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Lieder Composed By Robert Schumann
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leed
Leadership in Energy and Environmental Design (LEED) is a green building certification program used worldwide. Developed by the non-profit U.S. Green Building Council (USGBC), it includes a set of rating systems for the design, construction, operation, and maintenance of green buildings, homes, and neighborhoods, which aims to help building owners and operators be environmentally responsible and use resources efficiently. By 2015, there were over 80,000 LEED-certified buildings and over 100,000 LEED-accredited professionals. Most LEED-certified buildings are located in major U.S. metropolises. LEED Canada has developed a separate rating system adapted to the Canadian climate and regulations. Some U.S. federal agencies, state and local governments require or reward LEED certification. This can include tax credits, zoning allowances, reduced fees, and expedited permitting. Studies have found that for-rent LEED office spaces generally have higher rents and occupancy rates and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Period (music)
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Literature
German literature () comprises those literature, literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by German dialects, dialects (e.g. Alemannic literature, Alemannic). Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Protestant Reformation, Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the ''Hildebrandslied'' and a heroic epic known as the ''Heliand''. Middle High German starts in the 12t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Innsbruck, Ich Muss Dich Lassen
"" ("Innsbruck, I must leave thee") is a German Renaissance song. It was first published as a choral movement by the Franco-Flemish composer Heinrich Isaac (ca. 1450–1517); the melody was probably written by him. The lyricist is unknown; an authorship of Emperor Maximilian I, as was previously assumed, seems highly unlikely. Chester Lee Alwes writes that the song "became the gold standard of the Lied genre". Melody There has been doubt whether the melody was in fact written by Heinrich Isaac or copied from earlier tunes. The melody was later used in a Lutheran chorale, "", and still appears in modern English-language hymnals under the name "Innsbruck", to a wide variety of text, of which the most common one is "The duteous day now closeth", a paraphrase of Paul Gerhardt's "Nun ruhen alle Wälder. The song exists in two different four-part settings by Heinrich Isaac: a with the melody in the soprano part (transcribed below), Denkmäler der Tonkunst in Österreich, Vol. 28, Vien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Isaac
Heinrich Isaac (ca. 1450 – 26 March 1517) was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs (in French, German and Italian), and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. Several variants exist of his name: Ysaac, Ysaak, Henricus, Arrigo d'Ugo, and Arrigo il Tedesco among them. (''Tedesco'' means "Flemish" or "German" in Italian.) Early life Little is known about Isaac's early life (or indeed what he called himself), but it is probable that he was born in Flanders, probably in Brabant. During the late 15th century, standards of music education in the region were excellent, and he was probably educated in his homeland, although the location is not known.New Grove Dictionary of Music and Musicians. December 2001. Stanley Sadie Sixteenth-century Swiss music theorist and writer Heinrich Glarean claimed Isaac for Germany by dubbing him "Henricus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frische Teutsche Liedlein
Frische teutsche Liedlein is a five-part collection of songs, which was written and published in 1539-1556 by the doctor, composer and song collector Georg Forster (around 1510 in Amberg – 12 November 1568 in Nuremberg). It comprises 380 polyphonic, predominantly secular German songs. The collection later received its collective name. It is the most extensive and important song publication of the time and one of the most important sources for tenor singers (with the cantus firmus in the tenor, such as a version of ''Innsbruck, ich muss dich lassen'' by Heinrich Isaac and ''Mir ist ein rot Goldfingerlein'' by Ludwig Senfl). Volumes * ''Ein außzug guter alter und newer Teutscher liedlein/einer rechten Teutschen art/auff allerley Instrumenten zubrauchen/außerlesen''. Nürnberg 1539(2nd edition 1543; 3rd edition 1549 itle modified 4th edition 1552 itle modified 5th edition 1560/61) * ''Der ander theyl kurtzweiliger guter frischer Teutscher Liedlein zu singen vast lustig''. Nü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Forster (composer)
Georg Forster ( – 12 November 1568) was a German editor, composer and physician. Forster was born at Amberg, in the Upper Palatinate. While a chorister at Elector Ludwig V’s court in Heidelberg around 1521, he was a colleague of Caspar Othmayr who would also become a composer of renown. Forster received his first instruction in composition from the Kapellmeister Lorenz Lemlin. Forster died at Nuremberg Nuremberg ( ; german: link=no, Nürnberg ; in the local East Franconian dialect: ''Nämberch'' ) is the second-largest city of the German state of Bavaria after its capital Munich, and its 518,370 (2019) inhabitants make it the 14th-largest .... References External links * * 1510s births 1568 deaths Renaissance composers German classical composers German male classical composers {{Germany-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Senfl
Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well. Life Senfl was probably born in Basel around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland. In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal trainin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hofhaimer
Paul Hofhaimer (25 January 1459 – 1537) was an Austrian organist and composer. He was particularly gifted at improvisation, and was regarded as the finest organist of his age by many writers, including Vadian and Paracelsus; in addition he was one of only two German-speaking composers of the time (Heinrich Isaac was the other) who had a reputation in Europe outside of German-speaking countries. He is grouped among the composers known as the Colorists. Life He was born in Radstadt, near Salzburg. Sources are somewhat contradictory on his early life, with Vadian asserting that he was self-taught, and the Nuremberg humanist Konrad Celtis saying that he acquired his technique at the court of Emperor Frederick III. Hofhaimer went to Innsbruck in 1478, and so impressed Archduke Sigismund of Tyrol that he was given a lifetime appointment as court organist in 1480. He almost certainly knew Heinrich Isaac well while he was in Innsbruck, since Isaac became court composer there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Finck
Heinrich Finck (1444 or 1445 – 9 June 1527) was a notable German composer. He served as ''Kapellmeister'' first for Prince Alexander of Lithuania, later King of Poland, before living Poland in 1510. He worked in Stuttgart before becoming a member (and months before his death, the ''Kapellmeister'') the ''Hofkapell''. He was the great-uncle of the music theorist and composer Hermann Finck (1527 – 1558). Biography He was probably born at Bamberg, but nothing is certainly known either of the place or date of his birth. Between 1492 and 1506 he was a musician in, and later possibly conductor of the court orchestra of successive kings of Poland at Warsaw. He held the post of conductor at Stuttgart from 1510 till about 1514, then was a composer at the Hofkapelle of Emperor Maximilian I, from 1519(?) at the chapter in Salzburg, and in 1527 ''Hofkapellmeister'' of Emperor Ferdinand I in Vienna, where he died. Works His works, mostly part songs and other vocal compositions, show gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Celtis
Conrad Celtes (german: Konrad Celtes; la, Conradus Celtis (Protucius); 1 February 1459 – 4 February 1508) was a German Renaissance humanist scholar and poet of the German Renaissance born in Franconia (nowadays part of Bavaria). He led the theatrical performances at the Viennese court and reformed the syllabi. Celtis is considered by many to be the greatest of German humanists and thus dubbed "the Archhumanist" (''Erzhumanist''). He is also praised as "the greatest lyric genius and certainly the greatest organizer and popularizer of German Humanism". Life Born at Wipfeld, near Schweinfurt (present-day Lower Franconia) under his original name Konrad Bickel or Pyckell (modern spelling Pickel), Celtes left home to avoid being set to his father's trade of vintner, and pursued his studies at the University of Cologne (1477–1479; B.A., 1479) and at the University of Heidelberg (M.A., 1485). While at Heidelberg, he received patronage and instruction from Dalberg and Agricola. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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