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Libro De' Disegni (Giorgio Vasari)
The Libro de' Disegni (Italian for ''Book of Drawings'') was a collection of drawings gathered, sorted and grouped by Giorgio Vasari whilst writing his ''Lives of the Most Excellent Painters, Sculptors, and Architects''. By the time of his death in 1574 it is thought to have contained around 526 drawings, of which 162 are now in the Louvre and 83 in the Nationalmuseum, Stockholm. There are also drawings from the ''Libro'' in the prints and drawings departments of the Uffizi, the British Museum, the Albertina, the National Gallery of Art and other institutions. Origins and dispersal Some art historians believe they were gathered to illustrate Vasari's ''Lives'' directly, as a visual index of the artists' works, whilst others believe it was a separate document in its own right. In his preface to the ''Lives'', Vasari described his reasons for writing: No text reveals why Vasari compiled his collection of drawings, but it was probably to illustrate the styles of the different artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari With Drawings By Filippino Lippi, Botticelli, And Raffaellino Del Garbo - Page From "Libro De' Disegni" - Google Art Project
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Giorgio may refer to: * Castel Giorgio, ''comune'' in Umbria, Italy * Giorgio (name), an Italian given name and surname * Giorgio Moroder, or Giorgio, Italian record producer ** ''Giorgio'' (album), an album by Giorgio Moroder * "Giorgio" (song), a song by Lys Assia * Giorgio Bruno, a character from the video game ''Time Crisis 4'' * Giorgio Zott, the main antagonist from the video game ''Time Crisis 3'' * Giorgio Beverly Hills, a prestige fragrance brand See also * Georgios * Georgio (other) * San Giorgio (other) San Giorgio, is the Italian form of Saint George. When used as the name of a person it is frequently contracted to Sangiorgio. Places Comuni Many towns and villages are named after the saint, including the following ''comuni'', or municipalities: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Bartolomeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lelio Orsi
Lelio Orsi (1508/1511 – 1587), also known as Lelio da Novellara, was a Mannerist painter and architect of the Reggio Emilia school in northern Italy. He was born and died in Novellara, and much of his work was completed in Reggio. He appears to have studied under such as Giovanni Giarola, a pupil of Antonio da Correggio. There is documentary evidence that he visited Rome in 1554–55, and may have been influenced by Girolamo Bedoli, Correggio and the prototypic mannerists Giulio Romano as well as Michelangelo and his successor Daniele da Volterra. He is said to have trained Raffaellino da Reggio. Other pupils or followers were Giovanni Bianchi, known as il Bertone Reggiano, and Jacopo Borbone of Novellara.G. Tiraboschi, page 126. He was active in both exterior and interior decoration, and much of his work is in small cabinet pieces, not large altarpieces. Much of his output ended in the collections of the Dukes of Este in Ferrara. __NOTOC__ Orsi’s style draws upon the ether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberale Da Verona
Liberale da Verona (1441–1526) was an Italian painter of the Renaissance period, active mainly in Verona. In popular culture: In the British TV series ''Inspector Morse (TV series), Inspector Morse'', in the episode "The Death of the Self", the works of Liberale da Verona are subject to forgery. Biography He was a pupil of the painter Vincenzo di Stefano, although he was strongly influenced by Andrea Mantegna and Jacopo Bellini. He was featured in the ''Vite'' of Giorgio Vasari. In Verona, he painted an ''Adoration of the Magi'' in the Duomo, and another for the chapel in the bishopric. For the church of San Bernardino, he painted in the chapel of the company of the Maddalena. He also painted a ''Birth'' and ''Assumption of the Virgin''. At the Brera Gallery, there is a ''St. Stephen''. There are illuminated books by him in cathedral of Chiusi. The ''St Sebastian'' in the Princeton University Art Museum is attributed to Liberale. He traveled to Siena to work in the Abbey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Granacci
