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Liechtenauer
Johannes Liechtenauer (also ''Lichtnauer'', ''Hans Lichtenawer'') was a German fencing master who had a great level of influence on the German fencing tradition in the 14th century. Biography Liechtenauer seems to have been active during the mid-to-late 14th century. The only extant biographical note on Liechtenauer is found in GNM Hs. 3227a (dated c. 1400), which states that "Master Liechtenauer learnt and mastered he art of the swordin a thorough and rightful way, but he did not invent it or make it up himself, as it is stated before. Instead, he travelled across and visited many lands for the sake of this rightful and true art, as he wanted to study and know it." His surname indicates he was from a place called ''Liechtenau'' (modern ''Lichtenau''). There are several places with this name. Massmann (1844) mentions five candidate locations: Lichtenau im Mühlkreis in Upper Austria; Lichtenau in Franconia, Nuremberg; Lichtenau on the Rhine, Baden, near Strasbourg; L ...
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German School Of Swordsmanship
The German school of fencing (') is a system of combat taught in the Holy Roman Empire during the Late Middle Ages, Late Medieval, German Renaissance, and Early Modern periods. It is described in the contemporary Fechtbuch, Fechtbücher ("fencing books") written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the ', or the ''"Art of Fighting"''. The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, Messer (weapon), messers (with or without a buckler), and the stick fighting, staff, as well as describing mounted combat and unarmed grappling (''ringen''). Most authors of writings on the system are, or claim to be, in the tradition of the 14th-century master Johannes Liechtenauer. The earliest surviving treatise on Li ...
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Liechtenauer Map
Johannes Liechtenauer (also ''Lichtnauer'', ''Hans Lichtenawer'') was a German fencing master who had a great level of influence on the German fencing tradition in the 14th century. Biography Liechtenauer seems to have been active during the mid-to-late 14th century. The only extant biographical note on Liechtenauer is found in GNM Hs. 3227a (dated c. 1400), which states that "Master Liechtenauer learnt and mastered he art of the swordin a thorough and rightful way, but he did not invent it or make it up himself, as it is stated before. Instead, he travelled across and visited many lands for the sake of this rightful and true art, as he wanted to study and know it." His surname indicates he was from a place called ''Liechtenau'' (modern ''Lichtenau''). There are several places with this name. Massmann (1844) mentions five candidate locations: Lichtenau im Mühlkreis in Upper Austria; Lichtenau in Franconia, Nuremberg; Lichtenau on the Rhine, Baden, near Strasbourg; Li ...
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Nürnberger Handschrift GNM 3227a
Codex 3227a of the in Nuremberg (also known as ''Hs. 3227a'', ''GNM 3227a'', ) is a manuscript of 169 folia, dated to the close of the 14th century. Its text is written in Latin and German. The German portions have been identified as in East Central German dialect. The composition of the manuscript is sometimes dated to 1389 on the basis of the calendar on fol. 83v which covers the years 1390–1495 (assuming that the scribe compiled the calendar for future reference only), but it has been noted that nothing precludes a date in the first quarter of the 15th century. By the late 15th century, the manuscript was owned by Nicolaus Pol, who left the inscription . Pol is known as the personal surgeon to the emperors at Innsbruck from 1495. After Pol's death in 1532, his library, presumably including this manuscript, passed to Innichen Abbey in South Tyrol. The fate of the manuscript during the 17th and 18th centuries is unknown, but it was part of the library of Hans Freiher ...
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Glasgow Fechtbuch (E
{{Short description, Combat manual The Glasgow Fechtbuch (MS E.1939.65.341 in the R. L. Scott Collection of the Glasgow Museums in Glasgow, Scotland) is a combat manual of the German school of fencing, dated to 1505. Consisting of 105 folia, it combines the instructions of various masters of the 15th century who stood in the tradition of Johannes Liechtenauer, presumably based on a previous compilation made by fencing master Sigmund Schining ein Ringeck. Contents: ;''Blossfechten'' (longsword and messer) *1r - 22r Gloss of Liechtenauer's longsword ''Blossfechten'' by Ringeck (fragment) *22v - 24r Additional longsword material by Ringeck *24v - 25r Longsword by Martin Syber *25v - 26v Messer treatise *27r - 29v Additional longsword material by Andres Juden, Jobs von der Nyssen, Nicolas Preussen, and Hans Döbringer (viz., the same "other masters" as referenced in MS 3227a) *35r (Image of a seated master, possibly Liechtenauer, reminiscent of the depiction in Cod. 44 A 8) ; ...
