added to the name when the ''commune'' was incorporated in 1850, to distinguish this place from the Belgian city of Enghien, near Mons, and to acknowledge the thermal baths for which Enghien-les-Bains is famous. The name Enghien itself does refer to the Belgian city, which was a fief of the princes of Condé, a cadet branch of the French royal family, who inherited the duchy of Montmorency in 1633. In 1689 they were allowed by King Louis XIV to rename the duchy of Montmorency to be the "duchy of Enghien", in order to revive the title, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Indes Galantes
(French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an ''opéra-ballet'' with a prologue and (in its final form) four ''entrées'' (acts). Following an allegorical prologue, the four ''entrées'' have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, ''Danse des Sauvages'' and the final ''Chaconne'', come from the final ''entrée'' (''Les sauvages''). The premiere, including only the prologue and the first two of its four ''entrées'' (acts), was staged by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on 23 August 1735,Sadler starring the leading singers of the Opéra: Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi D'Ys
' (''The King of Ys'') is an opera in three acts and five tableaux by the French composer Édouard Lalo, to a libretto by Édouard Blau, based on the old Breton legend of the drowned city of Ys. That city was, according to the legend, the capital of the kingdom of Cornouaille. The opera was premiered on 7 May 1888 by the Opéra Comique at the Théâtre Lyrique on the Place du Châtelet in Paris. Apart from the overture, the most famous piece in the opera is the tenor's aubade in act 3, "" ("In vain, my beloved"). Lalo was known outside France primarily for other work, but within France he was recognized almost solely for this opera. His first version of the opera was widely rejected during the 1870s, but the revised work met with great success the following decade, becoming his most successful work for the stage. Performance history Lalo composed ''Le roi d'Ys'' between 1875 and 1878 (drafting the entire opera, in its first version, in 1875). His interest in the folklore of Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Favart
The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernier and is located on the Place Boïeldieu just south of the Boulevard des Italiens. Background The Salle Favart is the third theatre with this name on this site. The first Salle Favart, built to the designs of Jean-François Heurtier, opened on 28 April 1783. Charles Simon Favart was the company's director at the time. It was destroyed by fire on the night of 14 or 15 January 1838. The second Salle Favart, built to the designs of , opened on 16 May 1840. It was destroyed by fire on 25 May 1887.Wild 1989, pp. 135–138. Competition After long deliberation following the second fire, a decision was finally reached to rebuild on the same constricted site. A competition was held, judged by five winners of the Grand Prix de Rome (including Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Casadesus
Henri-Gustave Casadesus (30 September 1879, Paris – 31 May 1947, Paris) was a violist, viola d'amore player, composer, and music publisher. Early life Casadesus received his early musical instruction with Albert Lavignac and studied viola with Théophile Laforge at the Conservatoire de Paris, taking first prize in 1899. From 1910 to 1917, he was the violist of the Capet Quartet. Career Along with Camille Saint-Saëns, Casadesus founded the "Société des instruments anciens" in 1901. The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba, or Casadesus's own instrument, the viola d'amore. The quintet was also notable in its day for premiering rediscovered works by long-dead composers. It was later discovered that Casadesus and his brothers, notably Marius Casadesus, wrote these works. The Adélaïde Concerto, allegedly by Wolfgang Amadeus Mozart, is sometimes mistakenly attributed to Henri but i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Châtelet
The Théâtre du Châtelet () is a theatre and opera house, located in the place du Châtelet in the 1st arrondissement of Paris, France. One of two theatres (the other being the Théâtre de la Ville) built on the site of a ''châtelet'', a small castle or fortress, it was designed by Gabriel Davioud at the request of Baron Haussmann between 1860 and 1862. Originally named the Théâtre Impérial du Châtelet, it has undergone remodeling and name changes over the years. Currently it seats 2,500 people. Description The theatre is one of two apparent twins constructed along the quays of the Seine, facing each other across the open Place du Châtelet. The other is the Théâtre de la Ville. Their external architecture is essentially Palladian entrances under arcades, although their interior layouts differ considerably. At the centre of the plaza is an ornate, sphinx-endowed fountain, erected in 1808, which commemorates Napoleon's victory in Egypt. Origins The Théâtre Impà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
