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Libuše Domanínská
Libuše Domanínská (née Klobásková, married Vyčichlová; 4 July 1924 – 2 February 2021) was a Czech classical soprano who had a career in concert and opera from the 1940s through the 1970s. She was a leading member of the Brno National Theatre and later the Prague National Theatre where she sang a repertoire of 50 roles, especially as Janáček's Jenůfa, Káťa Kabanová and The Cunning Little Vixen. She was instrumental in making the composer's operas known internationally, both in recordings and guest appearances. Life and career Libuše Klobásková was born in Brno, Czechoslovakia, on 4 July 1924. Her father was a wine expert, and her family moved from Moravia to Košice in the Slovakian part, where she first performed on a stage in an amateur theatre show at age five. At age eight, she was nicknamed "the lark of Košice" when she sang for a local radio. When an independent Slovakia was proclaimed in 1939 under the Nazis, Czechs were expelled from Slovakia, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brno
Brno ( , ; german: Brünn ) is a city in the South Moravian Region of the Czech Republic. Located at the confluence of the Svitava and Svratka rivers, Brno has about 380,000 inhabitants, making it the second-largest city in the Czech Republic after the capital, Prague, and one of the 100 largest cities of the EU. The Brno metropolitan area has almost 700,000 inhabitants. Brno is the former capital city of Moravia and the political and cultural hub of the South Moravian Region. It is the centre of the Czech judiciary, with the seats of the Constitutional Court, the Supreme Court, the Supreme Administrative Court, and the Supreme Public Prosecutor's Office, and a number of state authorities, including the Ombudsman, and the Office for the Protection of Competition. Brno is also an important centre of higher education, with 33 faculties belonging to 13 institutes of higher education and about 89,000 students. Brno Exhibition Centre is among the largest exhibition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vilém Přibyl
Vilém Přibyl (born Náchod, 10 April 1925 – died Brno, 21 July 1990) was a Czech operatic tenor. he made his professional debut at the age of 34 in Ústí nad Labem, in 1958. Life and career After serving during World War II, Přibyl trained as an electrical technician. In 1952 he took private singing lessons in Hradec Králové, and participated in amateur opera performances; his debut was the same year as Lukas in ''The Kiss'' by Smetana. Further appearances there led to an invitation to join the State Opera at Ústí nad Labem, making his professional debut there in 1959 in ''Rusalka'' as the Prince.Loppert, Max. Obituary – Vilém Přibyl. ''Opera'', Vol.41 No.10, October 1990, p1189. Two years later Přibyl became a soloist of the National Theatre in Brno which became the base for the rest of his career, initially continuing his studies at the city's Janáček Academy. He also sang regularly with the Prague National Opera. In 1964 he visited Edinburgh with the Prague co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivo Žídek
Ivo Žídek (4 June 1926, Kravaře – 20 May 2003, Prague) was a Czech lyric tenor, known for his vivid portrayals of character roles in the operas of Smetana, Dvořák and Janáček. Early life Ivo Žídek was born in Kravaře, Czechoslovakia. He was descended from a long family line of music teachers and cantors. His father, Libor Žídek, was also an actor and a singer. As a youth, he was schooled in Ostrava where he studied painting because the local music schools had been closed under the Nazi occupation. However, he studied voice privately with Rudolf Vašek (at first, as a baritone) and studied music theory with Josef Schreiber. He was invited by conductor Zdeněk Chalabala to sing with the opera company in Ostrava, making his debut in the title role of Jules Massenet's Werther" in 1944. He continued singing in Ostrava until 1948. National Theatre of Prague In 1947, he was invited to Prague to appear as guest soloist with the National Theatre as Jeník in Bedřich Sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naděžda Kniplová
Naděžda Kniplová (née Pokorná; 18 April 1932 – 14 January 2020) was a Czech operatic soprano who had an active international career from the 1950s through the 1980s. Kniplová possessed a large voice with a sonorous, metallic, dark timbre that was particularly well suited to the dramatic soprano repertoire. While she was most admired in Czech operas and as Wagnerian heroines, she sang a wide repertoire that also encompassed Italian, Russian, and Hungarian language roles. A fine actress, her performances were praised for their intensity and pathos. However, some critics commented on a certain lack of steadiness or purity in her singing. Her voice is preserved on a number of recordings made on the Supraphon and Decca labels. Biography Born in Ostrava to a musical family, Kniplová had her first vocal training from her father before studying under Jarmila Vavrdová at the Prague Conservatory from 1947 to 1953. She pursued further studies at the Academy of Performing Arts in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Volksoper
The Vienna Volksoper (''Volksoper'' or ''Vienna People's Opera'') is an opera house in Vienna, Austria. It produces three hundred performances of twenty-five German language productions of opera, operetta, musicals, and ballet, during an annual season which runs from September through June. History Foundation The Volksoper was built in 1898 as the ''Kaiserjubiläum-Stadttheater'' (Kaiser's Jubilee Civic Theatre), originally producing only plays. Because of the very brief construction period (10 months) the first director Adam Müller-Gutenbrunn had to start with debts of 160,000 florins. After this inauspicious startup the ''Kaiserjubiläum-Stadttheater'' had to declare bankruptcy five years later in 1903. Music theater from 1903 to 1950s On 1 September 1903, Rainer Simons took over the house and renamed it the ''Kaiserjubiläum-Stadttheater - Volksoper'' (public opera). His intention was to continue the production of plays but also establish series of opera and operetta. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komische Oper Berlin
The Komische Oper Berlin is a German opera company based in Berlin. The company produces opera, operetta and musicals. The opera house is located on Behrenstraße, just a few steps from Unter den Linden. Since 2004, the Komische Oper Berlin, along with the Berlin State Opera, the Deutsche Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History of the building The theatre was built between 1891 and 1892 by architects Ferdinand Fellner and Hermann Helmer for a private society. It first opened on 24 September 1892 as ''"Theater Unter den Linden"'' with Adolf Ferron's operetta ''Daphne'' and Gaul and Haßreiter's ballet ''Die Welt in Bild und Tanz''. The theatre was primarily a vehicle for operetta, but was also used for various other events and balls. Around 800 people could be seated in the stalls, and the balconies and various en-suite dinner rooms housed about a further 1,70 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dalibor (opera)
''Dalibor'' is a Czech opera in three acts by Bedřich Smetana. The libretto was written in German by Josef Wenzig, and translated into Czech by Ervin Špindler. It was first performed at the New Town Theatre in Prague on 16 May 1868. The opera received criticism at the time for being overly influenced by German opera, including that of Richard Wagner's ''Lohengrin''. The subject of the opera is ( fl. c. 1490), a Czech knight who took part in an uprising in Ploskovice in support of the oppressed people and was sentenced to death in 1498, during the reign of Vladislaus II of Hungary. The plot bears a resemblance to that of Ludwig van Beethoven's opera ''Fidelio'', in that the central female characters in each opera disguise themselves in male clothing and gain the confidence of a jailor to try to save the imprisoned hero. Performance history Smetana had great affection for the opera, but because of the lukewarm reception, died thinking that he had failed with this opera. The rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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