Lightsey 2
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Lightsey 2
''Lightsey 2'' is a solo album by pianist Kirk Lightsey (with one track featuring vocalist Roselyn Burrough) that was recorded in 1982 and 1983 and released by the Sunnyside label.Sunnyside Records: album details
accessed March 7, 2019
Fitzgerald, M
Kirk Lightsey Leader Entry
accessed March 7, 2019


Reception

The review states "pianist Kirk Lightsey performs eight stimulating piano solos. The emphasis is on modern jazz originals, including tunes by Tony Williams, Wayne Shorter, S ...
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Kirk Lightsey
Kirkland "Kirk" Lightsey (born February 15, 1937, Detroit, Michigan) is an American jazz pianist. Biography Lightsey had piano instruction from the age of five and studied piano and clarinet through high school. After service in the Army, Lightsey worked in Detroit and California in the 1960s as an accompanist to singers. He also worked with jazz musicians such as Yusef Lateef, Betty Carter, Pharoah Sanders, Bobby Hutcherson, Sonny Stitt, Chet Baker, and Kenny Burrell. From 1979 to 1983 he toured with Dexter Gordon and was a member of The Leaders in the late 1980s. During the 1980s he led several sessions of his own, including duets with pianist Harold Danko. In the 1980s and since he has worked with Jimmy Raney, Clifford Jordan, Woody Shaw, David Murray, Joe Lee Wilson, Louis Stewart, Adam Taubitz, Harold Land and Gregory Porter. He is also an accomplished flautist and occasionally doubles on flute in live performances. He has been living in Paris since 2000. Discography A ...
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Come Rain Or Come Shine
"Come Rain or Come Shine" is a popular music song, with music by Harold Arlen and lyrics by Johnny Mercer. It was written for the Broadway musical '' St. Louis Woman'', which opened on March 30, 1946, and closed after 113 performances. Chart performance It "became a modest hit during the show's run, making the pop charts with a Margaret Whiting ( Paul Weston and His Orchestra) recording rising to number seventeen, and, shortly after, a Helen Forrest and Dick Haymes recording rising to number twenty-three." Other recordings The song has subsequently been recorded by a host of artists, including: *In 1955, Billie Holiday included it on her ''Music for Torching'' LP. *In 1956, Judy Garland included it on her '' Judy'' LP, as well her 1961 live album, ''Judy at Carnegie Hall''. *In 1956, Fran Warren included it on her album ''Mood Indigo''. *In 1958, Art Blakey & The Jazz Messengers recorded it for their album released in 1959, ''Moanin’''. *In 1959, Connie Francis included it on ...
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Kirk Lightsey Albums
Kirk is a Scottish and former Northern English word meaning "church". It is often used specifically of the Church of Scotland. Many place names and personal names are also derived from it. Basic meaning and etymology As a common noun, ''kirk'' (meaning 'church') is found in Scots, Scottish English, Ulster-Scots and some English dialects, attested as a noun from the 14th century onwards, but as an element in placenames much earlier. Both words, ''kirk'' and ''church'', derive from the Koine Greek κυριακόν (δωμα) (kyriakon (dōma)) meaning ''Lord's (house)'', which was borrowed into the Germanic languages in late antiquity, possibly in the course of the Gothic missions. (Only a connection with the idiosyncrasies of Gothic explains how a Greek neuter noun became a Germanic feminine). Whereas ''church'' displays Old English palatalisation, ''kirk'' is a loanword from Old Norse and thus retains the original mainland Germanic consonants. Compare cognates: Icelandic ...
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Phil Woods
Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Biography Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley. In the 1950s, Woods began to lead his own bands. Quincy Jones invited him to accompany Dizzy Gillespie on a world tour sponsored by the U.S. State Department. A few years later he toured Europe with Jones, and in ...
