Lianhua Symphony
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Lianhua Symphony
''Lianhua Symphony'' () (also known as ''Symphony of Lianhua'') is a 1937 Chinese anthology film. Produced by Lianhua Film Company, it served as a showcase of the studio's possibilities. It consists of eight segments of various duration and genre, directed by eight prominent directors of the era: Cai Chusheng, Fei Mu, He Mengfu, Situ Huimin, Shen Fu, Sun Yu, Tan Youliu, and Zhu Shilin. Production overview Lianhua Film Company was the biggest film company of China in the 1930s. Eight young directors chosen to participate in the project were already praised for their previous works. Most of them became even more important several years later and today their films are considered classics. Some, like Sun Yu's ''The Big Road'' (1934), Cai Chusheng's ''The Spring River Flows East'' (1947), Fei Mu's ''Spring in a Small Town'' (1948), or Shen Fu's ''Myriad of Lights'' (1949) often reappear on many "best Chinese films of all time" lists. Zhu Shilin became a prominent figure in Hong Kong ...
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Li Lili
Li Lili (; 2 June 1915 – 7 August 2005) was a Chinese film actress and singer. Her films '' Playthings'', '' The Great Road'' and ''Storm on the Border'' were blockbusters of the 1930s and 1940s.Elaine DuanTop 10 legendary Chinese women in the 1930s: Li Lili China.org.cn, 2011-08-15. Retrieved 2012-05-06. She was sometimes called "China's Mae West". Her films ''Volcanic Passions'' (1932), ''Playthings'' (''Little Toys'') (1933), ''Daybreak'' (1933), ''Sports Queen'' (1934), and ''The Great Road'' (''The Big Road'') (1934) are available with English subtitles on YouTube. Biography Li was born Qian Zhenzhen () in Beijing, 1915. Her father, Qian Zhuangfei, was a famed secret agent and member of the Chinese Communist Party. In 1927, she moved to Shanghai, where her father encouraged her to join the China Song & Dance Troupe, later renamed Bright Moon Song and Dance Troupe. Li Jinhui, later described as "the Father of Chinese popular music", was the conductor of the troupe and a ...
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Anthology Film
An anthology film (also known as an omnibus film, package film, or portmanteau film) is a single film consisting of several shorter films, each complete in itself and distinguished from the other, though frequently tied together by a single theme, premise, or author. Sometimes each one is directed by a different director or written by a different author, or may even have been made at different times or in different countries. Anthology films are distinguished from " revue films" such as ''Paramount on Parade'' (1930)—which were common in Hollywood in the early decades of sound film, composite films, and compilation films. Sometimes there is a theme, such as a place (e.g. ''New York Stories'', ''Paris, je t'aime''), a person (e.g. ''Four Rooms''), or a thing (e.g. '' Twenty Bucks'', '' Coffee and Cigarettes'', '' Omniboat: A Fast Boat Fantasia''), that is present in each story and serves to bind them together. Two of the earliest films to use the form were Edmund Goulding's '' ...
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Mei Xi
Mei may refer to: Names * Mei (surname), a Chinese, Italian, Russian or Estonian family name * Mei (given name), a given name Places * Mei County, Guangdong, China, a county * Mei Pass, Guangdong, a strategic mountain pass * Mei River, Guangdong * Mei County, Shaanxi, China, a county * Mei, Arcos de Valdevez, a civil parish of Arcos de Valdevez Municipality, Portugal Art, entertainment, and media Characters * Mei (''Overwatch''), a playable character in ''Overwatch'' and ''Heroes of the Storm'' * Mei, a character in the anime series ''Endro!'' * Mei, a character in '' ER'' * Mei Fong (born 1972), female character who passes as a boy in ''Hell on Wheels'' * Mey-Rin, a character in the manga series ''Black Butler'' *Mei, a character from the movie My Neighbor Totoro * Mei Meido from the manga ''Kimi no koto ga Dai Dai Dai Dai Daisuki na 100-nin no Kanojo'' Films * ''Mei'' (film), 2019 Indian Tamil crime thriller film Music * ''Mei'' (album), a 2002 album by American rock-ba ...
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German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Intro ...
