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Lilian Bayliss
Lilian Mary Baylis CH (9 May 187425 November 1937) was an English theatrical producer and manager. She managed the Old Vic and Sadler's Wells theatres in London and ran an opera company, which became the English National Opera (ENO); a theatre company, which evolved into the English National Theatre; and a ballet company, which eventually became The Royal Ballet. Early years Lilian Baylis was born in Marylebone, London, England to parents Newton Baylis and Elizabeth (Liebe) Cons. She was the eldest of six children, and grew up surrounded by music and performance. Her mother was a successful singer and pianist, and Baylis's education was grounded in the arts; she began performing and teaching music at an early age. She attended St. Augustine's school, Kilburn. She also took violin lessons at the ''Royal Academy of Music'' with leading professionals, such as John Tiplady Carrodus, who was principal first violin at Covent Garden. South Africa In 1891, the Baylis family emigrate ...
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Marylebone
Marylebone (usually , also , ) is a district in the West End of London, in the City of Westminster. Oxford Street, Europe's busiest shopping street, forms its southern boundary. An Civil parish#Ancient parishes, ancient parish and latterly a metropolitan borough, it merged with the boroughs of Metropolitan Borough of Westminster, Westminster and Metropolitan Borough of Paddington, Paddington to form the new City of Westminster in 1965. Marylebone station lies two miles north-west of Charing Cross. History Marylebone was originally an Civil parish#ancient parishes, Ancient Parish formed to serve the manors (landholdings) of Lileston (in the west, which gives its name to modern Lisson Grove) and Tyburn in the east. The parish is likely to have been in place since at least the twelfth century and will have used the boundaries of the pre-existing manors. The boundaries of the parish were consistent from the late twelfth century to the creation of the Metropolitan Borough which ...
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First Folio
''Mr. William Shakespeare's Comedies, Histories, & Tragedies'' is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays (see list of Shakespeare's plays), it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke). Although 19 of Shakespeare's plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including '' The Tempest'', ''Twelfth Night'', and ''Measure for Measure'' among others, ...
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Constant Lambert
Leonard Constant Lambert (23 August 190521 August 1951) was a British composer, conductor, and author. He was the founder and music director of the Royal Ballet, and (alongside Ninette de Valois and Frederick Ashton) he was a major figure in the establishment of the English ballet as a significant artistic movement. His ballet commitments, including extensive conducting work throughout his life, restricted his compositional activities. However one work, '' The Rio Grande'', for chorus, orchestra and piano soloist, achieved widespread popularity in the 1920s, and is still regularly performed today. His other work includes a jazz influenced Piano Concerto (1931), major ballet scores such as '' Horoscope'' (1937) and a full-scale choral masque ''Summer's Last Will and Testament'' (1936) that some consider his masterpiece. Lambert had wide-ranging interests beyond music, as can be seen from his critical study ''Music Ho!'' (1934), which places music in the context of the other arts ...
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Anton Dolin (ballet Dancer)
Sir Anton Dolin (27 July 190425 November 1983) was an English ballet dancer and choreographer. Biography Dolin was born in Slinfold in Sussex as Sydney Francis Patrick Chippendall Healey-Kay but was generally known as Patrick Kay or "Pat" to his friends. He was the second of three sons of Henry George Kay (1852-1922) and his wife, Helen Maude Chippendall Healey (1869-1960), from Dublin. He trained at Serafina Astafieva's school at The Pheasantry in London's King's Road.Decharne, Max. (2005) ''King's Road: The Rise and Fall of the Hippest Street in the World''. London: Weidenfeld & Nicolson, p. 23. He joined Sergei Diaghilev's Ballets Russes in 1921, was a principal there from 1924, and was a principal with the Vic-Wells Ballet in the 1930s. There he danced with Alicia Markova, with whom he went on to found the Markova-Dolin Ballet and the London Festival Ballet. He joined Ballet Theatre when it was formed in 1940 and remained there as a dancer and choreographer until 1946. ...