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Bruce Fisher
Bruce Fisher (born January 8, 1954) is an American songwriter, record producer, playwright best known for his collaborations with Billy Preston. Fisher's best-known songs include "You Are So Beautiful", " Will It Go Round In Circles", and " Nothing from Nothing", all co-written with Preston before 1973. Career Born in Washington D.C., Fisher was raised in Chicago, Illinois, by his grandmother. He moved to Los Angeles, California, in the early 1970s, where he currently resides. Fisher's best-known songs include "You Are So Beautiful", "Will It Go Round In Circles", and " Nothing from Nothing", all co-written with Preston before 1973. With his first LP release, ''Red Hot'' in 1977, he worked with Roy Ayers, Keni Burke (with whom he wrote the title song), Charles Earland, Mtume and the Brecker Brothers in 1977. He also played and performed with The Blackbyrds, James Gadson, David Williams, Leon Ware, Carolyn Willis, Wah Wah Watson, Ernie Watts, the late Richard Tee and Bernard Pu ...
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Billy Preston
William Everett Preston (September 2, 1946 – June 6, 2006) was an American keyboardist, singer and songwriter whose work encompassed R&B, rock, soul, funk, and gospel. Preston was a top session keyboardist in the 1960s, during which he backed artists such as Little Richard, Sam Cooke, Ray Charles, the Everly Brothers, Reverend James Cleveland, the Beatles and the Rolling Stones. He gained attention as a solo artist with hit singles such as " That's the Way God Planned It", the Grammy-winning " Outa-Space", " Will It Go Round in Circles", "Space Race", " Nothing from Nothing", and "With You I'm Born Again". Additionally, Preston co-wrote "You Are So Beautiful", which became a #5 hit for Joe Cocker. Preston is the only non-Beatle musician to be given a credit on a Beatles recording at the band's request; the group's 1969 single " Get Back" was credited as "The Beatles with Billy Preston". He continued to record and perform with George Harrison after the Beatles' breakup, al ...
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You Are So Beautiful
"You Are So Beautiful" is a song written by Billy Preston and Bruce Fisher that was first released in 1974 on Preston's ninth studio album, '' The Kids & Me''. It was also the B-side of his single "Struttin'". Later that same year, English singer Joe Cocker released a slower version of the song on his album ''I Can Stand a Little Rain''. Cocker's version was produced by Jim Price, and released as a single in November 1974. It became Cocker's highest charting solo hit, peaking at number five on the United States' ''Billboard'' Hot 100 (Cocker's biggest hit on the pop chart was " Up Where We Belong", a duet with Jennifer Warnes from the 1982 film '' An Officer And A Gentleman'', which reached number 1), and at number four on Canada's Top Singles chart. Some sources credit Dennis Wilson of the Beach Boys with contributing to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards. Kenny Rankin, Ray Stevens, Kenny Rogers, Bonnie Tyler ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", " Days of Wine and Roses", " Autumn Leaves", and " Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, J ...
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Sonny Rollins
Walter Theodore "Sonny" Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including " St. Thomas", " Oleo", " Doxy", "Pent-Up House", and "Airegin", have become jazz standards. Rollins has been called "the greatest living improviser" and the "Saxophone Colossus". Early life Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other fu ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ...
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Oleo (composition)
"Oleo" is a hard bop composition by Sonny Rollins, written in 1954. Since then it has become a jazz standard, and has been played by numerous jazz artists, including Miles Davis, John Coltrane, and Bill Evans. Form "Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm". Recordings The first version of the song, featuring Rollins, was recorded by Miles Davis and Sonny Rollins in 1954 on the record '' Miles Davis with Sonny Rollins.'' With John Coltrane instead of Rollins on saxophone, it has been recorded again in 1956 on '' Relaxin'.'' A live version from 1958, also with Coltrane, appears on two separate Davis albums: '' 1958 Miles,'' which was released in late 1958, and '' Jazz at the Plaza'' (1973). Another Davis live version from 1961 appears on ''In Person Friday and Saturday Nights at the Blackhawk, Complete.'' Other artists who have made notable recordings of the piece include Michae ...
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