Francesco Granacci (1469 – 30 November 1543) was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's ''Lives of the Artists''. Granacci was born in 1469 in Villamagna, and was trained in Florence in the workshop of Domenico Ghirlandaio, where he became lifelong friends with Michelangelo. The two frequented Lorenzo de' Medici's famous sculpture garden near the convent of San Marco. His earliest works, such as the ''Madonna and Child with Saints Michael and John the Baptist'' (Staatliche Museen, Berlin), ''Adoration of the Child'' (Honolulu Museum of Art) and his panel from the four histories of ''Saint John the Baptist'' (Metropolitan Museum of Art, New York) show the strong influence of Ghirlandaio as well as Filippino Lippi, who might have been Granacci's first master. According to Vasari, when Granacci was still a youth he modeled for the nude figure in Filippin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davide Ghirlandaio
Davide Ghirlandaio (1452–1525), also known as David Ghirlandaio and as Davide Bigordi, was an Italian painter and mosaicist, active in his native Florence. His brothers Benedetto Ghirlandaio (1458–1497) and Domenico Ghirlandaio (1449–1494) were both painters, as was his nephew Ridolfo Ghirlandaio (1483–1561). Davide was an assistant to, and then a partner of, his brother, the leading painter Domenico. After Domenico's death, Davide took over the studio and trained Domenico's son Ridolfo. He was active in the mosaic decoration of the Orvieto Cathedral Orvieto Cathedral ( it, Duomo di Orvieto; Cattedrale di Santa Maria Assunta) is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986 .... References * ''Dizionario enciclopedico Bolaffi dei pittori e degli incisori italiani dall'XI al XX secolo'', Turin, Giulio Bolaffi, 1972–1976. * Vasari, Giorgio, ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffaellino Del Garbo
Raffaellino del Garbo (1466 – 1527) was a Florentine painter of the early Renaissance. Biography His real name was Raffaello di Bartolomeo dei Carli. He was also known as Raffaello Capponi after his adoptive family. The appellation "del Garbo" comes from the location of his workshop on the street formerly known as the via del Garbo, now the via della Condotta. He was also called Raffaelle de' Carli and signed at least one altarpiece, ''in situ'' in the church of Santa Maria degli Angeli in Valli, Siena, as "Raffaello de Florentia" .e. Raphael of Florence He was a pupil of Filippino Lippi, with whom he remained until 1490, if not later. He accompanied Filippino to Rome, where, according to Vasari, he painted the anteroom of the chapel of St. Thomas Aquinas (Carafa Chapel) in the church of Santa Maria sopra Minerva. Vasari thought the artist died at Florence in 1524, but he was certainly alive in 1527, when he was described as fit for military duty. He probably succumbed to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vittore Carpaccio
Vittore Carpaccio (British English, UK: Help:IPA/English, /kɑːrˈpætʃ(i)oʊ/, American English, US: Help:IPA/English, /-ˈpɑːtʃ-/, Italian: Help:IPA/Italian, [vitˈtoːre karˈpattʃo]; c. 1460/66 – 1525/26) was an Italians, Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (c.1430-1479), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio’s command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''St. Augustine in His Study (Carpaccio), St. Augustine in His Study'' from 1502, reflects the popularity of collecting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Casimir, Duke Of Teschen
Prince Albert Casimir of Saxony, Duke of Teschen (11 July 1738, Moritzburg, Electorate of Saxony – 10 February 1822, Vienna) was a Saxon prince from the House of Wettin who married into the Habsburg imperial family. He was noted as an art collector and founded the Albertina in Vienna, one of the largest and finest collections of old master prints and drawings in the world. Biography He was a younger son of King Augustus III of Poland (who was also Elector of Saxony) and Maria Josepha of Austria, a first cousin of Empress Maria Theresa, being the eldest daughter of Emperor Joseph I. Prince Albert of Saxony, Duke of Teschen, was also one of the godparents to his namesake, Prince Albert of Saxe-Coburg and Gotha. Young Albert was specifically chosen by Archduchess Maria Christina of Austria to be her husband. This was a special favour granted by her mother, Empress Maria Theresa of Austria, because marriages of imperial children were usually used for diplomatic purposes. Stil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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