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Alicia Markova
Dame Alicia Markova DBE (1 December 1910 – 2 December 2004) was a British ballerina and a choreographer, director and teacher of classical ballet. Most noted for her career with Sergei Diaghilev's Ballets Russes and touring internationally, she was widely considered to be one of the greatest classical ballet dancers of the twentieth century. She was the first British dancer to become the principal dancer of a ballet company and, with Dame Margot Fonteyn, is one of only two English dancers to be recognised as a prima ballerina assoluta. Markova was a founder dancer of the Rambert Dance Company, The Royal Ballet and American Ballet Theatre, and was co-founder and director of the English National Ballet. Early years Markova was born as Lilian Alicia Marks on 1 December 1910. Her father, Arthur, was Jewish by birth; her mother, Eileen (nee Barry), converted to Judaism. The family lived in a two bedroom flat in Finsbury Park. Career Markova began to dance on medical advice t ...
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Robert Helpmann
Sir Robert Murray Helpmann CBE ( Helpman, 9 April 1909 – 28 September 1986) was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet (now The Royal Ballet) under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War Helpmann took over from him while continuing as a principal dancer. Helpmann, from the outset of his career was an actor as well as a dancer, and in the 1940s he turned increasingly to acting in plays, at the Old Vic and in the West End. Most of his roles were in Shakespeare plays but he also appeared in works by Shaw, Coward, Sartre and others. As a director his range was wide, from Shakespeare to opera, musicals and pantomime. Helpmann became co-director of the Austra ...
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Margot Fonteyn
Dame Margaret Evelyn de Arias DBE (''née'' Hookham; 18 May 191921 February 1991), known by the stage name Margot Fonteyn, was an English ballerina. She spent her entire career as a dancer with the Royal Ballet (formerly the Sadler's Wells Theatre Company), eventually being appointed ''prima ballerina assoluta'' of the company by Queen Elizabeth II. Beginning ballet lessons at the age of four, she studied in England and China, where her father was transferred for his work. Her training in Shanghai was with Russian expatriate dancer Georgy Goncharov, contributing to her continuing interest in Russian ballet. Returning to London at the age of 14, she was invited to join the Vic-Wells Ballet School by Ninette de Valois. She succeeded Alicia Markova as prima ballerina of the company in 1935. The Vic-Wells choreographer, Sir Frederick Ashton, wrote numerous parts for Fonteyn and her partner, Robert Helpmann, with whom she danced from the 1930s to the 1940s. In 1946, the company ...
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Ninette De Valois
Dame Ninette de Valois (born Edris Stannus; 6 June 1898 – 8 March 2001) was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet. Life Early life and family Ninette de Valois was born as Edris Stannus on 6 June 1898 at Baltyboys House, an 18th-century manor house near the town of Blessington, County Wicklow, Ireland, then still part of the United Kingdom. A member of a gentry family, she was the second daughter of Lieutenant Colonel Thomas Stannus DSO,Montgomery-Massingber ...
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Toby Belch
Sir Toby Belch is a character in William Shakespeare’s ''Twelfth Night''. He is Olivia's uncle. Character Sir Toby is an ambiguous mix of high spirits and low cunning. He first appears in the play's third scene, when he storms onto the stage the morning after a hard night out, complaining about the sombre melancholy that hangs over his niece's household. "What a plague means my niece to take the death of her brother thus? I'm sure care's an enemy to life." This immediately establishes Sir Toby at the opposite pole from the languishing melancholy which dominated the first scene (including Orsino's speech, "If music be the food of love..."), identifying him as a force for vitality, noise and good cheer, as his name suggests. At the beginning Sir Toby appears to be friends with another character, Sir Andrew Aguecheek, a guest of Olivia, Sir Toby's niece. However, as the play progresses, it transpires that Sir Toby is just taking advantage of Sir Andrew's riches. His tormenting ...
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Ralph Richardson
Sir Ralph David Richardson (19 December 1902 – 10 October 1983) was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. He worked in films throughout most of his career, and played more than sixty cinema roles. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of ''Hamlet'' in Brighton inspired him to become an actor. He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. In 1931 he joined the Old Vic, playing mostly Shakespearean roles. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. After he left the company, a series of leading roles took him to stardom in the West End and on Broadway. In the 1940s, together with Olivier and John Burrell, Richardson was the co-director of the Old Vic company. ...
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Twelfth Night
''Twelfth Night'', or ''What You Will'' is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night's entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (who is disguised as Cesario) falls in love with the Duke Orsino, who in turn is in love with Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her thinking she is a man. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. The first recorded public performance was on 2 February 1602, at Candlemas, the formal end of Christmastide in the year's calendar. The play was not published until its inclusion in the 1623 First Folio. Characters * Viola – a shipwrecked young woman who disguises herself a ...
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Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. The f ...
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