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Liebestod
"" ( German for "love death") is the title of the final, dramatic music from the 1859 opera ' by Richard Wagner. It is the climactic end of the opera, as Isolde sings over Tristan's dead body. The music is often used in film and television productions of doomed lovers."Quoting Tristan: Echoes of Wagner over 150 years of music and film"
by Rachel Beaumont, , 3 December 2014


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* Bronfen, Elisabeth, ''Liebest ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ...
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Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Climax (narrative)
The climax (from the Greek word ''κλῖμαξ'', meaning "staircase" and "ladder") or turning point of a narrative work is its point of highest tension and drama, or it is the time when the action starts during which the solution is given. The climax of a story is a literary element. Examples The punch line of a joke is an analogy for the climax of a fictional narrative, though the absence of any falling action is an essential difference, which may reflect the nature of humor as opposed to the nature of drama. In non-fictional narrative genres, even though the author does not have the same freedom to control the action and "plot" as in works of fiction, the selection of subject matter, degree of detail, and emphasis permit an author to create similar structures, i.e., to construct a dramatization. In the play '' Hippolytus'', by Greek playwright Euripides, the climax arrives when Phaedra hears Hippolytus react badly because of her love for him. That is the moment that A ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Elisabeth Bronfen
Elisabeth Bronfen (born 23 April 1958 in Munich) is a Swiss/German/American literary and cultural critic and academic. She is a professor and chairholder for English literature at the University of Zurich as well as a global distinguished professor at New York University. Her research interests include 19th- and 20th-century American and British literature, gender studies, psychoanalysis as well as the intersection and interaction between different cultural media. Academic career Elisabeth Bronfen studied German, English and Comparative literature at Radcliffe College and Harvard. From 1985 until 1992, she worked as an assistant at the Ludwig Maximilian University of Munich and wrote her doctorate on Dorothy Richardson's ''Pilgrimage'' novels. Bronfen has held a chair at the University of Zurich since 1993, where she wrote her habilitation ''Over Her Dead Body'' (1992). Works In ''Over Her Dead Body'' (1992), Bronfen presents death as a fundamental deficit that is often ne ...
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Birgit Nilsson
Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano. Although she sang a wide répertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner and Richard Strauss. Her voice was noted for its overwhelming force, bountiful reserves of power, and the gleaming brilliance and clarity in the upper register. Biography Early life Birgit Nilsson was born Märta Birgit Svensson on a farm at Västra Karup in Skåne (100 km/60 miles north of Malmö) to Nils Svensson and Justina Svensson (née Paulsson). When she was three years old she began picking out melodies on a toy piano her mother bought for her. She once told an interviewer that she could sing before she could walk, adding, "I even sang in my dreams". Her vocal talent was first noticed when she began to sing in her church choir. A choirmaster near her home heard her sing and advised her to take voice lessons. She studied w ...
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Literary Terminology
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or sun ...
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Compositions By Richard Wagner
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Opera Excerpts
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Arias In German
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; melod ...
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