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Liliana Mancini
Liliana Mancini was an Italian film actress. She was briefly a star of the neorealist movement after being cast by Renato Castellani in the 1948 film ''Under the Sun of Rome''. Although she played the female lead in ''Twenty Years'' (1949), she quickly struggled to find further significant roles. Later she found some work in the editorial department. In 1951 Luchino Visconti, himself associated with neorealism, cast her in '' Bellissima'' his drama of the perils of film stardom. The film's protagonist played by Anna Magnani comes across Mancini working as an ordinary employee at the Cinecitta Studios and recognises her as the star of ''Under the Sun of Rome''. Mancini relates her own story as a warning about the illusion of instant fame. This was part of a wider trend of many of the actors who enjoyed success in neorealist classics of the late 1940s.Gundle p.315-16 Selected filmography * ''Under the Sun of Rome'' (1948) * ''Twenty Years'' (1949) * ''Seven Hours of Trouble ''Seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Actress
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Willi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Castellani
Renato Castellani (4 September 1913 in Varigotti, Liguria – 28 December 1985 in Rome) was an Italian film director and screenwriter. Early life Son of a representative of Kodak, he was born in Varigotti, a hamlet at the time of Final Pia, which became Finale Ligure (Savona) in 1927, where his mother had returned from Argentina to give birth to his son. He spent his childhood in Argentina, in the city of Rosario. After 12 years, he returned to Liguria and resumed his studies in Genoa. He moved to Milan, where he graduated from the Polytechnic University in architecture. In Milan he met Livio Castiglioni and together they aired for GUF (Fascist University Group) ''L'ora radiofonica'' and ''La fontana malata'' by Aldo Palazzeschi, experimenting with new techniques for sound editing on radio. Career He began collaborating in 1936 as a military consultant for '' The Great Appeal'', a film by Mario Camerini. He worked as a film critic and worked - as a screenwriter or assistan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Under The Sun Of Rome
''Under the Sun of Rome'' ( it, Sotto il sole di Roma) is a 1948 Italian drama film directed by Renato Castellani. It was the first film of Castellani's Italian neorealism trilogy about poor people, followed by '' È primavera...'' in 1949 and Cannes Film Festival Palme d'Or winner ''Two Cents Worth of Hope'' in 1952. Cast *Oscar Blando as Ciro *Liliana Mancini as Iris * Francesco Golisano as Geppa *Ennio Fabeni as Bruno *Alfredo Locatelli as Nerone *Gaetano Chiurazzi as Bellicapelli *Anselmo Di Biagio as Dottorino *Ferruccio Tozzi as Ciro's father *Maria Tozzi as Ciro's mother *Giuseppina Fava as Janitor *Raffaele Caporilli as 'Mbriaschini *Ilario Malaschini as Pirata *Omero Paoloni as Coccolone *Gisella Monaldi as Tosca *Alberto Sordi Alberto Sordi (15 June 1920 – 24 February 2003) was an Italian actor, voice actor, singer, comedian, director and screenwriter. Early life Born in Rome to a schoolteacher and a musician and the last of five children, Sordi was named in hon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twenty Years (film)
''Twenty Years'' (Italian: ''Vent'anni'') is a 1949 Italian comedy film directed by Giorgio Bianchi and starring Oscar Blando, Francesco Golisano and Liliana Mancini.Lancia p.77 It was part of the Italian neorealism movement of postwar Italy. Plot Two petty thieves plan a much bigger scam than they usually practice, but complications ensue. Cast * Oscar Blando as Ciro * Francesco Golisano as Geppa * Liliana Mancini as Iris * Marcella Melnati Marcella is a Roman cognomen and Italian given name, the feminine version of Marcello (Mark in English). Marcella means warlike, martial, and strong. It could also mean 'young warrior'. The origin of the name Marcella is Latin. Marcella may refer ... as Nonna * Titti Brandani * Nando Bruno * Vittoria Crispo * Checco Durante * Barbara Leite * Lamberto Maggiorani * Marcello Mastroianni * Lolly Moreno * Marcella Ruffini References Bibliography * Enrico Lancia. ''Dizionario del cinema italiano: Gli atori, Volume I''. Gremese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editor
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film togeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellissima (film)
''Bellissima'' is a 1951 Italian Italian neorealism, neorealist drama film directed by Luchino Visconti and starring Anna Magnani, Walter Chiari and Tecla Scarano. The film is a satire of the postwar Italian film industry, and particularly the dreams of stardom encouraged by the neorealist movement which plucked out ordinary members of the public to appear in productions. Bellissima is the only feature film in Visconti's oeuvre with a predominantly comic tone. It was not a box office success. Production Alessandro Blasetti, a contemporary film director, appears as himself. Keeping in with the tradition of Neorealism (art), neorealism a number of roles went to members of the public. Magnani played a part in their selection, approving of Gastone Renzelli a butcher who was cast as her husband.Gundle p.3 The film's sets were designed by the art director Gianni Polidori. It was shot at the Cinecittà Studios, which appear prominently in the film. Plot ''Bellissima'' centers on a worki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Magnani
Anna Maria Magnani (; 7 March 1908 – 26 September 1973) was an Italian actress.Obituary ''Variety'', 3 October 1973, pg. 47 She was known for her explosive acting and earthy, realistic portrayals of characters. Born in Rome, she worked her way through Rome's Academy of Dramatic Art by singing at night clubs. During her career, her only child was stricken by polio when he was 18 months old and remained disabled. She was referred to as "La Lupa", the "perennial toast of Rome" and a "living she-wolf symbol" of the cinema. ''Time'' described her personality as "fiery", and drama critic Harold Clurman said her acting was "volcanic". In the realm of Italian cinema, she was "passionate, fearless, and exciting," an actress whom film historian Barry Monush calls "the volcanic earth mother of all Italian cinema."Monush, Barry. ''The Encyclopedia of Hollywood Film Actors'', Hal Leonard Corp. (2003) Director Roberto Rossellini called her "the greatest acting genius since Eleonora Duse" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seven Hours Of Trouble
''Seven Hours of Trouble'' (Italian: ''Sette ore di guai'') is a 1951 Italian comedy film directed by Vittorio Metz and Marcello Marchesi and starring Totò, Isa Barzizza and Carlo Campanini.Goble p.958 Plot Toto De Pasquale (Toto) is the holder of a modest tailoring. The day of the baptism of his son, receives the visit of the Advocate Espinaci (Eduardo Passarelli), charge d'notice the seizure of his property because of a debt long overdue and unpaid. When the lawyer discovers that the wife of De Pasquale (Clelia Matania) is an old friend of his, he decides to postpone. Toto, to ingratiate himself further, he decides to do godfather, forgetting that he had already entrusted the task to brother Matthew (Nino Milano), incurable bully. A few minutes later Toto, the lawyer and Matthew discover that the nurse (Bice Valori) has lost the baby after a fight on the streets with her husband. Without saying anything to his wife, Toto goes to look for the child and, in order not to suspect an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Unknown
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
