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Libuše Márová
Libuše Márová (born 24 December 1943) is a Czech operatic mezzo-soprano who has been a principal artist at the National Theatre in Prague since 1969. She has sung on a number of recordings in the Supraphon label and currently teaches on the voice faculty at the Academy of Performing Arts in Prague. Biography Born in Sušice, Márová studied at the Academy of Performing Arts in Prague with Přemysl Kočí, Josef Frýdl, Štěpánka Štěpánová, and Michael Zabejda. She made her professional opera debut in 1965 at the Divadlo Josefa Kajetána Tyla in Plzeň as Azucena in Giuseppe Verdi's '' Il Trovatore''. In 1969 Márová was appointed to the Prague National Theatre where she quickly became one of the theatre's most important artists. On stage she excelled in the dramatic Czech repertoire, portraying such roles as Donna Isabella in ''The Bride of Messina'', Fanny in '' The Excursions of Mr. Brouček to the Moon and to the 15th Century'', Martinka in '' The Kiss'', Var ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sušice
Sušice (; ) is a town in Klatovy District in the Plzeň Region of the Czech Republic. It has about 11,000 inhabitants. The historic town centre is well preserved and is protected as an Cultural monument (Czech Republic)#Monument zones, urban monument zone. Administrative division Sušice consists of 17 municipal parts (in brackets population according to the 2021 census): *Sušice I (597) *Sušice II (7,893) *Sušice III (1,290) *Albrechtice (81) *Červené Dvorce (123) *Chmelná (151) *Divišov (32) *Dolní Staňkov (22) *Humpolec (0) *Milčice (18) *Nuzerov (12) *Páteček (17) *Rok (41) *Stráž (2) *Volšovy (202) *Vrabcov (21) *Záluží (47) Etymology The name Sušice is derived from the Czech verb ''sušit'', i.e., "dry". At the time of its establishment, it was a place where Gold panning, gold panners dried gold sand after washing it. Geography Sušice is located about southeast of Klatovy and south of Plzeň. It lies in the Bohemian Forest Foothills. The highest po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Káťa Kabanová
''Káťa Kabanová'' (also known in various spellings including ''Katia'', ''Katja'', ''Katya'', and ''Kabanowa'') is an opera in three acts, with music by Leoš Janáček to a libretto by the composer based on ''The Storm (Ostrovsky), The Storm'', a play by Alexander Ostrovsky, translated by . The opera was also largely inspired by Janáček's love for Kamila Stösslová. Although he was 67 when it was premiered, ''Káťa Kabanová'' is a clear response to Janáček's feelings for Kamila, and the work is dedicated to her. The first performance was at the National Theatre Brno on 23 November 1921. The opera has had a complex publication history. František Neumann, the conductor of the opera's first performance, made changes that were incorporated into the first publication of the score in 1922 by Universal Edition. Conductor Václav Talich later produced a "re-orchestrated" version of the score. In 1992, Sir Charles Mackerras published a Critical edition (opera), critical edition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces operas, operettas and musicals. The opera house is located on Behrenstraße, near Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,700 seats. Its dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera House
An opera house is a theater building used for performances of opera. Like many theaters, it usually includes a stage, an orchestra pit, audience seating, backstage facilities for costumes and building sets, as well as offices for the institution's administration. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing arts center. History Greco-Roman antiquity Based on Aristoxenus's musical system, and paying homage to the architects of ancient Greek theater, Vitruvius described, in the 1st century BC, in his treatise ''De architectura'', the ideal acoustics of theaters. He explained the use of brazen vases that Mummius had brought to Rome after having had the theater of Corinth demolished, and as they were probably used in the Theater of Pompey. As wooden theaters were naturally sonorous, these vases, placed betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical canon; the " Habanera" and "Seguidilla" from act 1 and the " Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. Jos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( ) is an ''opera buffa'' (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy '' The Barber of Seville'' (1775). The premiere of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two centuries, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera '' The Marriage of Figaro,'' composed 30 years earlier in 178 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlo
''Don Carlos'' is an 1867 five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the 1787 play '' Don Karlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller and several incidents from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867. The first performance in Italian was given at Covent Garden in London in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluebeard's Castle
''Duke Bluebeard's Castle'' (, literally ''The Blue-Bearded Duke's Castle'') is a one-act Symbolism (movement), Symbolist opera by composer Béla Bartók to a Hungarian libretto by his friend and poet Béla Balázs. Based on the French folk legend, or ''conte populaire'', as told by Charles Perrault, it lasts about an hour and deploys just two singing characters: Bluebeard () and his newest wife Judith (); the two have just eloped and she is coming home to his castle for the first time. ''Bluebeard's Castle'', András Szőllősy, Sz. 48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the Royal Hungarian Opera House in Budapest. Universal Edition published the vocal (1921) and full score (1925). The Boosey & Hawkes full score includes only the German and English singing translations while the Dover edition reproduces the Universal Edition Hungarian/German vocal score (with page numbers beginning at 1 inste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''Women are like that, or The School for Lovers''), Köchel catalogue, K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''The Marriage of Figaro, Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Joseph II, Holy Roman Emperor, Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John A. Rice (musicologist), John Rice uncovered two String trio, terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''wikt:tutte#Italian, tutte'') to indicate women. It is usually translated into English as "Women are like that". The words a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