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Slapstick
Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders. The term arises from a device developed for use in the broad, physical comedy style known as ''commedia dell'arte'' in 16th-century Italy. The "Clapper (musical instrument), slap stick" consists of two thin slats of wood, which make a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show. Other examples of slapstick humor include ''The Naked Gun'' and Mr. Bean (character), Mr. Bean. Origins The name "slapstick" originates from the Italian ''Batacchio'' or ''Bataccio'' – called the "Clapper (musical instrument), slap stick" in English – a club-like objec ...
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History Of Sino-Japanese Relations
History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the invention of writing systems is considered prehistory. "History" is an umbrella term comprising past events as well as the memory, discovery, collection, organization, presentation, and interpretation of these events. Historians seek knowledge of the past using historical sources such as written documents, oral accounts, art and material artifacts, and ecological markers. History is not complete and still has debatable mysteries. History is also an academic discipline which uses narrative to describe, examine, question, and analyze past events, and investigate their patterns of cause and effect. Historians often debate which narrative best explains an event, as well as the significance of different causes and effects. Historians also debate the nature of history as an end in itself, as well as its usefulness to give perspective on the problems of the p ...
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Cinema Of China
The cinema of China is one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan. Cinema was introduced in China in 1896 and the first Chinese film, '' Dingjun Mountain'', was made in 1905. In the early decades the film industry was centered on Shanghai. The 1920s was dominated by small studios and commercial films, especially in the action wuxia genre. The first sound film, '' Sing-Song Girl Red Peony'', using the sound-on-disc technology, was made in 1931. The 1930s, considered the first "Golden Period" of Chinese cinema, saw the advent of the leftist cinematic movement. The dispute between Nationalists and Communists was reflected in the films produced. After the Japanese invasion of China and the occupation of Shanghai, the industry in the city was severely curtailed, with filmmakers moving to Hong Kong, Chungking (Chongqing) and other places. A "Solitary Island" period began in Shanghai, where the ...
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Cinema Of Hong Kong
The cinema of Hong Kong ( zh, t=香港電影) is one of the three major threads in the history of Chinese language cinema, alongside the cinema of China and the cinema of Taiwan. As a former British colony, Hong Kong had a greater degree of political and economic freedom than mainland China and Taiwan, and developed into a filmmaking hub for the Chinese-speaking world (including its worldwide diaspora). For decades, Hong Kong was the third largest motion picture industry in the world following US cinema and Indian cinema and the second largest exporter. Despite an industry crisis starting in the mid-1990s and Hong Kong's transfer to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely ...
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Asia Weekly
''Yazhou Zhoukan'' () is a Chinese-language international affairs newsweekly. It was launched in 1987 by Michael O'Niell as a sister magazine to ''Asiaweek''. It is published by Yanzhou Zhoukan Limited (a subsidiary of Media Chinese International Limited), and provides international political, economic and cultural news. In December 2011, its circulation reached 150,000. History 1975-1987 ''Asiaweek'' was founded in 1975 by Michael O'Neill, a New Zealander, and T. J. S. George, an Indian, who had worked together at the ''Far Eastern Economic Review''. O'Niell's experience in Asia confirms his belief that ‘the Asian century is coming’. In 1985, Time, Inc. (as it was then known) acquired 84% of ''Asiaweek'', buying out ''Reader's Digests 80% stake and 4% local interests. The remaining 16% was owned by Michael O'Neill. The Chinese edition of Asiaweek, ''Yazhou Zhoukan'', was launched in 1987 as a sister magazine to ''Asiaweek''. O'Neill was a founding Editor-in-Chief of ''Y ...
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Myriad Of Lights
''Myriad of Lights'', also translated as ''Lights of Ten Thousand Homes'', is a 1948 Chinese film directed by Shen Fu and starring Shangguan Yunzhu, Wu Yin and Lan Ma. The film is selected as one of the 100 best 20th-century Chinese films by ''Asia Weekly''.http://www.chinesecinemas.org/chinacentury.html. See December 19, 1999 issue of '' Asia Weekly''. It also ranks #91 in Hong Kong Film Academy's poll of the 100 best Chinese-language films. Plot The film begins with a small family of four (including a servant and a young daughter) in post-war Shanghai. The father, Hu Zhiqing, is a modest office worker. He finds out one day in a letter that his mother and his brother's family are coming down from the provinces to join him because living conditions are tough in the countryside. His wife cautions him that this means household expenses will increase greatly. Spiraling inflation makes it difficult for Hu to feed the nine people in this extended family. They have to cramp the ...
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