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Talhoffer Fechtbuch (Thott 290 2º)
Hans Talhoffer (Dalhover, Talhouer, Thalhoffer, Talhofer; – after 1482) was a German fencing master. His martial lineage is unknown, but his writings make it clear that he had some connection to the tradition of Johannes Liechtenauer, the grand master of a well-known Medieval German school of fencing. Talhoffer was a well-educated man who took interest in astrology, mathematics, onomastics, and the auctoritas and the ratio. He authored at least five fencing manuals during the course of his career, and appears to have made his living teaching, including training people for trial by combat. Life The first known reference to Talhoffer is in 1433, when he represented Johann II von Reisberg, archbishop of Salzburg, before the Vehmic court. Shortly thereafter in 1434, Talhoffer was arrested and questioned by order of Wilhelm von Villach (a footman to Albrecht III von Wittelsbach, duke of Bavaria) in connection to the trial of a Nuremberg aristocrat named Jacob Auer, accused o ...
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Gladiatoria (Cod
The Gladiatoria Group is a series of several 15th-century German manuscripts that share the same art style and cover the same material—various types of armored combat. The texts are contemporary with the tradition of Johannes Liechtenauer, but not directly influenced by it. Gladiatoria is thus one of very few glimpses into the characteristics of a potentially independent German martial tradition.Hils, Hans Peter. "''Gladiatoria'': Über drei Fechthandschriften aus der ersten Hälfte des 15. Jahrhunderts." ''Codici Manuscripti'' 13. Verlag Brüder Hollinek, 1987. pp. 1-54. Print. The core of the Gladiatoria group is a series of devices of armored fencing following the typical progression of a judicial duel: beginning with spears and small shields called ''ecranches'', moving to longswords, then employing daggers on foot and on the ground. (Traditional dueling would begin on horseback before going to foot combat, and the ''ecranche'' is designed for mounted fencing, but Gladiatori ...
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Middle High German
Middle High German (MHG; german: Mittelhochdeutsch (Mhd.)) is the term for the form of German spoken in the High Middle Ages. It is conventionally dated between 1050 and 1350, developing from Old High German and into Early New High German. High German is defined as those varieties of German which were affected by the Second Sound Shift; the Middle Low German and Middle Dutch languages spoken to the North and North West, which did not participate in this sound change, are not part of MHG. While there is no ''standard'' MHG, the prestige of the Hohenstaufen court gave rise in the late 12th century to a supra-regional literary language (') based on Swabian, an Alemannic dialect. This historical interpretation is complicated by the tendency of modern editions of MHG texts to use ''normalised'' spellings based on this variety (usually called "Classical MHG"), which make the written language appear more consistent than it actually is in the manuscripts. Scholars are uncertain as to ...
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Codex Danzig (Cod
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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Codex Lew (Cod
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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German Late Middle Ages
The Holy Roman Empire was a political entity in Western, Central, and Southern Europe that developed during the Early Middle Ages and continued until its dissolution in 1806 during the Napoleonic Wars. From the accession of Otto I in 962 until the twelfth century, the Empire was the most powerful monarchy in Europe. Andrew Holt characterizes it as "perhaps the most powerful European state of the Middle Ages". The functioning of government depended on the harmonic cooperation (dubbed ''consensual rulership'' by Bernd Schneidmüller) between monarch and vassals but this harmony was disturbed during the Salian period. The empire reached the apex of territorial expansion and power under the House of Hohenstaufen in the mid-thirteenth century, but overextending led to partial collapse. On 25 December 800, Pope Leo III crowned the Frankish king Charlemagne as emperor, reviving the title in Western Europe, more than three centuries after the fall of the earlier ancient Western Roman ...
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Codex Speyer (MS M
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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Codex Ringeck (MS Dresd
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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